In the “thrilling conclusion”* to the dystopian trilogy that began with Gilded Cage and Tarnished City, the people of Britain rise up against their magically gifted masters. They must break the system—or be broken. MAGIC RUINS. WE RISE. The rules are simple, the system cruel: the lower classes must give ten years in service to Britain’s powerfully gifted rulers. With one uprising crushed by the glittering elite, commoners and aristocrats alike now take sides for a final confrontation. At the center of it all are two ordinary siblings: Abi Hadley and her brother, Luke. Each has reason to hate the ruling Jardine family. Abi, who was once their servant, now seeks revenge for a terrible wrong. Luke was imprisoned on their whim—but his only hope may be an alliance with the youngest and most powerful of the clan, the cold and inscrutable Silyen Jardine. Risking everything to end a bright and shining tyranny, Abi, Luke, and Silyen find themselves bound by a single destiny. Their actions will change their fates—and change the world. But at a cost almost too terrible to contemplate. What price would you pay for freedom? *Library Journal (starred review, Pick of the Month) Look for all three books in the mesmerizing Dark Gifts trilogy: GILDED CAGE • TARNISHED CITY • BRIGHT RUIN Praise for Bright Ruin “Fast-paced, entertaining, and a satisfying end to an epic story [with] dramatic class division based not on mere financial wealth but on a family’s magic.”—Booklist “A triumphant conclusion to this outstanding fantasy series . . . It will keep you up at night until you finish it, and you’ll take a huge breath as you can’t believe the story is over. If you haven’t read the first two installments, please do so, and then jump into the finale. You’ll fly through them all as you see Britain as you’ve never imagined—and you’ll hope against hope for the freedom that may never come.”—Bookreporter “Rebellion comes to a deadly boil in the final chapter of James’s Dark Gifts alternate history fantasy trilogy (after Tarnished City). . . . [An] intricate tale of ruthless scheming and bloody betrayals backlit by an unquenchable glimmer of hope.”—Publishers Weekly

BONUS: This edition contains an excerpt from Sandra Kring's A Life of Bright Ideas. Wisconsin, 1961. Evelyn “Button” Peters is nine the summer Winnalee and her fiery-spirited older sister, Freeda, blow into her small town–and from the moment she sees them, Button knows this will be a summer unlike any other. Much to her mother’s dismay, Button is fascinated by the Malone sisters, especially Winnalee, a feisty scrap of a thing who carries around a shiny silver urn containing her mother’s ashes and a tome she calls “The Book of Bright Ideas.” It is here, Winnalee tells Button, that she records everything she learns: her answers to the mysteries of life. But sometimes those mysteries conceal a truth better left buried. And when a devastating secret is suddenly revealed, dividing loyalties and uprooting lives, no one–from Winnalee and her sister to Button and her family–will ever be the same.

"Between Freedom and Equality begins with the life of Capt. George Pointer, an enslaved African who purchased his freedom in 1793 while working for George Washington's Potomac Company. Authors Barbara Boyle Torrey and Clara Myrick Green then follow the lives of five generations of Pointer's descendants as they lived and worked on the banks of the Potomac, in the port of Georgetown, and in a rural corner of the nation's capital. By tracing the story of one family and their experiences, Between Freedom and Equality offers a moving and inspiring look at the challenges that free African Americans have faced in Washington, DC, since before the district's founding ..."--

The stirring history of a president and a capital city on the front lines of war and freedom. In the late 1840s, Representative Abraham Lincoln resided at Mrs. Sprigg’s boardinghouse on Capitol Hill. Known as Abolition House, Mrs. Sprigg’s hosted lively dinner-table debates of antislavery politics by the congressional boarders. The unusually rapid turnover in the enslaved staff suggested that there were frequent escapes north to freedom from Abolition House, likely a cog in the underground railroad. These early years in Washington proved formative for Lincoln. In 1861, now in the White House, Lincoln could gaze out his office window and see the Confederate flag flying across the Potomac. Washington, DC, sat on the front lines of the Civil War. Vulnerable and insecure, the capital was rife with Confederate sympathizers. On the crossroads of slavery and freedom, the city was a refuge for thousands of contraband and fugitive slaves. The Lincoln administration took strict measures to tighten security and established camps to provide food, shelter, and medical care for contrabands. In 1863, a Freedman’s Village rose on the grounds of the Lee estate, where the Confederate flag once flew. The president and Mrs. Lincoln personally comforted the wounded troops who flooded wartime Washington. In 1862, Lincoln spent July 4 riding in a train of ambulances carrying casualties from the Peninsula Campaign to Washington hospitals. He saluted the “One-Legged Brigade” assembled outside the White House as “orators,” their wounds eloquent expressions of sacrifice and dedication. The administration built more than one hundred military hospitals to care for Union casualties. These are among the unforgettable scenes in Lincoln’s Citadel, a fresh, absorbing narrative history of Lincoln’s leadership in Civil War Washington. Here is the vivid story of how the Lincoln administration met the immense challenges the war posed to the city, transforming a vulnerable capital into a bastion for the Union.

Turner Buckminster is purely miserable. Not only is he the son of the new minister in a small Maine town, but he is shunned for playing baseball differently from the local boys.

Tyree Daye’s Cardinal is a generous atlas that serves as a poetic “Green Book”— the travel-cum-survival guide for black motorists negotiating racist America in the mid-twentieth century. Interspersed with images of Daye’s family and upbringing, which have been deliberately blurred, it also serves as an imperfect family album. Cardinal traces the South’s burdened interiors and the interiors of a black male protagonist attempting to navigate his many departures and returns home —a place that could both lovingly rear him and coolly annihilate him. With the language of elegy and praise, intoning regional dialect and a deliberately disruptive cadence, Daye carries the voices of ancestors and blues poets, while stretching the established zones of the black American vernacular. In tones at once laden and magically transforming, he self-consciously plots his own Great Migration: “if you see me dancing a twos step/I’m sending a starless code/we’re escaping everywhere.” These are poems to be read aloud.