For centuries Black Shuck has patrolled the coastal paths of Norfolk, a spectral portent of death. But recent events have allowed the massive phantom dog to evolve, to metamorphose, into something altogether more horrifying. After wildlife filmmaker Harry Lambert stumbles into Black Shuck's territory, the fearsome beast finds what it was looking for.

At heart, Dreamland is an elemental feminine landscape. These twenty-one stories from female-identifying writers embody the disconnect between reality and the subconscious, the desire for meaning and the need for escape, the too-blue sky and the abyss. These are voices that embrace the topography of the other: the weird, transgressive, uncanny and strange. Voices that displace, unsettle and unnerve, that are subtly subversive in their power.

Thirteen stories in which people reach the limits of their known worlds. Stories where ghosts take many forms, where the monsters are sometimes human, sometimes not. Stories where desperate people find out what they're capable of, and husbands and wives traveling on dark roads discover how lost they truly are. Stories where the discoveries people make come at a cost, and crossing over into the unknown can be both liberating and terrifying.

A series of micro-collections featuring a selection of peculiar tales from the best in horror and speculative fiction. From Black Shuck Books and Charlotte Bond comes The Watcher in the Woods, the sixteenth in the Black Shuck SHADOWS series.

A series of micro-collections featuring a selection of peculiar tales from the best in horror and speculative fiction. From Black Shuck Books and David A. Sutton comes En Vacances, the twenty-fourth in the Black Shuck SHADOWS series.

A series of micro-collections featuring a selection of peculiar tales from the best in horror and speculative fiction. From Black Shuck Books and Aliya Whiteley comes Fearsome Creatures, the twenty-second in the Black Shuck SHADOWS series.

New Music For Old Rituals brings together a selection of stories that illustrate the pervasive power of the past in the present. Together they present a strange yet familiar country where cautionary tales still serve a purpose; where sacred sites of sea, forest, valley and forts hold power, where old legends live, and where new myths are born. Within the pages of New Music for Old Rituals, bog bodies sleep, contagion rages, ancient rituals are enacted, battles are fought, ghosts linger, and time stutters, fails and turns back on itself.By the author of The Unheimlich Manoeuvre (2016) and The Girl In The Fort (2017)