About Book: - Here by this Book we would like to show you the Amazing Rare & Real Heritage Photographs of India to put an Idea about Indian people thoughts regarding Indian Culture, Day to Day activities and most important aspect related to Indian Culture before & after Indian Independence from British rule. Aim behind this book is to show all that how was India before & after 100 years back? For general awareness to protect our valuable & priceless Photographic Heritage of India, worth to preserve National Importance Photographs & related documents. By not destroying and not writing anything on old rare Photographs, wherever they are kept and preserve, However Photographic Heritage Conservation is conducted by National Archives, many Libraries, Museums and ASI (Archaeological Survey of India - A Central Government Body - founded in 1861 & effectively starts working from 1870) who is responsible for Conservation, Restoration, Preservation & Reconstruction, but this is our Prime duty & help to protect our priceless Photographic Heritage for our New coming Generations for several years.In this modern era we are now able to see real World by the invention of World first Camera. Before invention of Camera the medium to see the real World, there was handmade Paintings & Painting Portrait, Scenery. Before invention of Camera we were able to see somehow similar real person face, Natural scene by handmade Paintings & Painting Portrait, Scenery etc.We are also now able to show new generation through this book more than 100 years old well preserved Black & White photographs taken from Box type Camera of black cloth & other updated Cameras. System of taking snap was lengthy & time taking process with the help of other persons. Photographer covers himself by black cloth of Box Camera when he starts taking snap shot standing in front of the object. Clear night photograph taking process was much difficult due to night darkness in comparison to day. To eliminate darkness there was perfect timing of snap shot by using fireworks, oil lanterns and wooden fire etc. before invention of electric bulb & electricity for Camera flash.

About Book: - Best Book for Indian Culture, Heritage, History, Arts, Architecture & Tourism Degree - Courses in various Universities & Management Institutes and for Tourists also. About Author: - Anurag Mathur (B.Sc., M.A. - History, PhD Level Research, Post Graduate Diploma in Hotel & Tourism Management Advance Course in Tourism from IITTM - Indian Institute of Tourism & Travel Management- Ministry of Tourism Govt. of India, New Delhi & WTO (World Tourism Organization). PGDBIM (MBA-Delhi). Ex. Lecturer of History, Hotel & Tourism Management Department at Agra University. Agra & also Numismatist (Coins Collector), Philatelist, Antiques, Rare Photographs & Paintings Collector etc, Lucknow. U.P. India. (Father of Author Anurag Mathur, Late. Shri. O.N. Mathur, Archaeological Survey of India (ASI), Govt. of India -Posted at Taj Mahal & other Historical Monuments at Agra-1975 - 89. Author Anurag Mathur's forefather was posted at Royal Imperial Court of Emperor Shaha Jahan as Finance Minister (Treasury Incharge -Shahi Khazana) as per Author's Family Tree Records & generations Chronology & rest all ancestors were educated from Kayastha family and served in Royal Mughal Court after one by one. - - Indian Culture & Heritage Information, Lucknow.

“I wrote what I wanted to read” is what I would like to say. But no. That’s not entirely true. I wrote what came to me. Every drop of ink makes a unique design on paper. Here, every poem is a linear yet random expression of myself. Some are vents, some are thoughts and some are what left dents in my mind. Black day White is a collection of my words, my ink blots. Here’s hoping that you are able to resonate with some of my thoughts and they voice your words too… one blot at a time.

Life, every day, presents us with its quintessential hurdles. Sometimes we take the white route, other times we take the black route, but most of the time the route is neither white nor black but is grey. A black for one may be white for the other, who’s to judge, but the mixture of the two colours, is definitely grey. This collection of eleven short stories basically revolves around emotions and actions we tend to feel and take to overcome the trials of life. The betrayal of a friend, the greed of an employee, the disgust of an old man, the possessiveness of a mother-in-law, the insecurity of a woman, the love of a mother, the jealousy of a sibling, the rashness of the young, the anxiety of a groom, the hope of a beggar or even the despair of a lake, are all but natural emotions, be it ‘Black, White and Grey.’

it's scary how effortless it can become to hide what you're feeling, how easy it is to hide your tears behind a smile, how simple it eventually becomes to look someone in the eye and say 'i'm fine'. from seeming impossible, it eventually becomes an everyday contrivance, a mask that is harder to take off as each day goes by. but it cannot be helped. and sometimes, it's the best thing that can happen.

Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? Werner Sollors examines these questions and others in "Neither Black nor White yet Both," a fully researched investigation of literary works that, in the past, have been read more for a black-white contrast of "either-or" than for an interracial realm of "neither, nor, both, and in-between." From the origins of the term "race" to the cultural sources of the "Tragic Mulatto," and from the calculus of color to the retellings of various plots, Sollors examines what we know about race, analyzing recurrent motifs in scientific and legal works as well as in fiction, drama, and poetry. Copyright © Libri GmbH. All rights reserved.

A moving memoir exploring one family’s legacy of African Americans with American Indian roots. Finalist, 2024 American Legacy Book Awards, Autobiography/Memoir Black Indian, searing and raw, is Amy Tan's The Joy Luck Club and Alice Walker's The Color Purple meets Leslie Marmon Silko's Ceremony—only, this isn't fiction. Beautifully rendered and rippling with family dysfunction, secrets, deaths, alcoholism, and old resentments, Shonda Buchanan's memoir is an inspiring story that explores her family's legacy of being African Americans with American Indian roots and how they dealt with not just society's ostracization but the consequences of this dual inheritance. Buchanan was raised as a Black woman, who grew up hearing cherished stories of her multi-racial heritage, while simultaneously suffering from everything she (and the rest of her family) didn't know. Tracing the arduous migration of Mixed Bloods, or Free People of Color, from the Southeast to the Midwest, Buchanan tells the story of her Michigan tribe—a comedic yet manically depressed family of fierce women, who were everything from caretakers and cornbread makers to poets and witches, and men who were either ignored, protected, imprisoned, or maimed—and how their lives collided over love, failure, fights, and prayer despite a stacked deck of challenges, including addiction and abuse. Ultimately, Buchanan's nomadic people endured a collective identity crisis after years of constantly straddling two, then three, races. The physical, spiritual, and emotional displacement of American Indians who met and married Mixed or Black slaves and indentured servants at America's early crossroads is where this powerful journey begins. Black Indiandoesn't have answers, nor does it aim to represent every American's multi-ethnic experience. Instead, it digs as far down into this one family's history as it can go—sometimes, with a bit of discomfort. But every family has its own truth, and Buchanan's search for hers will resonate with anyone who has wondered "maybe there's more than what I'm being told."