Yi T’aejun was one of twentieth-century Korea’s true masters of the short story—and a man who in 1946 stunned his contemporaries by moving to the Soviet-occupied northern zone of his country. In South Korea, where he is known today as “one who went north,” Yi’s work was banned until 1988. His momentous decision did not lead him to a safe haven, however: though initially welcomed into the literary establishment, North Korea sent him into internal exile in the 1950s, and little is known of his fate. Dust and Other Stories offers a selection of Yi’s stories across time and place, showcasing a superb stylist caught up in the midst of his era’s most urgent ideological and aesthetic divides. This collection unites his earlier modernist masterpieces from the colonial era with his little-known work penned during North Korea’s founding years, offering a rare glimpse into the making—and crossing—of the border between south and north. During the turbulent final years of Japanese rule, Yi’s elegant yet subdued stories championed both his native tongue and the belief in the capacity of art. In the heavily politicized environment of the North, his later works maintain a faith in the art of storytelling and a concern for the disappearance of customs in the throes of modernization. Throughout both eras, Yi focused on ordinary people: old men struggling to understand a changing world, lovers meeting up among ancient ruins, a lively widow targeted by a literacy campaign, a bourgeois couple trying to sustain themselves during the war by breeding rabbits, and more. Magnificently translated by Janet Poole, Yi’s work bears witness to global turmoil with a melancholic sense of enduring beauty.

A collection of stories stretching from India to New England to Mexico from the author of Fasting, Feasting—an “undeniable genius” (TheWashington Post Book World). The men and women in these nine tales set out on journeys that suddenly go beyond the pale—or surprisingly lead them back to where they started. In the mischievous title story, a beloved dog brings nothing but disaster to his obsessed master; in other tales, old friendships and family ties stir up buried feelings, demanding either renewed commitment or escape. And in the final exquisite story, a young woman discovers a new kind of freedom in Delhi’s rooftop community. This is a richly diverse, “quiet but deeply satisfying” collection of stories, from a three-time Man Booker Prize finalist (Kirkus Reviews). “Anita Desai is one of the most brilliant and subtle writers ever to have described the meeting of eastern and western culture . . . Both serious and wonderfully entertaining.” —Alison Lurie, Pulitzer Prize–winning author of Foreign Affairs “Served up with characteristic perspicuity, subtle humor and attention to the little hypocrisies of the middle class.” —Publishers Weekly

Rosario Ferre uses family history as a metaphor for the class struggles and political evolution of Latin America and Puerto Rico in this highly provacative, profound, and delightfully readable collection of stories. Originally published in Spanish under the title Maldito Amor ("Cursed Love"), Sweet Diamond Dust introduced American readers to a voice that is by turns lyrical and wickedly satiric. In this tale the De La Valle family's secrets, ambitions, and passions, interwoven with the fate of the local sugar mill, are recounted by various relatives, friends, and servants. As the characters struggle under the burden of privilege, the story, permeated with haunting echoes of Puerto Rico's own turbulent history, becomes a splendid allegory for a nation's past. The three accompanying stories each follow the lives of the descendants of the De La Valle family, making the book a drama in four parts, raising troubling issues of race, religion, freedom, and sex, with Ferre's trademark irony and startling imagery.

In a devastating and urgent work of investigative journalism, Pulitzer Prize winner Chris Hamby uncovers the tragic resurgence of black lung disease in Appalachia, its Big Coal cover-up, and the resilient mining communities who refuse to back down. Decades ago, a grassroots uprising forced Congress to enact long-overdue legislation designed to virtually eradicate black lung disease and provide fair compensation to coal miners stricken with the illness. Today, however, both promises remain unfulfilled. Levels of disease have surged, the old scourge has taken an aggressive new form, and ailing miners and widows have been left behind by a dizzying legal system, denied even modest payments and medical care. In this devastating and urgent work of investigative journalism, Pulitzer Prize winner Chris Hamby traces the unforgettable story of how these trends converge in the lives of two men: Gary Fox, a black lung-stricken West Virginia coal miner determined to raise his family from poverty, and John Cline, an idealistic carpenter and rural medical clinic worker who becomes a lawyer in his fifties. Opposing them are the lawyers at the coal industry’s go-to law firm; well-credentialed doctors who often weigh in for the defense, including a group of radiologists at Johns Hopkins; and Gary’s former employer, Massey Energy, the region’s largest coal company, run by a cantankerous CEO often portrayed in the media as a dark lord of the coalfields. On the line in Gary and John’s longshot legal battle are fundamental principles of fairness and justice, with consequences for miners and their loved ones throughout the nation. Taking readers inside courtrooms, hospitals, homes tucked in Appalachian hollows, and dusty mine tunnels, Hamby exposes how coal companies have not only continually flouted a law meant to protect miners from deadly amounts of dust but also enlisted well-credentialed doctors and lawyers to help systematically deny much-needed benefits to miners. The result is a legal and medical thriller that brilliantly illuminates how a band of laborers — aided by a small group of lawyers, doctors and lay advocates, often working out of their homes or in rural clinics and tiny offices – challenged one of the world's most powerful forces, Big Coal, and won. A deeply troubling yet ultimately triumphant work, Soul Full of Coal Dust is a necessary and timely book about injustice and resistance.

Phantom limbs, porous realities, and strange reflections shifting in black glass. The thirteen stories included in David Peak's decade-spanning collection explore how memory affects place and place affects memory, the traumas that haunt bodies like ghosts, and the desperation of needing to be seen and understood by others. Only in pulling back the bloody veil of this world may we be so blessed to see things as they really are-and not as we wish them to be. David Peak builds stories that are intricate structures, impossible monuments to human darkness. To read them is to feel something tap against a secret part of us, a hidden bone that refuses to be forgotten. -Nadia Bulkin, author of She Said Destroy David Peak writes like a black-winged emissary from the Void, and Eyes in the Dust and Other Stories is a travelogue behind the walls, beneath the surface, and through the worm-tunnels that pierce a dying world's heart. From fever dreams and haunted houses to fissures in reality and the emptiness beyond, no one else captures the aspects of the abyss like David Peak. -Gordon B. White, author of As Summer's Mask Slips and Other Disruptions