The Effect of Immigration on the Negro in Baltimore 1850-1860 describes the effects of predominantly non-Black immigration into the city on the lives of the free and slave Blacks before the Civil War. Slaveholders of Baltimore, 1860 discusses the social history of the slaves, and provides a listing of all slaveholders enumerated in the 1860 Federal Census. Slaves by Name. Notices of runaway slaves were routinely published in the newspapers and now provide an important resource for family historians. This article provides an index to such notices in the Baltimore Sun for the years 1837-1864. Baltimore Free Black Households with Slaves, 1820-1840. In a city like Baltimore not all slaves were required to live on the premises of their master, and they frequently appear in the households of other Blacks who often were friends or relations. In addition, a surprising number of free Blacks were themselves slave holders. Black Families of East Baltimore, 1870. This first census after Emancipation is the first to identify all Blacks by name, age, birthplace, etc. and is of great value to family historians and sociologists. This article provides a listing of every Black in Wards 1 to 6 of East Baltimore. Laurel Cemetery, 1852-1958 gives a brief history of the cemetery and a partial reconstruction of interments there.

The best-selling look at how American cities can promote racial equity, end redlining, and reverse the damaging health- and wealth-related effects of segregation. Winner of the IPPY Book Award Current Events II by the Independent Publisher The world gasped in April 2015 as Baltimore erupted and Black Lives Matter activists, incensed by Freddie Gray's brutal death in police custody, shut down highways and marched on city streets. In The Black Butterfly—a reference to the fact that Baltimore's majority-Black population spreads out like a butterfly's wings on both sides of the coveted strip of real estate running down the center of the city—Lawrence T. Brown reveals that ongoing historical trauma caused by a combination of policies, practices, systems, and budgets is at the root of uprisings and crises in hypersegregated cities around the country. Putting Baltimore under a microscope, Brown looks closely at the causes of segregation, many of which exist in current legislation and regulatory policy despite the common belief that overtly racist policies are a thing of the past. Drawing on social science research, policy analysis, and archival materials, Brown reveals the long history of racial segregation's impact on health, from toxic pollution to police brutality. Beginning with an analysis of the current political moment, Brown delves into how Baltimore's history influenced actions in sister cities such as St. Louis and Cleveland, as well as Baltimore's adoption of increasingly oppressive techniques from cities such as Chicago. But there is reason to hope. Throughout the book, Brown offers a clear five-step plan for activists, nonprofits, and public officials to achieve racial equity. Not content to simply describe and decry urban problems, Brown offers up a wide range of innovative solutions to help heal and restore redlined Black neighborhoods, including municipal reparations. Persuasively arguing that, since urban apartheid was intentionally erected, it can be intentionally dismantled, The Black Butterfly demonstrates that America cannot reflect that Black lives matter until we see how Black neighborhoods matter.

This innovative study of racial upheaval and urban transformation in Baltimore, Maryland investigates the impact of "blockbusting"—a practice in which real estate agents would sell a house on an all-white block to an African American family with the aim of igniting a panic among the other residents. These homeowners would often sell at a loss to move away, and the real estate agents would promote the properties at a drastic markup to African American buyers. In this groundbreaking book, W. Edward Orser examines Edmondson Village, a west Baltimore rowhouse community where an especially acute instance of blockbusting triggered white flight and racial change on a dramatic scale. Between 1955 and 1965, nearly twenty thousand white residents, who saw their secure world changing drastically, were replaced by blacks in search of the American dream. By buying low and selling high, playing on the fears of whites and the needs of African Americans, blockbusters set off a series of events that Orser calls "a collective trauma whose significance for recent American social and cultural history is still insufficiently appreciated and understood." Blockbusting in Baltimore describes a widely experienced but little analyzed phenomenon of recent social history. Orser makes an important contribution to community and urban studies, race relations, and records of the African American experience.

Throughout the years, the city of Baltimore has played host to many well-known figures, including Louis Armstrong, Duke Ellington, and boxer Joe Louis; the city has been called home by Billie Holiday, Frederick Douglass, and Thurgood Marshall. But it is the local African-American community's members, working diligently to advance and empower themselves, who made history while they lived it.

Through extensive neighborhood interviews and a compelling assessment of the problems of unraveling communities in urban America, Harold McDougall reveals how, in sections of Baltimore, a "New Community" is developing. Relying more on vernacular culture, personal networking, and mutual support than on private wealth or public subsidy, the communities of black Baltimore provide an example of self-help and civic action that could and should be occurring in other inner-city areas. In this political history of Old West Baltimore, McDougall describes how "base communities"—small peer groups that share similar views, circumstances, and objectives—have helped neighborhoods respond to the failure of both government and the market to create conditions for a decent quality of life for all. Arguing for the primacy of church leadership within the black community, the author describes how these small, flexible groups are creating the foundation of what he calls a New Community, where community-spirited organizers, clergy, public interest advocates, business people, and government workers interact and build relationships through which Baltimore's urban agenda is being developed.

This original anthology of noir fiction set in Maryland’s Charm City includes new stories by David Simon, Laura Lippman, Jim Fusilli, and more. As fans of the HBO series The Wire have known for years, Baltimore is home to a rich and diverse underworld that is matched by an equally rich and diverse literary tradition. This is the city where Dashiell Hammett worked as a Pinkerton agent. It’s also where Zelda Fitzgerald came for psychiatric treatment. In this sterling collection of noir fiction, some of Baltimore’s best authors “confront the full irony that is Charm City, a place where you can go from the leafy beauty of the North Side neighborhoods to the gutted ghettos of the West Side in less than twenty minutes, then find your way to the revamped Inner Harbor in another ten” (Laura Lippman, from the introduction). Baltimore Noir includes brand-new stories by David Simon, Laura Lippman, Tim Cockey, Rob Hiaasen, Robert Ward, Sujata Massey, Jack Bludis, Rafael Alvarez, Marcia Talley, Joseph Wallace, Lisa Respers France, Charlie Stella, Sarah Weinman, Dan Fesperman, Jim Fusilli, and Ben Neihart.

Baltimore's Two Cross Keys Villages is about two communities virtually next door to one another. As one was dying, the other was born. Cross Keys Village (named after a nearby inn) was established by African Americans in north Baltimore. Forty years ago, in a surprise rush to urban renewal, the city condemned and tore down most of the homes to make room for a high school parking lot. Author Jim Holechek interviewed many of the former residents of the old Cross Keys Village to learn what life was like in their disappearing enclave. The Village of Cross Keys (named after the village that was named after the inn) was begun by developer James Rouse in 1961 when he purchased Roland Park's exclusive golf course. He was called the "Sunday School teacher with a Midas touch" and became America's premier builder of new towns and shopping malls. In Baltimore's Two Cross Keys Villages, you'll learn about the tapestry of other hamlets and other people, of "The Falls Road," Mt. Washington, Bare Hills and Ruxton, an 1835 log chapel and a woman who carries on the heritage of the slave Tobias. Brief comments from those who read Baltimore's Two Cross Keys Villages: "Terrific!" -John McGrain, Official Baltimore Country Historian; "Must be published" -Sarah Fenno Lord; "Important Maryland history" -Thomas Mallonee, advertising executive; "Marvelous memories" -Paul M. Johnson, retired school principal; "Warm and engrossing"-Holly Parker; "Captivating!" -W. Scott Ditch, retired Rouse Company vice president.