Recounting a variety of wilderness canoe trips that follow ancient fur-trading routes, frontier portages, and the authors own explorations, this book is highlighted by beautiful photographs and authentic, detailed stories.

A haunting novel of love, identity, and loss-from the internationally acclaimed author of Three Day Road Beautifully written and startlingly original, Through Black Spruce takes the considerable talents of Canadian novelist Joseph Boyden to new and exciting heights. This is the story of two immensely compelling characters: Will Bird, a legendary Cree bush pilot who lies comatose in a remote Ontario hospital; and Annie Bird, Will's niece, a beautiful loner and trapper who has come to sit beside her uncle's bed. Broken in different ways, the two take silent communion in their unspoken kinship, revealing a story rife with heartbreak, fierce love, ancient feuds, mysterious disappearances, murders, and the bonds that hold a family, and a people, together. From the rugged Canadian wilderness to the drug-fueled glamour of the Manhattan club scene, this is thrilling, atmospheric storytelling at its finest.

The Maine Woods was the second volume collected from his writings after Thoreau's death. Of the material which composed it, the first two divisions were already in print. "Ktaadn and the Maine Woods" was the title of a paper printed in 1848 in The Union Magazine, and "Chesuncook" was published in The Atlantic Monthly in 1858. The book was edited by his friend William Ellery Channing. It was during his second summer at Walden that Thoreau made his first visit to the Maine woods. It was probably in response to a request from Horace Greeley that he wrote out the narrative from his journal, for Mr. Greeley had shown himself eager to help Thoreau in putting his wares on the market. In a letter to Emerson, January 12, 1848, Thoreau writes: "I read a part of the story of my excursion to Ktaadn to quite a large audience of men and boys, the other night, whom it interested. It contains many facts and some poetry." He offered the paper to Greeley at the end of March, and on the 17th of April Greeley responded: "I inclose you $25 for your article on Maine scenery, as promised. I know it is worth more, though I have not yet found time to read it; but I have tried once to sell it without success. It is rather long for my columns, and too fine for the million; but I consider it a cheap bargain, and shall print it myself if I do not dispose of it to better advantage. You will not, of course, consider yourself x under any sort of obligation to me, for my offer was in the way of business, and I have got more than the worth of my money." But this generous, high-minded friend was thinking of Thoreau's business, not his own, for in October of the same year he writes, "I break a silence of some duration to inform you that I hope on Monday to receive payment for your glorious account of 'Ktaadn and the Maine Woods,' which I bought of you at a Jew's bargain and sold to The Union Magazine...

From 1837 to 1861, Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of his interior life and of his monumental studies of the natural history of his native Concord, Massachusetts. Unlike earlier editions, the Princeton edition reproduces the Journal in its original and complete form, in a reading text free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Journal 8: 1854 is edited from the 467-page notebook that Thoreau kept February 13-September 3, 1854. It reveals him as an increasingly confident taxonomist creating lists that distill his observations about plant leafing and seasonal birds. Two particularly significant public events took place in his life in the summer of 1854. On July 4, at an antislavery rally at Framingham, Massachusetts, Thoreau appeared for the first time in the company of prominent abolitionists, delivering as heated a statement against slavery as he had yet made. And on August 9, Ticknor and Fields published Walden, the book Thoreau had been working on since 1846. In Journal 8 Thoreau indicates that these public accomplishments, though satisfying, took a toll on his creative life and did not fully compensate him for the hours spent away from the woods.

“Not gonna lie, this is probably the coolest journal you’ll ever see. . . . Wreck This Journal is here to inspire you.” —Buzzfeed The internationally bestselling phenomenon with more than 10 million copies sold—and an excellent holiday gift! Paint, poke, create, destroy, and wreck—to create a journal as unique as you are For anyone who's ever had trouble starting, keeping, or finishing a journal or sketchbook comes this expanded edition of Wreck This Journal, a subversive illustrated book that challenges readers to muster up their best mistake- and mess-making abilities to fill the pages of the book—or destroy them. Through a series of creative and quirky prompts, acclaimed guerilla artist Keri Smith encourages journalers to engage in destructive acts—poking holes through pages, adding photos and defacing them, painting pages with coffee, coloring outside the lines, and more—in order to experience the true creative process. With Smith's unique sensibility, readers are introduced to a new way of art- and journal-making, discovering novel ways to escape the fear of the blank page and fully engage in the creative process. To create is to destroy. Happy wrecking!