Winner of the 2017 PEN Center USA Award for Fiction Meet Boo, a wild-hearted boy from the bayou land of Louisiana. Misfit, outcast, loner. Call him anything but a victim. Sissy, fairy, Jenny Woman. Son of a mixed-race Holy Ghost mother and a Cajun French phantom father. In a series of tough and tender stories, he encounters gender outlaws, drag queen renegades, and a rogues gallery of sex-starved priests, perverted teachers, and murderous bar owners. To escape his haunted history, Boo must shed his old skin and make a new self. As he does, his story rises from dark and murk, from moss and mud, to reach a new light and a new brand of fairy tale. Cajun legends, queer fantasies, and universal myths converge into a powerful work of counter-realism.Black Sheep Boy is a song of passion and a novel of defiance.

Here, in his own words, is the true story of America's wildest flying hero, of his extraordinary heroism, and of his greatest battle of all—the fight to survive. The World War II air war in the Pacific needed tough men like Colonel Pappy Boyington and his Black Sheep Squadron. The legendary Marine Corps officer and his bunch of misfits, outcasts, and daredevils gave new definition to “hell-raising”—on the ground and in the skies. Pappy himself was a living legend—he personally shot down twenty-eight Japanese planes, and won the Congressional Medal of Honor and the Navy Cross. He broke every rule in the book doing so, but when he fell into the hands of the vengeful Japanese his real ordeal began.

With their renowned squadron leader Greg “Pappy” Boyington, Marine Fighting Squadron (VMF) 214 was one of the best-known and most colorful combat units of World War II. The popular television series Baa Baa Black Sheep added to their legend—while obscuring the truly remarkable combat record of the Black Sheep and Boyington. A retired naval flight officer and former historian for the Naval Aviation Museum Foundation, Bruce Gamble provides a highly readable account that serves to both correct and extend the record of this premier fighting force.

If We Were Electric’s twelve stories celebrate New Orleans in all of its beautiful peculiarities: macabre and magical, muddy and exquisite, sensual and spiritual. The stunning debut collection finds its characters in moments of desire and despair, often stuck on the verge of a great metamorphosis, but burdened by some unreasonable love. These are stories about missed opportunities, about people on the outside who don’t fit in, about the consequences of not mustering enough courage to overcome the binds. In “Feux Follet,” an old man’s grief attracts supernatural lights in the dark Louisiana swamps. An exploding transformer’s raw, unnerving energy in the title story matches the strange, ferocious temper of an unlucky hustler. “Blackout” sets the profound numbness of a young man physically abused by his mentally unstable partner beside the meaningful beauty of an unexpected moment of joy with someone else. The teenage narrator in “Before Las Blancas” is so overwhelmed by his sexuality that he abandons everything and everyone he’s known to live in a happy illusion . . . in Mexico. And “Where It Takes Us” is a poignant, understated snapshot of a gay man who accompanies his straight, HIV-positive brother to the race track to bond again.

Dwayne, 16, meets high-flying, uni-bound Misha, and sparks fly. To Misha it feels like true love, but her mum is adamant that Dwayne is bad news and forbids her to see him. When Misha decides to follow her heart, the web of secrets and lies begins to tighten…. For Dwayne is not quite who he says he is. And as he struggles to turn his life around while hiding his darker side from Misha, his ties with Trigger, Jukkie and the rest of his boys draw him deeper and deeper into gang violence, more serious and bloody than any he has ever seen. One night, Dwayne’s two lives collide, with devastating consequences.

In a family of cold-hearted black sheep, I, Axel Rutherford, am the blackest. My father has hated me since the day I was born. The feeling was mutual. In the shady underworld that was my legacy, Cleo McCarthy became my light. She was beautiful, passionate, and my whole world. So naturally my father had to destroy us. First he sent me away. Next he claimed Cleo as his own. But now I've returned, and nothing will stop me from taking back everything that is rightfully mine. He was the love of my life - when my life was still my own. We were young enough to believe we would last forever, Axel and I. But neither of us realized how cruel life - and our families - could be. Now I'm trapped in a gilded cage: desired by Axel, who must never know the full truth, and controlled by his father, who would sooner see me dead than free. And I wouldn't even care, except that it's no longer only my life at stake.