The poem from which BLACK UNDER derives its title opens with a resounding declaration: "I am black and black underneath." These words are an anthem that reverberates throughout Ashanti Anderson's debut short collection. We feel them as we navigate her poems' linguistic risks and shifts and trumpets, as we straddle scales that tip us toward trauma's still-bloody knife in one turn then into cutting wit and shrewd humor in the next. We hear them amplified through Anderson's dynamic voice, which sings of anguish and atrocities and also of discovery and beauty. BLACK UNDER layers outward perception with internal truth to offer an almost-telescopic examination of the redundancies--and incongruences--of marginalization and hypervisibility. Anderson torques the contradictions of oppression, giving her speakers the breathing room to discover their own agency. In these pages, declarations are reclamations, and joy is not an aspiration but a birthright.

Collects Black Panther (2016) #5-8, Jungle Action #6-7. Counting down the final days of the kingdom of Wakanda! As Zenzi and The People poison Wakanda’s citizens against the Black Panther, a cabal of nation-breakers is assembled. And Ayo and Aneka, the Midnight Angels, are courted to raise their land to new glory! His allies dwindling, T’Challa must rely on his elite secret police, the Hatut Zeraze, and fellow Avenger Eden Fesi, a.k.a. Manifold! And with T’Challa’s back truly against the wall, some old friends lend a hand: Luke Cage, Misty Knight and Storm! But Wakanda may be too far gone for this all-new, all-different crew — and there’s one job the Panther must handle alone. Only he can voyage into the Djalia! Getting there is hard enough, but can he even find his sister Shuri inside Wakanda’s collective memory?

Zombies are real. And we made them. Are you prepared for the zombie apocalypse? The Smith family is, with the help of a few marines. When an airborne _zombieÓ plague is released, bringing civilization to a grinding halt, the Smith family, Steven, Stacey, Sophia and Faith, take to the Atlantic to avoid the chaos. The plan is to find a safe haven from the anarchy of infected humanity. What they discover, instead, is a sea composed of the tears of survivors and a passion for bringing hope. For it is up to the Smiths and a small band of Marines to somehow create the refuge that survivors seek in a world of darkness and terror. Now with every continent a holocaust and every ship an abattoir, life is lived under a graveyard sky. At the publisher's request, this title is sold without DRM (Digital Rights Management). _. . .the thinking readers zombie novel. . .Ringo fleshes out his theme with convincing detailsãthe proceedings become oddly plausible.Ó¾Publishers Weekly_If you think the zombie apocalypse will never happen, if youve never been afraid of zombies, you may change your mind after reading Under a Graveyard Sky. . .Events build slowly in the book at the outset, but you cant stop reading because its like watching a train wreck in slow motion: inexorable and horrible. And the zombie apocalypse in these pages is so fascinating that you cant stop flipping pages to see what happens next.Ó¾Bookhound

“This is the most authoritative and highly literate account of these pernicious people that I have ever read.”—Patrick O'Brian “[A] wonderfully entertaining history of pirates and piracy . . . a rip-roaring read . . . fascinating and unexpected.”—Men's Journal This rollicking account of the golden age of piracy is packed with vivid history and high seas adventure. David Cordingly, an acclaimed expert on pirates, reveals the spellbinding truth behind the legends of Blackbeard, Captain Kidd, Sir Francis Drake, the fierce female brigands Mary Read and Anne Bonny, and others who rode and robbed upon the world's most dangerous waters. Here, in thrilling detail, are the weapons they used, the ships they sailed, and the ways they fought—and were defeated. Under the Black Flag also charts the paths of fictional pirates such as Captain Hook and Long John Silver. The definitive resource on the subject, this book is as captivating as it is supremely entertaining. Praise for Under the Black Flag “[A] lively history . . . If you've ever been seduced by the myth of the cutlass-wielding pirate, consider David Cordingly's Under the Black Flag.”—USA Today, “Best Bets” “Engagingly told . . . a tale of the power of imaginative literature to re-create the past.”—Los Angeles Times “Entirely engaging and informative . . . a witty and spirited book.”—The Washington Post Book World “Plenty of thrills and adventure to satisfy any reader.”—The Philadelphia Inquirer

Under the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to hardcore punk as it's never been told before. John Doe of the legendary band X and co-author Tom DeSavia have woven together an enthralling story of the legendary West Coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Through interstitial commentary, John Doe "narrates" this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl. Illustrated with 50 rare photos, this is the story of the art that was born under the big black sun.

The lives and conditions of Black women are inseparable from, and inextricably linked to, all dimensions of social and political life. Black Women Under State centres the realities of Black women, both in process and theory, who are living at the intersections of race, poverty, surveillance, and social services. Abdillahi, who is uniquely positioned as a community organizer, care worker, public intellectual, and scholar, engaged twenty women living at these life-intersections in the greater Toronto area. The text undertakes a deep and studied inquiry into these women?s subjective experiences of surveillance while on the province of Ontario?s social assistance program Ontario Works, and interrogates the dimensional effects of those experiences. Offering a timely and crucial contribution to the discourse around abolition, Abdillahi makes explicit the ways in which social systems are made opaque so that we don?t connect them to the carceral state; this concept of carceral care talks to abolition as the broad concept that it is?a fully-embraced understanding that abolition dismantles systems of policing that extend beyond the institution we call the police. Three major themes emerge through her inquiry: surveillance, poverty, and morality?each interconnected to a larger social and public policy discourse. Abdillahi employs Critical Race Theory and Black Feminist Thought as primary theoretical lenses as she animates the lives of these women, alongside and in conversation with existing research, theory and practice, revealing direct links among their experience, in order to demonstrate the shared, longstanding, and ongoing historicity of the interconnectedness of Black women?s experience globally. The vast majority of the book?s citations are from Black Canadians, giving the text its own narrative around citational practice. Through a dynamic interlacing of contemporary critical thought and lived experience, Black Women Under State contributes to filling a gap in social policy literature, which has typically disregarded the subjective experiences of Black women or treated them as a mere addendum.

In the rich and varied life stories in Under the Black Umbrella, elderly Koreans recall incidents that illustrate the complexities of Korea during the colonial period. Hildi Kang here reinvigorates a period of Korean history long shrouded in the silence of those who endured under the "black umbrella" of Japanese colonial rule. Existing descriptions of the colonial period tend to focus on extremes: imperial repression and national resistance, Japanese subjugation and Korean suffering, Korean backwardness and Japanese progress. "Most people," Kang says, "have read or heard only the horror stories which, although true, tell only a small segment of colonial life."The varied accounts in Under the Black Umbrella reveal a truth that is both more ambiguous and more human—the small-scale, mundane realities of life in colonial Korea. Accessible and attractive narratives, linked by brief historical overviews, provide a large and fully textured view of Korea under Japanese rule. Looking past racial hatred and repression, Kang reveals small acts of resistance carried out by Koreans, as well as gestures of fairness by Japanese colonizers. Impressive for the history it recovers and preserves, Under the Black Umbrella is a candid, human account of a complicated time in a contested place.