THE BLACK BILLIONAIRE AND HIS FRIENDS ARE MARKED FOR ASSASSINATION --- AND THE NOTORIOUS TRIGGER WOMAN MADAME HOT TEMPER IS BACK. THESE ARE DEADLY TIMES IN GOTHAM. NO ONE IS SAFE, ESPECIALLY NOW THAT WHITE SUPREMACISTS HAVE BEEN DISPATCHED TO THE BIG CITY WITH A MISSION. THEY'VE COME TO TERRORIZE GOTHAM AND END THE ERA OF BLACK CAMELOT. Black Camelot's Dawn is the sequel to The Publisher's Dilemma and the second novel in the Black Camelot series. Donald Alexander, Kwame Mills, and Samantha Rivers after the solving of The Harris Simmons Murders have become darlings of the city. They also have become extremely wealthy after Alexander's successful sale of the company for $75 billion. The dramatic stories of Alexander, Mills and Samantha Rivers, the illegitimate mixed-race daughter of deceased company CEO Cornwall Harris, have captivated the city and led the city's leading gossip press team, the Celebrity Hack Patrol, to name this period of adulation and fascination, the city’s Black Camelot. A new enemy emerges as century-old white supremacist groups decide that there is no place in the city or American society for black royals, and they become targets of groups intent on their assassination. Unbeknownst to the hate groups, the Black Camelot crew of Alexander, Mills and Rivers are admitted as members of the country's most secret and exclusive society, an organization that gives them protection against deadly and dark forces. The Society also gives them power held only by top world leaders. Black Camelot's Dawn also marks the return of Dawn Davis Stuart, who left the city in disgrace after she murdered her husband, the real estate tycoon and randy man about town, Yancey Stuart Jr. The shooting death at her hands earned her the notorious nickname of Madame Hot Temper. The backstory that drove her to rage and murder was not as simple as the scandal was reported.

Midwest Book Review says, "Black Camelot's Days of War" is the third volume in author Darius Myers' original and riveting Black Camelot series and continues to showcase Darius Myers impressive and narrative driven storytelling skills. Packed with action, suspense, and one compulsive thriller of a read from first page to last." Black Camelot's Days of War is the third novel in the Black Camelot series. Chief of Detectives Teddy Walker, with the help of the Society of Protectors, has kept Donald Alexander, Kwame Mills and their spectacular crew of friends dubbed the Black Camelots’ safe from racist kill squads. Under Walker's leadership, the attacks were rebuffed and made way for a peaceful summer marked by the Black Camelot Weddings. The highly anticipated weddings captured the attention of the city, country, and the world and further burnished the Black Camelots’ reputation as American royals. Before Emancipation has re-emerged under the direction of a new and dynamic leader. His first order was to resume the deadly hunt for Black Camelot members and kill key Walker lieutenants in a full declaration of war. Acts of vengeance are not limited to Walker's fight with Before Emancipation. Bronson Pagent remains in a bitter feud with Yancey and Dawn Davis Stuart. He makes a move that's true to his psychopathic nature and sets off a chain of reactions with consequences he never imagined. The drama also follows the corrupt, former Senator Digby Yates, who emerges as a new and formidable nemesis. Yates is an overt racist and narcissist who wants to be President and yearns for a Before Emancipation race war, as it will increase his electoral chances. In Black Camelot's Days of War, Gotham is now a war zone. The attacks are no longer a secret, and the good guys have become casualties. It is a period that will leave Walker and the Black Camelots’ in shock and the city in terror. in

Black Power Music! Protest Songs, Message Music, and the Black Power Movement critically explores the soundtracks of the Black Power Movement as forms of "movement music." That is to say, much of classic Motown, soul, and funk music often mirrored and served as mouthpieces for the views and values, as well as the aspirations and frustrations, of the Black Power Movement. Black Power Music! is also about the intense interconnections between Black popular culture and Black political culture, both before and after the Black Power Movement, and the ways in which the Black Power Movement in many senses symbolizes the culmination of centuries of African American politics creatively combined with, and ingeniously conveyed through, African American music. Consequently, the term "Black Power music" can be seen as a code word for African American protest songs and message music between 1965 and 1975. "Black Power music" is a new concept that captures and conveys the fact that the majority of the messages in Black popular music between 1965 and 1975 seem to have been missed by most people who were not actively involved in, or in some significant way associated with, the Black Power Movement.

