The myth of the natural black athlete is widespread, though it's usually only talked about when a sports commentator or celebrity embarrasses himself by bringing it up in public. Those gaffes are swiftly decried as racist, but apart from their link to the long history of ugly racial stereotypes about black people - especially men - they are also...

The Dialogue on race in America does need to change, but not in the way most people have been programmed to believe. The author presents proof from various segments of society, in support of his proposition that society and the media pander to blacks to such a degree, pursuant to a politically-correct mind-set of reverse discrimination, so ingrained, that it actually poses a barrier to ending racism. Why is it always presumed that whites discriminate against blacks every time a cry of racism is heard? And why are these stories so prevalent in today's media? "Black lives Matter" and "Hands Up, Don't Shoot" are all that seem to be on the evening news. Yet the facts of some of these cases (Trayvon Martin and Michael Brown) hardly seem to provide adequate poster boys for a new civil rights movement. Hate crimes seem to only get filed against whites, many times for the hanging of a noose. Yet blacks assault whites with cries of "justice for Troyvon" or "remember Michael Brown" and hate crimes are not even considered. Why does society so excessively pander to blacks with such things as Black History Month, The Congressional Black Caucus, Historically Black Colleges and Universities, etc, yet the white equivalent of these do not exist and their very mentioning would bring cries of racism? How can there so blatantly exist a Notional Association for the Advancement of Colored People which garners a place at the tables of the highest politicians, yet to propose the same type of organization for whites would immediately be labeled racist. Why is it socially accepted that blacks can use the dreaded n-word at will, the word being a staple in rap music lyrics, yet white people dare utter the word and careers are lost? Like the little boy that cried wolf, racism is all America hears. And so much so that the silent white majority is comfortable with just turning a deaf ear, even in cases (Eric Garner and Freddie Gray) where those cries, or at least cries of police brutality, seem to have merit. The author also proposes that a 'thug mentality' or 'thug culture' is so prevalent among blacks today that it stands as an additional obstacle, perhaps insurmountable, to overcoming racism in America. The silent white majority is tired of hearing the likes of blacks who look, talk and act like Michael Brown's stepfather the moment after the grand jury decision in Ferguson was announced, as he vehemently urged onlookers to "burn this bitch down." The author urges you to read and consider, agree or disagree, but above all to open your mind to the possibility that the propositions herein ore true. Because then and only then can the dialogue on race occur that is necessary to defeat the ugly monster of racism.

White Men Can't Hump is a book of hope. The hope is that one day Black Men in America will no longer be viewed as unintelligent, unattractive, undesirable, uncivilized, and just plain old worthless. White Men Can't Hump will address why Black Men in America are perceived in such a negative way, and will also explore the origins of this negativity. White Men Can't Hump will also explore how this negativity has been spread for the last four centuries (a la stereotypes), and why this negativity has been spread (a la "Fear of the Black Penis"). Several of these so-called negative Stereotypes will be closely examined and shown in a new light. White Men Can't Hump will ask why two well known Stereotypes that have been historically assigned to Black Men, are only considered negative when applied to Black Men. Most men desire a large Penis and an elevated sexual prowess, but all across America (in offices, bars and locker rooms) the Black Penis and Black Prowess are routinely the Punch Line to jokes. White Men Can't Hump will ask why, and will also ask a question that will create a debate for the ages: "Who's better in bed, Black Men or White Men?" White Men Can't Hump will take you the reader on an educational and enlightening journey through America's past and present with the hope of changing America's future. So sit back and enjoy or cuss, agree or disagree, and most importantly think with an open mind. Because whether you like it or not, White Men Can't Hump tells the story of who all of us are, where we've come from, and where we're going. White Men Can't Hump is divided into two VOLUMES. VOLUME I focuses on how Sex has historically affected Race relations in America, and VOLUME II focuses on how Race has affected Sex relations in America. Don't be confused by the similar titles because both VOLUMES pack a different Sexual, Racial, Political, and Social punch. For more information feel free to visit: www.whitemencanthump.com Enjoy the ride my friend.

