The terrible Donnelly feud, by far the most notorious and violent in the history of Canada, began in the spring of 1847 only a few hours after James Donnelly, an Irish immigrant, first arrived in the town of Lucan, Ontario. The feud lasted nearly 33 years and was marked by murders, gang wars, highway robbery, mass arson, derailed trains, mutilations, and barbarisms paralleling the Dark Ages.

The gruesome saga of the Black Donnellys has been heavily mythologized beginning with the first book on the story by Thomas Kelley in 1954. A thick layer of rumour, legend and hearsay has built up around the facts of the case. But one thing is clear — the murderous events that occurred near the town of Lucan, Ontario, in the 1870s are unforgettable. This new edition of Black Donnellys by Nate Hendley has been updated to include numerous black and white and colour photos pertaining to the Donnelly family. This book was the subject of a leading case in Canada's Federal Court on whether anyone can claim copyright on historical facts. The court's decision in 2021 was definitive -- no one owns history, and no one owns the facts -- and was not appealed. This book offers a short account of Canada's most notorious 19th century case of vigilante action leading to murder. The killers were by men from a community harassed by a no-holds-barred criminal family. They went to their graves protected by a conspiracy of silence among those in the know. The story has been told and retold in books, songs, plays and a movie -- and in this readable and engaging account by author Nate Hendley.

The gruesome saga of the Black Donnellys has been heavily mythologized beginning with the first book published on the story by Thomas Kelley in 1954. A thick layer of rumour, legend and hearsay has built up around the facts of the case. But one thing is clear — no one who reads this book will ever forget the murderous events that occurred near the town of Lucan, Ontario, in the 1870s. This new edition has been updated to include numerous black and white and colour photos pertaining to the infamous Donnelly family.

In the midst of the feuds and famine of Tipperary, Ireland in 1845, Jim Donnelly and Johannah McGee fall passionately in love. She is the beautiful daughter of an affluent estate manager, he the rebellious son of dispossessed peasants. With her father’s men in pursuit and a sizable price on Jim’s head, they board a ship set for Canada to start a new life and put the troubles of the old country behind them. Thousands of miles away in rural Ontario, they find the feuds and vendettas of Ireland are very much alive. Jim must make a place for his young family not just with his back, but with his fists. Fifteen years later, the Donnelly family have become one of the most powerful in Lucan Township, loved by some and hated by others. Jim and Johannah’s sons are notorious as both fighters and lovers and torment the townspeople, swinging shillelaghs, burning barns and seducing daughters. But certain citizens of Lucan have had enough. At midnight on February 3, 1880, a mob of thirty armed men in women’s clothing and carnival masks ride out for the Donnelly farm. Sustained by whisky and the blessings of the local priest, their goal is to wipe the Donnelly family from the face of the earth. Yet there is an eye witness and during the trial that follows, it becomes clear that in small town Ontario of the late 1800s, order is valued above truth. Eventful and conveyed with cinematic detail, Cursed! Blood of the Donnellys is an engaging and historically enlightening read.

Based on a true story, these three plays explore the saga of a secret society and massacre that stunned the Canadian public in 1880.

An in-depth, well-researched, and comprehensive account of the vigilante mob that murdered five of the Donnelly family and burned the family farm to the ground, and the feuds and religious tensions that led to it exploding into the headline-inducing massacre that it was.

The long-awaited second collection by a central literary figure, Columbia University professor, and poetry editor of the Boston Review.