Easy Rawlins is on the verge of losing everything—until he gets an offer from the FBI that he has no choice but to accept. For most Black Americans, the 1960s were times of hope. For former P.I. Easy Rawlins, Los Angeles's mean streets were never meaner—or more deadly. Racial tensions are high—Black folks avoid even stepping foot in white neighborhoods. Despite the ongoing civil rights movement, racism still rules the streets and police officers are no exception. So when a white man approaches Easy with a wad of cash to find a missing person, Easy would is tempted to simply throw the money back in his sleazy face. But he personally knows the woman the white man wants to find—the notorious Black Betty, an ebony siren whose talent for all things rich and male took her from Houston's Fifth Ward to Beverly Hills. Short on money and pulled by the strong desire to see Black Betty again, he accepts the job. But why exactly this white man wants to find her isn’t clear. Easy’s questions aren’t being answers and he realizes the case might be more complex than he thought. Easy won’t stop at anything to find Black Betty. Even as the obstacles grow higher and the bodies begin to pile up.

"Black Betty has made a living killing the unkillable. She has taken down mosters of every shape and size with a style all her own. But when a man's daughter is kidnapped by a local legend, Betty steps in to save her ... for a price! If you need it dead (and you've got the cash!), Betty's your girl!"--Back cover.

Mia considers the qualities that make her and her other African American friends--who all have different skin tones--pretty.

1961: For most black Americans, these were times of hope. For former P.I. Easy Rawlins, Los Angeles's mean streets were never meaner...or more deadly. Ordinarily, Easy would have thrown the two bills in the sleazy shamus' face - the white man who wanted him to find the notorious Black Betty, an ebony siren whose talent for all things rich and male took her from Houston's Fifth Ward to Beverly Hills. There was too much Easy wasn't being told, but he couldn't resist the prospect of seeing Betty again, even if it killed him . . .

Examines the tradition of self-consciousness in African American literature. The book points to the shortcomings of theories of metafiction founded on studies of Anglo-American literature. It analyzes and evaluates these theories, providing a model for the evaluation of other Eurocentric theories.

Music and lyrics for over 200 songs. John Henry, Goin' Home, Little Brown Jug, Alabama-Bound, Ten Thousand Miles from Home, Shack Bully Holler, Black Betty, The Hammer Song, Bad Man Ballad, Jesse James, Down in the Valley, The Bear in the Hill, Shortenin' Bread, The Ballad of Davy Crockett, and many more.

Tough black private eye Easy Rawlins returns on a new case. His real estate empire is deeply in debt, so he must accept an offer to track down a femme fatale known as Black Betty. From Texas to Beverly Hills, Betty has left a trail of chaos and mayhem in her wake.