Drawing on folktales, oral histories, religious rituals and music, this book explores the pervasive influence of African traditions on American life. Pierson aims to reinterpret American history in a way that disrupts conventional assumptions and turns racial stereotypes inside out.

This rich and innovative collection explores the ways in which Black women, from diverse regions of the American South, employed various forms of resistance and survival strategies to navigate one of the most tumultuous periods in American history – the Civil War and Reconstruction era. The essays included shed new light on individual narratives and case studies of women in war and freedom, revealing that Black women recognized they had to make their own freedom, and illustrating how that influenced their postwar political, social and economic lives. Black women and children are examined as self-liberators, as contributors to the family economy during the war, and as widows who relied on kinship and community solidarity. Expanding and deepening our understanding of the various ways Black women seized wartime opportunities and made powerful claims on citizenship, this volume highlights the complexity of their wartime and post-war experiences, and provides important insight into the contested spaces they occupied.

"Fans of Clive Cussler, Verne, X-Files, and military tactical thrillers will find much to enjoy in this increasingly clever series." –Booklist on Leviathan The New York Times bestselling author of Leviathan and Primeval is back at full throttle with an adrenaline-pumping addition to the Event Group Thriller Series. The United States is ready to make a triumphant return to the moon, striking out boldly into the solar system in an attempt to regain the confidence of the heady days of the Apollo program. The first of what are to be many missions to the lunar surface was designed to find the frozen water needed to prepare to build a base to launch an assault on Mars. But a shocking discovery at Shackleton Crater brings the first Prometheus mission to an abrupt halt. Remote robots uncover human skeletal remains and a base that had been destroyed countless millennia ago. The information is sent back to earth where forensic analysis at NASA reveals the corpse to be over seven hundred million years old. A secret this devastating cannot be kept forever, and the news is leaked to the world. Soon nations are thrown into a head-long collision, pitting governments against their own citizens as the flames of fundamentalism start a conflagration that threatens to engulf the world as a race to return the moon is on. The Event Group is tasked to unravel the mystery and to offer something that can either explain our ancient visitor or, at least, keep the world from descending into chaos. Colonel Jack Collins once again leads a team of the world's greatest scientists and philosophers on a journey that will take the Event Group to the airless world of space. But while a battle rages over the truth of our heritage, the Event Group realizes that this may not be humanity's war alone. Could something else—someone else—be coming to finish a war that they started almost a billion years ago?

A surprising and fascinating look at how Black culture has been leveraged by corporate America. Open the brochure for the Alvin Ailey American Dance Theater, and you'll see logos for corporations like American Express. Visit the website for the Apollo Theater, and you'll notice acknowledgments to corporations like Coca Cola and Citibank. The Martin Luther King, Jr. Memorial and the National Museum of African American History and Culture, owe their very existence to large corporate donations from companies like General Motors. And while we can easily make sense of the need for such funding to keep cultural spaces afloat, less obvious are the reasons that corporations give to them. In Black Culture, Inc., Patricia A. Banks interrogates the notion that such giving is completely altruistic, and argues for a deeper understanding of the hidden transactions being conducted that render corporate America dependent on Black culture. Drawing on a range of sources, such as public relations and advertising texts on corporate cultural patronage and observations at sponsored cultural events, Banks argues that Black cultural patronage profits firms by signaling that they value diversity, equity, and inclusion. By functioning in this manner, support of Black cultural initiatives affords these companies something called "diversity capital," an increasingly valuable commodity in today's business landscape. While this does not necessarily detract from the social good that cultural patronage does, it reveals its secret cost: ethnic community support may serve to obscure an otherwise poor track record with social justice. Banks deftly weaves innovative theory with detailed observations and a discerning critical gaze at the various agendas infiltrating memorials, museums, and music festivals meant to celebrate Black culture. At a time when accusations of discriminatory practices are met with immediate legal and social condemnation, the insights offered here are urgent and necessary.

A child reflects on the meaning of being Black in this moving and powerful anthem about a people, a culture, a history, and a legacy that lives on. Red is a rainbow color. Green sits next to blue. Yellow, orange, violet, indigo, They are rainbow colors, too, but My color is black . . . And there’s no BLACK in rainbows. From the wheels of a bicycle to the robe on Thurgood Marshall's back, Black surrounds our lives. It is a color to simply describe some of our favorite things, but it also evokes a deeper sentiment about the incredible people who helped change the world and a community that continues to grow and thrive. Stunningly illustrated by Caldecott Honoree and Coretta Scott King Award winner Ekua Holmes, Black Is a Rainbow Color is a sweeping celebration told through debut author Angela Joy’s rhythmically captivating and unforgettable words. An ALSC Notable Children's Book 2021 An NCTE 2021 Notable Poetry Book A 2021 Notable Social Studies Trade Book of the NCSS/CBC A New York Public Library Best Book of 2020 A Washington Post Best Book of 2020 A Horn Book Fanfare Best Book of the Year A 2020 Jane Addams Children's Book Award Honoree