WE (Black Men) were all equal leaders that day of the original Million Man March. It was a significant moment in African American history, a “Missing Moment.” History has shown us time and time again that true change engages momentum when we experience a “defining moment.” As we continue to embrace the “defining moment” changes are destined to occur without much additional effort and progress will be realized. It is at this time we can look back and call the change that occurred as a defining moment, a pivotal moment, “Black October - The Missing Moment”.

Secretly providing for himself and a beloved grandfather who is succumbing to dementia, young Arlo is placed in the care of a social worker and runs away to find and connect with his only other family member. A first novel by the author of Passing the Music Down.

Getting Real About Race is an edited collection of short essays that address the most common stereotypes and misconceptions about race held by students, and by many in the United States, in general.

Celebrated designer, writer, activist, and educator Cheryl D. Holmes-Miller's memoir of a life in advocacy and her journey to answer the question "Where are the Black designers?" Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for decades: “Where are the Black designers?” along with related questions that are urgent to the design profession: Where did they originate? Where have they been? Why haven't they been represented in design histories and canons? Holmes-Miller traces her development as a designer and leader, beginning with her own family and its rich multiethnic history. She narrates her experiences as a design student at Rhode Island School of Design, Maryland Institute College of Art, and Pratt, leading up to her oft-cited Pratt thesis examining barriers to success for Black designers. Holmes-Miller describes the work of her eponymous studio for noted clients that included NASA, Time Inc., and the nascent Black Entertainment Television, as well as the story of her later critiques of the industry in the design press, most notably in Print magazine. Miller also recounts the parallel history of collective efforts by fellow scholars and advocates over the past fifty years to identify and celebrate Black designers. Enhanced with a foreword by Crystal Williams, president of Rhode Island School of Design, award-winning poet, and noted advocate for equity and justice in the fields of art and education, HERE is part memoir, part investigation, and part urgent call for justice and recognition for Black designers, making it an invaluable resource for graphic design professionals, teachers, and students.

Imagined Ancestries of Vietnamese Communisim illuminates the real and imagined lives of Ton Duc Thang (1888�1980), a celebrated revolutionary activist and Vietnamese communist icon, but it is much more than a conventional biography. This multifaceted study constitutes the first detailed re-evaluation of the official history of the Vietnamese Communist Party and is a critical analysis of the inner workings of Vietnamese historiography never before undertaken in its scope. In prominence and public visibility second only to Ho Chi Minh, whom he succeeded in the presidency, Ton Duc Thang in fact lacked any real power. Author Christoph Giebel reconciles this seeming contradiction by showing that it was only Ton Duc Thang who could personify for the Party crucial legitimizing �ancestries�: those that linked Vietnamese communism with the Russian October Revolution, highlighted proletarian internationalism among its ranks, and rooted the Party in Viet Nam�s south. The study traces the decades-long, complex processes in which famous heroic episodes in Ton Duc Thang�s life were manipulated or simply fabricated and�depending on prevailing historical and political necessities�utilized as propaganda by the Communist Party. Over time, narrative control over these tales switched hands, however, and since the late 1950s the stories came to be used in factional disputes by competing ideological and regional interests within the revolutionary camp. Based on innovative archival research in Viet Nam and France and on analyses of biographical writings, propaganda, and museum representations, the study challenges core assumptions about the history of the Vietnamese Communist Part and sheds light on divisions within the revolutionary movement along regional, class, and ideological lines. Giebel uses the fictions and contested facts of Ton�s life to demonstrate that history-writing and the constructions of memories and identities are always political acts.