One of the most ubiquitous items of the 1960s and 1970s, the black light poster represented some of the most imaginative, colorful, and "out there" creativity of the period; Ultraviolet is the first book to ever celebrate this alternative art form. Daniel Donahue, an amateur historian of counterculture, has collected hundreds of vintage blacklight posters and chosen 69 of the best for this volume. Covering some of the more relevant subjects of the period, including Sex, Drugs, Rock ’N’ Roll, Earth Awareness, Black Power, and Astrology, Ultraviolet has been printed with flourescent inks so that the pages will actually glow under black light. This hip volume is a gift from the fifth dimension for anyone interested in alternative culture or graphic design.

Kehinde Wiley painted President Obama's official portrait and this is an early book from him documenting his extraordinary talents. "For most of Kehinde Wiley's very successful career, he has created large, vibrant, highly patterned paintings of young African American men wearing the latest in hip hop street fashion. The theatrical poses and objects in the portraits are based on well-known images of powerful figures drawn from seventeenth- through nineteenth-century Western art. Pictorially, Wiley gives the authority of those historical sitters to his twenty-first-century subjects." -National Portrait Gallery "My intention is to craft a world picture that isn't involved in political correctives or visions of utopia. It's more of a perpetual play with the language of desire and power." -Kehinde Wiley "Wiley inserts black males into a painting tradition that has typically omitted them or relegated them to peripheral positions. At the same time, he critiques contemporary portrayals of black masculinity itself.... He systematically takes a 'pedestrian' encounter with African-American men, elevates it to heroic scale, and reveals-through subtle formal alterations-that postures of power can sometimes be seen as just that, a pose." -Art in America Los Angeles native and New York-based visual artist Kehinde Wiley has firmly situated himself within art history's portrait painting tradition. As a contemporary descendent of a long line of portraitists-including Reynolds, Gainsborough, Titian, Ingres, and others-Wiley engages the signs and visual rhetoric of the heroic, powerful, majestic, and sublime in his representation of urban black and brown men found throughout the world. By applying the visual vocabulary and conventions of glorification, wealth, prestige, and history to subject matter drawn from the urban fabric, Wiley makes his subjects and their stylistic references juxtaposed inversions of each other, imbuing his images with ambiguity and provocative perplexity. In Black Light, his first monograph, Wiley's larger-than-life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men. The models are dressed in their everyday clothing, most of which is based on far-reaching Western ideals of style, and are asked to assume poses found in paintings or sculptures representative of the history of their surroundings. This juxtaposition of the "old" inherited by the "new"-who often have no visual inheritance of which to speak-immediately provides a discourse that is at once visceral and cerebral in scope. Without shying away from the socio-political histories relevant to the subjects, Wiley's heroic images exhibit a unique modern style that awakens complex issues which many would prefer remain mute.

If you have a supernatural problem that won't go away, you need Buck Carlsbad: private eye, exorcist, and last resort. Buck's got a way with spirits that no one else can match. He was normal, once. Until Something Horrible killed his parents and left him for dead. Buck has spent years using his gift to trace his family. It's his only hope of finding out what happened to them-and what made him the way he is. Now the voices say that something big is coming. Buck already knows what it is-a super high-tech bullet train running express across a stretch of unforgiving desert known for the most deadly paranormal events in history. A place where Buck almost died a few years ago, and where he swore he would never return. But as the train prepares to rumble down the tracks, Buck knows it can only be the inevitable hand of fate pulling him back to the most harrowing unfinished case of his career at four hundred miles per hour.

Three hours. Four hard limits. Nine naughty couples. Black Light's thrilling game of Valentine Roulette returns for the fifth year with nine very dirty - and very hot - NEW stories from your favorite BDSM authors. It's Valentine's Night and time for a rematch, but the egos of two dominating Dungeon Masters aren't the only things on the line. These couples are going to gamble their hearts with one spin of the wheel, and there's only one guarantee in this year's Roulette... The East Coast may have won the battle last year, but Black Light West plans to win the war in this explosive, sexy collection! Featuring stories from: Livia Grant, Jennifer Bene, Renee Rose, Measha Stone, Ann Mayburn, Maggie Ryan, Shane Starrett, Sinistre Ange, and Raisa Greywood!

Spark your child's imagination through science and learning with this captivating astronomy book for toddlers. When it comes to kids books about black holes nothing else can compare to this clever science parody from the #1 science author for kids, Chris Ferrie! PLUS, use a black light to reveal secret, invisible text and artwork that reverses the story from nothing to the scientific creation of everything! Using the familiar rhythm of "There Was an Old Lady Who Swallowed a Fly," follow along as the black hole swallows up the universe and everything that exists in it, from the biggest to the smallest pieces of matter. The silly, vibrant artwork is sure to make stargazers of all ages smile and start a love of science in your baby. There was a black hole that swallowed the universe. I don't know why it swallowed the universe—oh well, it couldn't get worse. There was a black hole that swallowed a galaxy. It left quite a cavity after swallowing that galaxy. It swallowed the galaxies that filled universe. I don't know why it swallowed the universe—oh well, it couldn't get worse.

Critical insights from artists, activists, and scholars on the frontlines of the fight against racism and Covid-19.