Birth of a National Icon examines the emergence of the intellectual in fin-de-siècle France, setting this important phenomenon against the backdrop of an emerging mass democracy and concentrating on the key role played by the avant-garde.

Over one hundred years since it premiered on cinema screens, D. W. Griffith's controversial photoplay The Birth of a Nation continues to influence American film production and to have relevance for race relations in the United States. This work challenges the idea the United States has moved beyond racial problems and highlights the role of film and representation in the continued struggle for equality.

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An Avant-garde Theological Generation examines the Fourvière Jesuits and Le Saulchoir Dominicans, theologians and philosophers who comprised the influential reform movement the nouvelle théologie. Led by Henri de Lubac, Jean Daniélou, Yves Congar, and Marie-Dominique Chenu, the movement flourished from the 1930s until its suppression in 1950. It aims to remedy certain historical deficiencies by constructing a history both sensitive to the wider intellectual, political, economic, and cultural milieu of the French interwar crisis, and that establishes continuity with the Modernist crisis and the First World War. Chapter One examines the modern French avant-garde generations that have shaped intellectual and political thought in France, providing context for a historical narrative of the nouvelle théologie. Chapters Two and Three examine the influential older generations that flourished from 1893 to 1914, such as the Dreyfus generation, the generation of Catholic Modernists, and two generations of older Jesuits and Dominicans, which were instrumental in the Fourvière Jesuits' development. Chapter Four explores the influence of the First World War and the years of the 1920s, during which the Jesuits and Dominicans were in religious and intellectual formation, relying heavily on unpublished letters and documents from the Jesuits archives in Paris (Vanves). Chapter Five analyses the crises of the interwar period and the emergence of the wider generation of 1930-to which the nouveaux théologiens belonged-and its intellectual thirst for revolution. Chapter Six examines the emergence of the ressourcement thinkers during the tumultuous years of the 1930s. The decade of the 1940s, explored in Chapter Seven, saw the rise to prominence of the members of the generation of 1930, who, thanks to their participation in the resistance, emerged from the Second World War, with significant influence on the postwar French intellectual milieu. Finally, the monograph concludes in Chapter Eight with an examination of the triumph of French Left Catholicism and the nouvelle théologie during the 1960s at the Second Vatican Council. .

Since the Enlightenment, French theatre has occupied a prominent place within French thought, society and culture, but as a subject of study it has remained a purview of theatre historians, literary scholars and aestheticians. They focus on the emergence of the modern theatre as change generated from within bourgeois literary drama but ignore theatre as a complex social practice. Theatre, Politics, and Markets in Fin-de-Siècle Paris investigates the dynamic relationships among the avant-garde, official culture and the commercial sphere, arguing against the neat divide of 'high' and 'low' culture by showing how cultural forms of varying social origins influenced each other.

In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. Although none of these films survived, Field's examination of archival film ephemera presents a method for studying lost films that opens up new frontiers for exploring early film culture.

Birth of a White Nation, Second Edition examines the social construction of race through the invention of white people. Surveying colonial North American law and history, the book interrogates the origins of racial inequality and injustice in American society, and details how the invention still serves to protect the ruling elite to the present day. This second edition documents the proliferation of ideas imposed and claimed throughout history that have conspired to give content, form, and social meaning to one’s racial classification. Beginning its expanded narrative with the development of diverse Native American societies through contact with European colonizers in the Tidewater region, and progressing to the emigration of Mexicans, Irish, and other "non-whites", this new edition addresses the ongoing production and reproduction of whiteness as a distinct and dominant social category. It also looks to the future by developing a new, applied framework for countering racial inequality and promoting greater awareness of anti-racist policies and practices. Birth of a White Nation will be of great interest to students, scholars, and general readers seeking to make sense of the dramatic racial inequities of our time and to forge an antiracist path forward.