The Fall 2022 Issue of Black Fox Literary Magazine. Contains new fiction, nonfiction, and poetry.

The Summer 2015 Issue (#12) of Black Fox Literary Magazine featuring new fiction, poetry and nonfiction.

The Shangri-La Shack Literary Arts Journal is a bi-annual print and online journal that provides a stage for writers and artists whose work exemplifies Shangri-La Shack's mission to express and evoke appreciation and gratitude for the gifts of the world we live in. This collection of creative writing and visual art reflects on the quirks, gifts, and challenges of our natural world and society. Themes in this edition include nature, wildlife, relationships, personal development, memories, aging, spirituality, and more. Take in and enjoy poetry, short stories, drawings, paintings, photography and other mediums of expression from artists around the world. Come hang out in the shack and express, celebrate, reflect, and indulge in the spectacular details of our world.

Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor's copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-5232. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): [email protected] submission guidelines, subscription information, published works, and author profiles, please visit our website:www.eveningstreetpress.com.© Copyright 2019 by Evening Street Press2881 Wright StSacramento, CA 95821All rights revert to the author upon publication

Though the terms “queer” and “Mennonite” rarely come into theoretical or cultural contact, over the last several decades writers and scholars in the United States and Canada have built a body of queer Mennonite literature that shifts these identities into conversation. In this volume, Daniel Shank Cruz brings this growing genre into a critical focus, bridging the gaps between queer theory, literary criticism, and Mennonite literature. Cruz focuses his analysis on recent Mennonite-authored literary texts that espouse queer theoretical principles, including Christina Penner’s Widows of Hamilton House, Wes Funk’s Wes Side Story, and Sofia Samatar’s Tender. These works argue for the existence of a “queer Mennonite” identity on the basis of shared values: a commitment to social justice, a rejection of binaries, the importance of creative approaches to conflict resolution, and the practice of mutual aid, especially in resisting oppression. Through his analysis, Cruz encourages those engaging with both Mennonite and queer literary criticism to explore the opportunity for conversation and overlap between the two fields. By arguing for engagement between these two identities and highlighting the aspects of Mennonitism that are inherently “queer,” Cruz gives much-needed attention to an emerging subfield of Mennonite literature. This volume makes a new and important intervention into the fields of queer theory, literary studies, Mennonite studies, and religious studies.