Gold fever hits Andrew Jackson Colton. Hard. At eighteen, the opportunity to acquire wealth calls to him. In August 1863, Andy rides into Birchville, the southwestern New Mexico Black Range town, headquarters for anything gold. Andy claims a spot along the stream and pans for gold. Unsuccessful, by first snowfall he’s ready to go home, try again when it’s warmer. However, friend Thomas O’Malley convinces Andy to join him—head farther into the Range to the mining berg of Mogollon. Andy encounters Apaches and is wounded, O’Malley killed. Andy stumbles into Mogollon, which has already been raided. He locates the single cabin occupied by a runaway slave, Dawson, who saves his life. Dawson forces Andy to work, and then hides him when Andy’s older brothers come looking. Dawson convinces the Apache to buy Andy, but the Apache keep Dawson and Andy as slaves. The Apache leader uses Andy as a lure for Andy’s brothers. The leader’s only objective: revenge for his brother’s death at the hands of James Colton. Still looking for Andy, the Colton brothers ride into Birchville, raided by the Apache. Andy and Dawson are used as bait and the Coltons take it. Everyone fights for their lives.

Hit man Gideon traverses a steamy criminal underworld to confront the most challenging adversary of his career.

Thunder rumbles, lightning strikes, danger appears . . . When an out-of-season hurricane sweeps through Corinne’s seaside village, Corinne knows it’s not an ordinary storm. At first Corinne believes Mama D’Leau, the powerful and cruel jumbie who rules the ocean, has caused the hurricane. Then an even more ferocious storm wrecks the island, sending villagers fleeing their houses for shelter in the mountains, and Corinne discovers the storms weren’t caused by a jumbie, but by the angry god Huracan. Now Corinne, with the help of her friends and even some of her enemies, must race against time to find out what has angered Huracan and try to fix it before her island home is destroyed forever. The Jumbie God’s Revenge blends Caribbean and West African tales to present powerful themes of community and heroism in a heart-pounding action adventure.

Christopher finally uncovers the Raven’s identity in this sixth novel of the award-winning Blackthorn Key series. The stakes are higher than ever when the Raven sets Christopher up for a horrible crime, leading him to be locked away in London’s most notorious prison. This terrible act is the first in a series of games the Raven plans to play with Christopher…games that are as dangerous as they are challenging. Once free from prison, Christopher, Tom, and Sally engage in a cat and mouse game with the Raven that takes them all over London. Can Christopher outwit the Raven one final time and finally unmask him? And what price might he have to pay to achieve that? This is the thrilling conclusion to the Blackthorn Key series that fans have been waiting for!

When international criminal Carlos Perfido is gunned down on a Chicago stage while posing as an American actor, Chicago cop Larry Cole investigates, revealing a beautiful young woman with ties to his son as the primary suspect.

Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented. Adilifu Nama sees the value—and finds new avenues for exploring racial identity—in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts. Nama examines seminal black comic book superheroes such as Black Panther, Black Lightning, Storm, Luke Cage, Blade, the Falcon, Nubia, and others, some of whom also appear on the small and large screens, as well as how the imaginary black superhero has come to life in the image of President Barack Obama. Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice.

In Rival Revenge, the truth is out about whether Julia and Alison really cheated on the test that got them kicked off the riding team. Now they’re back, and this time, they’re not just in it to win it—they’re out for revenge. A dish that’s definitely best served cold.