BACK ISSUE Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts. Prior to Volume 9, Black Ball was published as Black Ball: A Negro Leagues Journal. This is a back issue of that journal.

BACK ISSUE Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts. Prior to Volume 9, Black Ball was published as Black Ball: A Negro Leagues Journal. This is a back issue of that journal.

How good was Negro League Baseball (1920-1948)? Some experts maintain that the quality of play was equal to that of the American and National Leagues. Some believe the Negro Leagues should be part of Major League Baseball's official record and that more Negro League players should be in the Hall of Fame. Skeptics contend that while many players could be rated highly, NL organizations were minor league at best. Drawing on the most comprehensive data available, including stats from more than 2,000 interracial games, this study finds that black baseball was very good indeed. Negro leaguers beat the big leaguers more than half the time in head-to-head contests, demonstrated stronger metrics within their own leagues and excelled when finally allowed into the majors. The authors document the often duplicitous manner in which MLB has dealt with the legacy of the Negro Leagues, and an appendix includes the scores and statistics from every known contest between Negro League and Major League teams.

Since 1971, 35 Negro League baseball players and executives have been admitted to the Hall of Fame. The Negro League Hall of Fame admissions process, which has now been conducted in four phases over a 50-year period, can be characterized as idiosyncratic at best. Drawing on baseball analytics and surveys of both Negro League historians and veterans, this book presents an historical overview of NLHOF voting, with an evaluation of whether the 35 NL players selected were the best choices. Using modern metrics such as Wins Above Replacement (WAR), 24 additional Negro Leaguers are identified who have Hall of Fame qualifications. Brief biographies are included for HOF-quality players and executives who have been passed over, along with reasons why they may have been excluded. A proposal is set forth for a consistent and orderly HOF voting process for the Negro Leagues.

BACK ISSUE Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts. Prior to Volume 9, Black Ball was published as Black Ball: A Negro Leagues Journal. This is a back issue of that journal.

Stephen C. Ferguson II provides a philosophical examination of Black popular culture for the first time. From extensive discussion of the philosophy and political economy of Hip-Hop music through to a developed exploration of the influence of the postmodernism-poststructuralist ideology on African American studies, he argues how postmodernism ideology plays a seminal role in justifying the relationship between corporate capitalism and Black popular culture. Chapters cover topics such as cultural populism, capitalism and Black liberation, the philosophy of Hip-Hop music, and Harold Cruse's influence on the “cultural turn” in African American studies. Ferguson combines case studies of past and contemporary Black cultural and intellectual productions with a Marxist ideological critique to provide a cutting edge reflection on the economic structure in which Black popular culture emerged. He highlights the contradictions that are central to the juxtaposition of Black cultural artists as political participants in socioeconomic struggle and the political participants who perform the rigorous task of social criticism. Adopting capitalism as an explanatory framework, Ferguson investigates the relationship between postmodernism as social theory, current manifestations of Black popular culture, and the theoretical work of Black thinkers and scholars to demonstrate how African American studies have been shaped.

BACK ISSUE Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts. Prior to Volume 9, Black Ball was published as Black Ball: A Negro Leagues Journal. This is a back issue of that journal.