This edited volume qualifies black love on the basis of black identity. Much of what is experienced of blackness as an identity arises out of a juxtaposition to other races and identities, particularly whiteness. The contributors in this volume resist the idea of black love in reference to whiteness by exposing the hidden toxicities that come with a focus on whiteness. They reflect on intricate and intimate relationship dynamics that arise out of a violent and challenging past between Black women and Black men.

A poetic journey through my life. Learning that love flows beyond marital relationships should become the instrument of measure when it comes to understanding what love truly means.

An incisive, intersectional essay anthology that celebrates and examines romance and romantic media through the lens of Black readers, writers, and cultural commentators, edited by Book Riot columnist and librarian Jessica Pryde. Romantic love has been one of the most essential elements of storytelling for centuries. But for Black people in the United States and across the diaspora, it hasn't often been easy to find Black romance joyfully showcased in entertainment media. In this collection, revered authors and sparkling newcomers, librarians and academicians, and avid readers and reviewers consider the mirrors and windows into Black love as it is depicted in the novels, television shows, and films that have shaped their own stories. Whether personal reflection or cultural commentary, these essays delve into Black love now and in the past, including topics from the history of Black romance to social justice and the Black community to the meaning of desire and desirability. Exploring the multifaceted ways love is seen—and the ways it isn't—this diverse array of Black voices collectively shines a light on the power of crafting happy endings for Black lovers. Jessica Pryde is joined by Carole V. Bell, Sarah Hannah Gomez, Jasmine Guillory, Da’Shaun Harrison, Margo Hendricks, Adriana Herrera, Piper Huguley, Kosoko Jackson, Nicole M. Jackson, Beverly Jenkins, Christina C. Jones, Julie Moody-Freeman, and Allie Parker in this collection.

This book offers a thorough analysis of how romantic love between Black men and women (referred to here as Black Love) is portrayed in Hollywood films, specifically from the perspective of Black female filmmakers. Using historical and contemporary images of Black female representation in the media as a foundation, the main themes of this text focus on the male gazes’ influence on Hollywood narratives, the necessity for the Black female perspective in Hollywood, and that perspective’s influence on ideologies and narratives.

In this analysis of social history, examine the complex lineage of America's oppression of Black companionship. According to the 2010 US census, more than seventy percent of Black women in America are unmarried. Black Women, Black Love reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split up couples again as millions embarked on the Great Migration north, where the welfare system mandated that women remain single in order to receive government support. And no institution has forbidden Black love as effectively as the prison-industrial complex, which removes Black men en masse from the pool of marriageable partners. Prodigiously researched and deeply felt, Black Women, Black Love reveals how white supremacy has systematically broken the heart of Black America, and it proposes strategies for dismantling the structural forces that have plagued Black love and marriage for centuries.

Black Love Matters is an in-depth qualitative analysis that focuses on a diverse group of adult black men and their attitudes towards behavior in marriage and romantic relationships. To give voice to the men’s narratives, Black Love Matters follows the men for four years, chronicling the experiences and the circumstances shaping their relationship trajectories. Highlights include discussions related to the roles that sex, infidelity, intimacy, trauma, family of origin, masculinity, and environmental factors play in the men’s attitudes and behaviors. Given the dearth of literature on black men featuring first-hand accounts from them, Black Love Matters makes a significant contribution to the existing literature that seems to be disproportionately focused on implicating black men in discussions of what ills their families and communities.

Modecai Jefferson is a young, dynamic 1940s jazz musician who carries his piano on his back, hears music every second of the day, and enjoys playing for his lover and biggest fan in Way City, AlabamaDelores Bonet. To Modecai, he and Delores are like black love notes on a musical page. But all of that is about to change the day he hears a recording of up-and-coming Harlem jazz trumpeter, Bunny Greensleeves. If he wants to make a name for himself, Modecai needs to find a way out of Alabama and to the jazz capital of the world. Bunny, who is driven to overcome his impoverished Mississippi upbringing, desperately wants fame, fortune, and power. Meanwhile after Doloress ex-con boyfriend returns and threatens Modecais life, he heads for New York sooner than expected. After Modecai eventually meets up with Bunny, the two musicians struggle to overcome the obstacles in a city where success is marginal and failure is predictedall while attempting to leave their mark with their dynamic talent and inventive jazz compositions. Now only time will tell if they will ever achieve all their dreams. Black Love Notes chronicles the journey of two young jazz musicians as they strive for fame and fortune amid a 1940s Harlem where hurt and regrets, crooked deals, and murder lurk in the shadows.