Black Politics in Transition considers the impact of three transformative forces—immigration, suburbanization, and gentrification—on Black politics today. Demographic changes resulting from immigration and ethnic blending are dramatically affecting the character and identity of Black populations throughout the US. Black Americans are becoming more ethnically diverse at the same time that they are sharing space with newcomers from near and far. In addition, the movement of Black populations out of the cities to which they migrated a generation ago—a reverse migration to the American South, in some cases, and in other cases a movement from cities to suburbs shifts the locus of Black politics. At the same time, middle class and white populations are returning to cities, displacing low income Blacks and immigrants alike in a renewal of gentrification. All this makes for an important laboratory of discovery among social scientists, including the diverse range of authors represented here. Drawing on a wide array of disciplinary perspectives and methodological strategies, original chapters analyze the geography of opportunity for Black Americans and Black politics in accessible, jargon-free language. Moving beyond the Black–white binary, this book explores the tri-part relationship among Blacks, whites, and Latinos as well. Some of the most important developments in Black politics are happening at state and local levels today, and this book captures that for students, scholars, and citizens engaged in this dynamic milieu.

The late 1980s ushered in a new era of black politics, the socioeconomic transition era. Coming on the heels of the protest era and politics era, the current stage is characterized by the emergence of a new black middle class that came of age after the Civil Rights struggle. Although class still isn’t a strong factor in the external politics of the black community, it is increasingly a wedge issue in the community’s internal politics. Black politics today is increasingly less about the interest of the larger group and more about the interest of smaller subgroups within the community. Theodore J. Davis Jr. argues that the greatest threat to the social and political cohesiveness of the so-called black community may be the rise of a socially and economically privileged group among the ranks of black America. This rift has affected blacks’ ability to organize effectively and influence politics. Davis traces the changes in economic status, public opinion, political power and participation, and leadership over three generations of black politics. The result is an insightful analysis of black politics today.

A unique collection of articles and speeches by prominent African American activists, spanning over 150 years of black political thought.

White supremacy shaped all aspects of post-Civil War southern life, yet its power was never complete or total. The form of segregation and subjection nicknamed Jim Crow constantly had to remake itself over time even as white southern politicians struggled to extend its grip. Here, some of the most innovative scholars of southern history question Jim Crow's sway, evolution, and methods over the course of a century. These essays bring to life the southern men and women--some heroic and decent, others mean and sinister, most a mixture of both--who supported and challenged Jim Crow, showing that white supremacy always had to prove its power. Jim Crow was always in motion, always adjusting to meet resistance and defiance by both African Americans and whites. Sometimes white supremacists responded with increased ferocity, sometimes with more subtle political and legal ploys. Jumpin' Jim Crow presents a clear picture of this complex negotiation. For example, even as some black and white women launched the strongest attacks on the system, other white women nurtured myths glorifying white supremacy. Even as elite whites blamed racial violence on poor whites, they used Jim Crow to dominate poor whites as well as blacks. Most important, the book portrays change over time, suggesting that Strom Thurmond is not a simple reincarnation of Ben Tillman and that Rosa Parks was not the first black woman to say no to Jim Crow. From a study of the segregation of household consumption to a fresh look at critical elections, from an examination of an unlikely antilynching campaign to an analysis of how miscegenation laws tried to sexualize black political power, these essays about specific southern times and places exemplify the latest trends in historical research. Its rich, accessible content makes Jumpin' Jim Crow an ideal undergraduate reader on American history, while its methodological innovations will be emulated by scholars of political history generally. In addition to the editors, the contributors are Edward L. Ayers, Elsa Barkley Brown, W. Fitzhugh Brundage, Laura F. Edwards, Kari Frederickson, David F. Godshalk, Grace Elizabeth Hale, Jacquelyn Dowd Hall, Stephen Kantrowitz, Nancy MacLean, Nell Irwin Painter, and Timothy B. Tyson.

South Africa in Transition utilises new theoretical perspectives to describe and explain central dimensions of the democratic transition in South Africa during the late 1980s and early 1990s, covering changes in the politics of gender and education, the political discourses of the ANC, NP and the white right, constructions of identity in South Africa's black townships and rural areas, the role of political violence in the transition, and accounts of the democratization process itself.

African American Literature in Transition, 1900–1910 offers a wide ranging, multi-disciplinary approach to early twentieth century African American literature and culture. It showcases the literary and cultural productions that took shape in the critical years after Reconstruction, but before the Harlem Renaissance, the period known as the nadir of African American history. It undercovers the dynamic work being done by Black authors, painters, photographers, poets, editors, boxers, and entertainers to shape 'New Negro' identities and to chart a new path for a new century. The book is structured into four key areas: Black publishing and print culture; innovations in genre and form; the race, class and gender politics of literary and cultural production; and new geographies of Black literary history. These overarching themes, along with the introduction of established figures and movement, alongside lesser known texts and original research, offer a radical re-conceptualization of this critical, but understudied period in African American literary history.