A magical fantasy romance set in Arthurian England from the Philip K. Dick Award–winning author of Reclamation and The Other Sister. An epic series featuring the women of Camelot begins with this tale of forbidden magic and enduring love. Lady Risa of the Morelands has already caught the eyes and won the hearts of many suitors. Not one of them, though, can gain the approval of her father, Lord Rygehil. When Risa discovers his secret—that he promised her to the necromancer Euberacon—she is furious, and terrified. Refusing to be a sacrifice, Risa runs away rather than submit to her fate. But Euberacon is determined to claim his bride, and Risa’s raw courage and archery skills are no match for his magic. Lucky for her, she is not alone. Sir Gawain, fearless captain of King Arthur’s Round Table will never refuse a fight—or a chance to save a beautiful maiden. But no matter how distressed she is, Risa isn’t an ordinary damsel, and even in the midst of battle she poses no ordinary risk to Gawain’s gallant heart. But Euberacon will not surrender his prize without a fight. Risa and Gawain are quickly ensnared in his web of poisonous enchantments. His deadly magics may destroy their lives, their love, and all Camelot with them. Praise for Risa: In Camelot’s Shadow “Based on the famous poem, ‘Sir Gawain and the Green Knight,’ this novel delivers passion, danger, and excitement laced with fantasy.” —RT Book Reviews “Absorbing and exciting.” —Analog “Zettel’s artful combination of romance and . . . adventures is truly magical to read and is accessible to even those unfamiliar with Arthurian writings.” —Historical Novel Society

The (Underground) Railroad in African American Literature offers a brief history of the African American experience of the railroad and the uses of railroad history by a wide assortment of twentieth-century African American poets, dramatists, and fiction writers. Moreover, this literary history examines the ways in which trains, train history, and legendary train figures such as Harriet Tubman and John Henry have served as literary symbols. This repeated use of the train symbol and associated train people in twentieth-century African American literature creates a sense of literary continuity and a well-established aesthetic tradition all too frequently overlooked in many traditional approaches to the study of African American writing. The metaphoric possibilities associated with the railroad and the persistence of the train as a literary symbol in African American writing demonstrates the symbol's ongoing literary value for twentieth-century African American writers - writers who invite their readers to look back at the various points in history where America got off track, and who also dare to invite their readers to imagine an alternate route for the future.

This edited collection explores how First Lady Michelle Obama gradually expanded and broadened her role by engaging in social, political and economic activities which directly and indirectly impacted the lives of the American people, especially young women and girls. The volume responds to the various representations of Michelle Obama and how the language and images used to depict her either affirmed, offended, represented or misrepresented her and its authors. It is an interdisciplinary evaluation by African American women and girls of the First Lady’s overall impact through several media, including original artwork and poetry. It also examines her political activities during and post-election 2016.

Throughout the Cold War, the Soviet Union deplored the treatment of African Americans by the U.S. government as proof of hypocrisy in the American promises of freedom and equality. This probing history examines government attempts to manipulate international perceptions of U.S. race relations during the Cold War by sending African American athletes abroad on goodwill tours and in international competitions as cultural ambassadors and visible symbols of American values. Damion L. Thomas follows the State Department's efforts from 1945 to 1968 to showcase prosperous African American athletes including Jackie Robinson, Jesse Owens, and the Harlem Globetrotters as the preeminent citizens of the African Diaspora, rather than as victims of racial oppression. With athletes in baseball, track and field, and basketball, the government relied on figures whose fame carried the desired message to countries where English was little understood. However, eventually African American athletes began to provide counter-narratives to State Department claims of American exceptionalism, most notably with Tommie Smith and John Carlos's famous black power salute at the 1968 Mexico City Olympics. Exploring the geopolitical significance of racial integration in sports during the early days of the Cold War, this book looks at the Eisenhower and Kennedy administrations' attempts to utilize sport to overcome hostile international responses to the violent repression of the civil rights movement in the United States. Highlighting how African American athletes responded to significant milestones in American racial justice such as the 1954 Brown v. Board of Education decision and the passage of the 1964 Civil Rights Act, Thomas surveys the shifting political landscape during this period as African American athletes increasingly resisted being used in State Department propaganda and began to use sports to challenge continued oppression.