Issues surrounding birth and death have been fundamental for Western philosophy as well as for individual existence. The contributors to this volume unravel the gendered aspects of the classical philosophical discourses on death, bringing in discussions about birth, creativity, and the entire chain of human activity. By linking their work to major thinkers such as Heidegger, Nietzsche, Beauvoir, and Arendt, and to major philosophical currents such as ancient philosophy, existentialism, phenomenology, and social and political philosophy, they challenge prevailing feminist articulations of birth and death. These philosophical reflections add an important sexual dimension to current thinking on identity, temporality, and community.

Dead and dying women are surely an age-old narrative trope. While associations of femininity with death have become almost prototypical in literary criticism and are familiar fodder for cultural conversations, the editors of Death Becomes Her offer us an opportunity to investigate the values that underlie such associations. But from where does our tireless investment in what constitutes a feminine death, a feminine reaction to death, and death’s courting of women emerge? These essays give voice to the idea that power and victimization are not opposites, but rather are complements in an operatic fantasy of intrigue, agency, absence and presence that pervades American writing and experience. Each chapter of Death Becomes Her offers a different lens to investigate the nature of death as surely more than just an anatomical matter: The penny press obsessively covers the death of a beautiful prostitute in 1840s Chicago; a novel of seduction becomes also a narrative of autopsy; a story of haunting allows women outlets for sexual license and the polemics of desire. Overall this volume invites readers to explore the ways in which death is portrayed as both an ornamentation of femininity and an ontological reality of it: how, put simply, “death becomes her.” Essays include analyses of women’s deathbed scenes, suicides, murders, funerals, and autopsies in literature and other nineteenth-century media. As such, the chapters in Death Becomes Her show how the authorial and readerly interest in scripting and staging women’s deaths is both intricate and abiding. They tell us that death is never, of course, simply about death, and they make relevant other issues, from linguistics to politics, as they inform the literature and lives of women from the late-eighteenth to early twentieth-century America. Taken together, the pieces in Death Becomes Her allow us greater access to the surrounding culture out of which the American woman emerges, performs, lives and dies. In doing so, they offer fresh insight into the often unsettling and highly relevant role of death in feminism.

Why did Greek society foster social conditions, especially early marriage with its attendant early childbearing, that were known to be dangerous for both mother and child? What were the actual causes of death among women described as dying of childbirth in the Hippocratic Epidemics? Why did families choose to portray labor scenes on tombstones when the Greek commemorative tradition otherwise avoided reference to suffering and illness? In Birth, Death, and Motherhood in Classical Greece, Nancy Demand offers the first comprehensive exploration of the social and cultural construction of childbirth in ancient Greece. Reading the ancient evidence in light of feminist theory, the Foucauldian notion of discursively constituted objects, medical anthropology, and anthropological studies of the modern Greek village, Demand discusses topics that include midwifery, abortion, attitudes of doctors toward women patients, and the treatment of women generally. For evidence, she relies primarily on the case histories in the Epidemics concerning women with complications in pregnancy, abortion, and childbirth. She also draws relevant details from cure records and dedications from healing sanctuaries, labor scenes depicted on tombstones, Aristophanic comedy, andPlatonic philosophy.

Bronfen presents the argument that narrative and visual representations of death can be read as symptoms of culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me," culture uses art to dream the deaths of beautiful women.

A sensitive exploration of the development of pivotal life cycle rituals as they touch Jewish women's lives.

All human beings are born and all human beings die. In these two ways we are finite: our lives begin and our lives come to an end. Historically philosophers have concentrated attention on our mortality—and comparatively little has been said about being born and how it shapes our existence. Alison Stone sets out to overcome this oversight by providing a systematic philosophical account of how being born shapes our condition as human beings. Drawing on both feminist philosophy and existentialist concerns about the structure of meaningful human existence, Stone offers an original perspective on human existence. She explores how human existence is shaped by the way that we are born. Taking natality into account transforms our view of human existence and illuminates how many of its aspects are connected with our birth. These aspects include dependency, the relationality of the self, vulnerability, reception and inheritance of culture and history, embeddedness in social power, situatedness, and radical contingency. Considering natality also sheds new light on anxiety, mortality, and the temporality of human life. This book therefore bears on death and the meaning of life, as well as many debates in feminist and continental philosophy.

This book makes an important contribution to the fields of obstetrics, midwifery, childbirth education, sociology of the body, cultural studies and women's studies.