In The Story of Oklahoma, Deputy U.S. Marshal Bass Reeves appears as the "most feared U.S. marshal in the Indian country." That Reeves was also an African American who had spent his early life enslaved in Arkansas and Texas made his accomplishments all the more remarkable. Black Gun, Silver Star sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late nineteenth-century America--and perhaps the greatest lawman of the Wild West era. Bucking the odds ("I'm sorry, we didn't keep Black people's history," a clerk at one of Oklahoma's local historical societies answered one query), Art T. Burton traces Reeves from his days of slavery to his Civil War soldiering to his career as a deputy U.S. marshal out of Fort Smith, Arkansas, when he worked under "Hanging Judge" Isaac C. Parker. Fluent in Creek and other regional Native languages, physically powerful, skilled with firearms, and a master of disguise, Reeves was exceptionally adept at apprehending fugitives and outlaws and his exploits were legendary in Oklahoma and Arkansas. In this new edition Burton traces Reeves's presence in the national media of his day as well as his growing modern presence in popular media such as television, movies, comics, and video games.

Deputy U.S. Marshal Bass Reeves appears as one of ?eight notable Oklahomans,? the ?most feared U.S. marshal in the Indian country.? That Reeves was also an African American who had spent his early life as a slave in Arkansas and Texas makes his accomplishments all the more remarkable. Bucking the odds (?I?m sorry, we didn?t keep black people?s history,? a clerk at one of Oklahoma?s local historical societies answered a query), Art T. Burton sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late nineteenth-century America?and perhaps the greatest lawman of the Wild West era. ø Fluent in Creek and other southern Native languages, physically powerful, skilled with firearms, and a master of disguise, Reeves was exceptionally adept at apprehending fugitives and outlaws, and his exploits were legendary in Oklahoma and Arkansas. A finalist for the 2007 Spur Award, sponsored by the Western Writers of America, Black Gun, Silver Star tells Bass Reeves?s story for the first time and restores this remarkable figure to his rightful place in the history of the American West.

Deputy U.S. Marshal Bass Reeves appears as one of ?eight notable Oklahomans,? the ?most feared U.S. marshal in the Indian country.? That Reeves was also an African American who had spent his early life as a slave in Arkansas and Texas makes his accomplishments all the more remarkable. Bucking the odds (?I?m sorry, we didn?t keep black people?s history,? a clerk at one of Oklahoma?s local historical societies answered a query), Art T. Burton sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late nineteenth-century America?and perhaps the greatest lawman of the Wild West era. ø Fluent in Creek and other southern Native languages, physically powerful, skilled with firearms, and a master of disguise, Reeves was exceptionally adept at apprehending fugitives and outlaws, and his exploits were legendary in Oklahoma and Arkansas. A finalist for the 2007 Spur Award, sponsored by the Western Writers of America, Black Gun, Silver Star tells Bass Reeves?s story for the first time and restores this remarkable figure to his rightful place in the history of the American West.

Born into slavery, Bass Reeves became the most successful US Marshal of the Wild West. Many "heroic lawmen" of the Wild West, familiar to us through television and film, were actually violent scoundrels and outlaws themselves. But of all the sheriffs of the frontier, one man stands out as a true hero: Bass Reeves. He was the most successful Federal Marshal in the US in his day. True to the mythical code of the West, he never drew his gun first. He brought hundreds of fugitives to justice, was shot at countless times, and never hit. Bass Reeves was a black man, born into slavery. And though the laws of his country enslaved him and his mother, when he became a free man he served the law, with such courage and honor that he became a legend.

Sitting tall in the saddle, with a wide-brimmed black hat and twin Colt pistols on his belt, Bass Reeves seemed bigger than life. Outlaws feared him. Law-abiding citizens respected him. As a peace officer, he was cunning and fearless. When a lawbreaker he

Black and Indian gunfighters in the Indian Territory

Follow the Angels, Follow the Doves is an origin story in the true American tradition. Before Bass Reeves could stake his claim as the most successful nineteenth-century American lawman, arresting more outlaws than any other deputy during his thirty-two-year career as a deputy U.S. marshal in some of the most dangerous regions of the Wild West, he was a slave. After a childhood picking cotton, he became an expert marksman under his master’s tutelage, winning shooting contests throughout the region. His skill had serious implications, however, as the Civil War broke out. Reeves was given to his master’s mercurial, sadistic, Moby-Dick-quoting son in the hopes that Reeves would keep him safe in battle. The ensuing humiliation, love, heroics, war, mind games, and fear solidified Reeves’s determination to gain his freedom and drew him one step further on his fated path to an illustrious career. Follow the Angels, Follow the Doves is an important historical work that places Reeves in the pantheon of American heroes and a thrilling historical novel that narrates a great man’s exploits amid the near-mythic world of the nineteenth-century frontier.