From award-winning author Meg Gardiner, co-author of Michael Mann’s Heat 2--In this exhilarating thriller inspired by real-life serial killer Ted Bundy, FBI profiler Caitlin Hendrix faces off against a charming, merciless serial killer. In southern Texas, on Saturday nights, women are disappearing. One vanishes from a movie theater. Another, from her car at a stoplight. A mother is ripped from her home while checking on her baby. Rookie FBI agent Caitlin Hendrix, newly assigned to the FBI's elite Behavioral Analysis Unit, fears that a serial killer is roaming the dark roads outside Austin. Caitlin's unit discovers the first victim's body in the woods, laid out in a bloodstained white baby-doll nightgown. A second victim in a white nightie lies deeper in the forest's darkness. Around the bodies, Polaroid photos are stuck in the earth like headstones, picturing other women with their wrists slashed. The women in the woods are not the killer's first victims, nor are they likely to be his last. To track the UNSUB, Caitlin must get inside his mind; he is a confident, meticulous killer, capable of charming his victims until their guard is down, snatching them in plain sight. He then plays out a twisted fantasy—turning them into dolls for him to possess, control, and ultimately destroy. Caitlin's profile leads the FBI to focus on one man: a charismatic, successful professional who easily gains people's trust. But can they apprehend him before it's too late? As Saturday night approaches, Caitlin and the FBI enter a desperate game of cat and mouse, racing to capture the cunning predator before he claims his next victim.

In the early hours of July 13, 1977, seven female characters - ranging from a nine-year-old girl and her Greek immigrant mother, to a young chef who is losing her vision, to a brown rat - share the same subway platform. They are unaware that the next 24 hours will see them struggling to find their way home, both literally and metaphorically, when a historic power outage hits the city. For the women of Come From Nowhere, this blackout is personal: it brings revelation, self-awareness and, for at least one of them, tragedy.

This book provides an overview of innovative and new directions being chartered in South African tourism geographies. Within the context of global change the volume explores different facets and different geographies of tourism. Key themes under scrutiny include the sharing economy, the changing accommodation service sector, touring poverty, tourism and innovation, tourism and climate change, threats to sustainability, inclusive tourism and a number of studies which challenge the present-mindedness of much tourism geographical scholarship. The 18 chapters range across urban and rural landscapes in South Africa with sectoral studies which include adventure tourism, coastal tourism, cruise tourism, nature-based tourism, sports tourism and wine tourism. Finally, the volume raises a number of policy and planning issues in the global South in particular relating to sustainability, local economic development and poverty reduction. Outlining the impact of tourism expansion in South Africa and suggesting future research directions, this stimulating book is a valuable resource for geographers as well as researchers and students in the field of tourism studies.

Conversations with Nadine Gordimer edited by Nancy Topping Bazin and Marilyn Dallman Seymour Nadine Gordimer is one of the contemporary world's most admired writers of novels and short stories. This volume collects three decades of her interviews. In them she presents her attitudes toward her art and its interconnection with the oppressive, volatile politics in her native land. She has traveled extensively to other countries only to discover that no matter how white her skin she is indeed African and the only country she can call home is South Africa. If you write honestly about life in South Africa, apartheid damns itself, she says. She is ruthlessly honest, and her fiction has played the vital role of communicating in detail to the rest of the world the effects of apartheid upon the daily lives of the South African people. To maintain her integrity, she writes as though she were dead, without any thought of how anyone will react to what she has written. She remains heroically undaunted both by the banning of three of her novels by the white government and by the protests of radical blacks who assert that whites cannot write convincingly about blacks.She is concerned neither with the image of blacks nor with the image of whites, only with revealing the complexity, the full truth. This truth condemns the racism upon which apartheid is built. In her nine novels and eight volumes of short stories, Gordimer digs deeper and deeper until she has thematic layers. These include betrayal-political, sexual, every form and power, the way human beings use power in their relationships. Her accounts in these interviews of how she works and of which writers she admires will fascinate readers, scholars, teachers, and students alike. Co-editors Nancy Topping Bazin retired from the faculty of the English and women's studies departments at Old Dominion University, and Marilyn Dallman Seymour retired from the staff of the Government Publications Department of the Old Dominion University Library.

Adelaide Law Review News About Us Advisory Committee For Readers Submitting Proposals Links Contact Adelaide: a literary city Download PDFRead Online Direct Adelaide: a literary city edited by Philip Butterss $33.00 | 2013 | Paperback | 978-1-922064-63-9 | 280 pp FREE | 2013 | Ebook (PDF) | 978-1-922064-64-6 | 280 pp From the tentative beginnings of European settlement to today’s flourishing writing scene, Adelaide has always been a literary city. Novelists, poets and playwrights have lived here; readers have pored over books, sharing them and discussing them; literary celebrities have visited and sometimes stayed; writers have encouraged each other and fought with each other. Adelaide is literary, too, in the sense of having been written about—sometimes with love, sometimes with scorn. Literature has been important not only to the city’s cultural life but to its identity, to the way it has been seen and, most importantly, to the way it has seen itself.

List of members in v. 1, 3-6, 9-11, 14-16, 18.