As well as the Little Owl or glaux, so often seen accompanying the goddess Athena, many other birds played an important role in Greek art and symbolism. This booklet describes the ways in which the Greeks viewed birds, from useful hawks and fowl to exotic parakeets and peacocks. Some of the birds most often depicted are imaginary, from the griffin to the phallos bird, whose head and neck consisted of an erect penis. The book ends with a field guide to species likely to be seen on a visit to the Agora archaeological park today.

The revised version of this popular site guide provides a brief account of the history of the Athenian agora and its principal monuments, and now features numerous colour illustrations.

This definitive guide to the archaeological remains in the civic and commercial center of ancient Athens is an essential companion to the interested visitor, as well as to students of the topography of the classical city. A large-scale map provides an overview of the site, keyed to descriptions and plans of every monument still visible from the majestic Temple of Hephaistos to the utilitarian Great Drain. The fifth edition retains many of the elements that made the earlier editions so popular, but also takes full account of new discoveries and recent scholarship. It is intended for visitors touring the site, and is arranged topographically, monument by monument. Also included are an overview of the historical development of the site and a history of the excavations.

Written for the general visitor, the Athenian Agora Museum Guide is a companion to the 2010 edition of the Athenian Agora Site Guide and leads the reader through all of the display spaces within the Stoa of Attalos in the Athenian Agora - the terrace, the ground-floor colonnade, and the newly opened upper story. The guide also discusses each case in the museum gallery chronologically, beginning with the prehistoric and continuing with the Geometric, Archaic, Classical, Hellenistic, Roman, and Byzantine periods. Hundreds of artifacts, ranging from common pottery to elite jewelry held in 81 cases, are described and illustrated in color for the very first time. Through focus boxes, readers can learn about marble-working, early burial practices, pottery production, ostracism, home life, and the wells that dotted the ancient site. A timeline, maps, and plans accompany the text. For those who wish to learn more about what they see in the museum, a list of further reading follows each entry.

Athens was a famously litigious city in antiquity, as the sheer quantity of evidence for legal activity found in the Agora makes clear. Every kind of case, from assault and battery to murder, and from small debts to contested fortunes, were heard in various buildings and spaces around the civic center, and the speeches given in defense and prosecution remain some of the masterpieces of Greek literature. As well as describing the spaces where judgments were made (such as the Stoa Basileios, office of the King Archon), the author discusses the progress of some famous cases (known from the speeches of orators like Demosthenes), such as the patrimony suit of a woman named Plangon against the nobleman Mantias, or the assault charge leveled by Ariston against Konon and his sons.

Like fragments of overheard conversations, the thousands of informal inscriptions scratched and painted on potsherds, tiles, and other objects give us a unique insight into the everyday life of the Athenian Agora. Some are marks of ownership, or the notes of merchants, but many are sexual innuendos, often accompanied by graphic illustrations. Using her wide contextual knowledge, the author suggests why these scraps of sentences were written, and what they can tell us about one of the first widely literate societies.

Birds pervaded the ancient world. They impressed their physical presence on the daily experience and imaginations of ordinary people in town and country alike, and figured prominently in literature and art. They also provided a fertile source of symbols and stories in their myths and folklore, and were central to the ancient rituals of augury and divination. Jeremy Mynott's Birds in the Ancient World: Winged Words brings together all this rich and fascinating material for the modern reader. Using quotations from well over a hundred classical Greek and Roman authors, all of them translated freshly into English, and nearly a hundred illustrations from ancient wall-paintings, pottery, and mosaics, Birds in the Ancient World illustrates the many different roles birds played in popular culture: as indicators of time, weather, and the seasons; as a resource for hunting, eating, medicine, and farming; as domestic pets and entertainments; and as omens and intermediaries between the gods and humankind. There are also selections from early scientific writings about birds, as well as many anecdotes and descriptions from works of history, geography, and travel. Jeremy Mynott acts as a stimulating guide to this varied material, using birds as a prism through which to explore both the similarities and the often surprising differences between ancient conceptions of the natural world and our own. His book is an original contribution to the flourishing interest in the cultural history of birds and to our understanding of the ancient cultures in which birds played such a prominent part.