A collection of poems that grows out of the American Southwest focusing on family and community life of the barrio sharing births and deaths, neighbors and seasons, and injustices and victories.

Black Mesa Poems is rooted in the American Southwest, the setting of Jimmy Santiago Baca's highly acclaimed long narrative poem, Martin & Meditations on the South Valley (New Directions, 1987). Black Mesa Poems is rooted in the American Southwest, the setting of Jimmy Santiago Baca's highly acclaimed long narrative poem, Martin & Meditations on the South Valley (New Directions, 1987). "Baca's evocation of this landscape," as City Paper noted, "its aridity and fertility, is nothing short of brilliant." The individual poems of Black Mesa are embedded both in the family and in the community life of the barrio, detailing births and deaths, neighbors and seasons, injustices and victories. Loosely interconnected, the poems trace a visionary biography of place.

Fiercely moving, the two long narrative poems of Martín & Meditations on the South Valley revolve around the semi-autobiographical figure of Martin, a mestizo or "detribalized Apache." Fiercely moving, the two long narrative poems of Martín & Meditations on the South Valley revolve around the semi-autobiographical figure of Martin, a mestizo or "detribalized Apache." Abandoned as a child and a long time on the hard path to building his own family, Martin at last finds his home in the stubborn and beautiful world of the barrio. Jimmy Santiago Baca "writes with unconcealed passion," Denise Levertov states in her introduction, “but he is far from being a naive realist; what makes his writing so exciting to me is the way in which it manifests both an intense lyricism and that transformative vision which perceives the mythic and archetypal significance of life-events."

New poetry by the Champion of the International Poetry Slam and winner of the Before Columbus American Book Award, the International Hispanic Heritage Award, the Pushcart Prize, and the prestigious new International Award.

Jimmy Santiago Baca continues his daily pilgrimage through the meadows, riverbanks, and bosques of the Rio Grande where winter dies, spring explodes, and inextricable links between the human spirit and the natural world are revealed, chronicling and expanding upon those in his recent Winter Poems Along the Rio Grande. In Spring Poems the words of the river "rise around thorny thickets / then descend again into the burbling stubble," and the poet surrenders himself to this place where his own words are woven by "a thumbnail-sized yellow spider/ with poppy seed eyes."--Amazon.com.

Immigrants in Our Own Land & Selected Early Poems is a new, expanded edition of Jimmy Santiago Baca's best-selling first book of poetry (originally published by Louisiana State University Press in 1979). A number of poems from early, now unavailable chapbooks have also been included so that the reader can at last have an overview of Baca's remarkable literary development. Immigrants in Our Own Land & Selected Early Poems is a new, expanded edition of Jimmy Santiago Baca's best-selling first book of poetry (originally published by Louisiana State University Press in 1979). A number of poems from early, now unavailable chapbooks have also been included so that the reader can at last have an overview of Baca's remarkable literary development. The voice of Immigrants will be familiar to readers of the widely praised Martín & Meditations on the South Valley and Black Mesa Poems (New Directions, 1987 and 1989), but the territory may not be. Most of the poems in this collection were written while the author was in prison, where he taught himself to read and write. All the poems are concerned with the incarcerated or the disenfranchised; they all communicate the sting from the backhand of the American promise. As Denise Levertov has noted, Baca "is far from being a naive realist," but of poverty and prejudice, of material that is truly raw, he "writes in unconcealed passion."

What you hold in your hand is a love story in plain verse; love not merely between a man and a woman but of a place and time. It tells a tale of love and life and dreams, both past and in remembered present. As a graduate student at the age of twenty-nine, fleeing an unhappy marriage and a heart-rending affair with an alcoholic professor, Susan sought a moratorium on her life in the remoteness of Black Mesa, Arizona. What she found was love, only to lose it twice over. Love grounded in solitude and circumstance becomes a unique and precious gift -- set apart in time -- for there is nothing to dilute its intensity. When it is lost, the pain is so great, it alchemizes everything around it. By the time Susan was forced to leave Black Mesa, it had already metamorphosed into a symbol of every dream she would ever seek, or find, or lose. It was no longer a place, it was the Dream itself, and she, the Dreamer.