LA Times winner for The Christopher Isherwood Prize for Autobiographical Prose A New York Times bestseller A New York Times Editors' Choice A Featured Title in The New York Times Book Review's "Paperback Row" A Bustle "17 Books About Race Every White Person Should Read" "Essential reading."--Junot Diaz "Electric...so well reported, so plainly told and so evidently the work of a man who has not grown a callus on his heart."--Dwight Garner, New York Times, "A Top Ten Book of 2016" "I'd recommend everyone to read this book because it's not just statistics, it's not just the information, but it's the connective tissue that shows the human story behind it." -- Trevor Noah, The Daily Show A deeply reported book that brings alive the quest for justice in the deaths of Michael Brown, Tamir Rice, and Freddie Gray, offering both unparalleled insight into the reality of police violence in America and an intimate, moving portrait of those working to end it Conducting hundreds of interviews during the course of over one year reporting on the ground, Washington Post writer Wesley Lowery traveled from Ferguson, Missouri, to Cleveland, Ohio; Charleston, South Carolina; and Baltimore, Maryland; and then back to Ferguson to uncover life inside the most heavily policed, if otherwise neglected, corners of America today. In an effort to grasp the magnitude of the repose to Michael Brown's death and understand the scale of the problem police violence represents, Lowery speaks to Brown's family and the families of other victims other victims' families as well as local activists. By posing the question, "What does the loss of any one life mean to the rest of the nation?" Lowery examines the cumulative effect of decades of racially biased policing in segregated neighborhoods with failing schools, crumbling infrastructure and too few jobs. Studded with moments of joy, and tragedy, They Can't Kill Us All offers a historically informed look at the standoff between the police and those they are sworn to protect, showing that civil unrest is just one tool of resistance in the broader struggle for justice. As Lowery brings vividly to life, the protests against police killings are also about the black community's long history on the receiving end of perceived and actual acts of injustice and discrimination. They Can't Kill Us All grapples with a persistent if also largely unexamined aspect of the otherwise transformative presidency of Barack Obama: the failure to deliver tangible security and opportunity to those Americans most in need of both.

Published social science rarely gives real attention to the actual doing of research, making the process appear magical, or at least self-evident and simple. This book is intended to right the balance by illuminating the craft and the choices made as the research process unfolds for the sociologist. The metaphorical image of going "backstage" speaks to the reader’s experience with each of the seventeen interviews, which illuminate the choices and constraints of researchers as well as unanticipated developments, good and bad. The volume represents a range of interests, themes, research philosophies and approaches from a diverse group of contributors. Particularly suited for advanced undergraduate and graduate research methods students, the volume addresses virtually all of the most vexing methods questions through accessible and compelling first-hand descriptions of sociological research. The volume is an invaluable addition to the library of all social science researchers. From the Foreword by Howard Becker: "The stories in Sociologists Backstage tell how the contributors, who differ in so many ways, dealt with the situations they found themselves in as they did their research, and how who they were and what they had become in their lives intersected with those situations. The stories will fascinate you, and give you a lot to think about as you go ahead with your own research adventure."

The primary purpose of this book is to make a passionate, but practical appeal to the reasonable, to the rational, to the righteous, and even to the radical and the racist, to reconsider the error of their ways regarding a host of pertinent issues facing 21st century United States of America. If you are a person that is fake, phony, or a fool, you might not want to read this book. If you can’t handle the unfiltered, politically incorrect, unadulterated truth, then don’t read this book. If you are sensitive and easily offended, don’t read this book. If you are not in one those categories, you need to read this book. This book represents the author’s frustration with a people and a nation that is losing its way. This book calls out a divided 21st-century America, that in many cases, calls right wrong and calls wrong right. America has become a nation, that in some cases, applauds, condones, and celebrates wrong doing, but dismisses and ignores doing right. A nation who has certain citizens who think they are upholding the ideals and freedoms of the foundation of this country, but on the contrary, are doing and behaving in a way that is the exact opposite of the values and principles this nation was founded on. This book is a wake-up call to the citizens of the greatest nation in the history of mankind to come together and get it together, before we wreck it together. This book is a wake-up call to my black community. We must do better. This book is a wake-up call to all Christians in America. Christians in America have got to rise up and come together to do better. This book is a wake-up call to white America. White Americans must do better. This book also is a wake-up call and reminder to all American citizens to be thankful for our fine military personnel, border patrol agents, ICE agents, police officers, fireman, and all civic duty servants, who faithfully put their lives on the line every day to insure the safety of the citizens of this country. This book is a wake-up call to all Americans. We, as a nation, must come together to do better. To black, white, brown and all Americans, don’t let the controversial title deter you from reading this book. This book challenges black, white, brown, yellow and all Americans to do better toward one another. We have some critical issues facing this nation and this book does not shy away from addressing any of them head on. This book also offers wise, practical, fair, and reasonable solutions to many of the critical issues facing this nation. There are so many interesting and different topics discussed in this book, it is like getting ten books in one. This book is like a strong cup of coffee or a spicy bowl of gumbo. It has a little some of everything in it and it will give some people heartburn. Unarmed Blacks being killed and abused by those sworn to protect us, and nothing is being done about it. Blacks killing one another at record numbers, and no one seems to care. The book How To Kill A Black Man offers a very thought-provoking answer to this controversial, eye brow raising, emotion stirring title. This book also deals with a lot other interesting, debatable controversial, yet pertinent topics to meditate and consider. Not only does this book address controversial issues, it also offers reasonable and honest solutions to some challenging issues in the African–American community and 21st century United States of America.

A story of race, guns, and self-protection in America today, through the quest--funny and searing--of a young black man learning to shoot a handgun better than a white person