Identify Arkansas birds with this easy-to-use field guide, organized by color and featuring full-color photographs and helpful information. Make birdwatching in Arkansas even more enjoyable. With Stan Tekiela’s famous bird guides, field identification is simple and informative. There’s no need to look through dozens of photos of birds that don’t live in your area. The Birds of Arkansas Field Guide features 132 species of Arkansas birds organized by color for ease of use. Full-page photographs present the species as you’ll see them in nature, and a “compare” feature helps you to decide between look-alikes. Inside you’ll find: 132 species: Only Arkansas birds! Simple color guide: See a yellow bird? Go to the yellow section Stan’s Notes: Naturalist tidbits and facts Professional photos: Crisp, stunning images This second edition includes eight new species, updated photographs and range maps, expanded information, and even more of Stan’s expert insights. So grab the Birds of Arkansas Field Guide for your next birding adventure—to help ensure that you positively identify the birds that you see.

The Birds of Arkansas is a quick and easy to use, light-weight, durable, all-weather fieldguide to the inspiring and incredibly varied birdlife inhabiting the State of Arkansas.Stunning digital photographs depict more than 125 species of common and notablebirds, enabling users to identify nearly every bird they encounter--day or night--withinthe guide's extensive area of coverage.Whether seeking waterfowl, forest birds, Bald Eagles or sorting through the fascinatingassortment of migrants along the eastern "Mississippi Flyway; setting your sights on thecolorful variety of warblers inhabiting extensive swamps and bayous; embarking on ascenic outing to the Ozark Mountains in the north; identifying your garden birds; or on aquick business trip to Little Rock, Fayetteville, Pine Bluff, and points between, you'll beglad to have this booklet.Designed to satisfy the needs of birders of all interest levels--but especially beginningand intermediate users trying to "make sense of it all"--this beautiful and amazinglyinformative six-fold guide will be an indispensable field companion on all outings.This affordable guide will serve as a lasting memento of any trip and will conveniently fitinto a daypack, pocket or glove-compartment, facilitating easy field identification--whether in a Little Rock garden, on a family vacation, or a serious birding trip visiting allthe best birding hot spots within The Natural State.

... a monumental effort that the authors can be justly proud of. It belongs on the shelf of any birder in the mid-South, in every library, in the region, and in any serious ornithological library. -- Journal of Field Ornithology

Winner of the 2019 Etel Adnan Poetry Prize Inside the dodo bird is a forest, Inside the forest a peach analog, Inside the peach analog a woman, Inside the woman a lake of funerals This layering of bird, woman, place, technology, and ceremony, which begins this first full-length collection by Zaina Alsous, mirrors the layering of insights that marks the collection as a whole. The poems in A Theory of Birds draw on inherited memory, historical record, critical theory, alternative geographies, and sharp observation. In them, birds—particularly extinct species—become metaphor for the violences perpetrated on othered bodies under the colonial gaze. Putting ecological preservation in conversation with Arab racial formation, state vernacular with the chatter of birds, Alsous explores how categorization can be a tool for detachment, domination, and erasure. Stretching their wings toward de-erasure, these poems—their subjects and their logics—refuse to stay put within a single category. This is poetry in support of a decolonized mind.

A collection of Courtney's columns from the Texas Monthly, curing the curious, exorcizing bedevilment, and orienting the disoriented, advising "on such things as: Is it wrong to wear your football team's jersey to church? When out at a dancehall, do you need to stick with the one that brung ya? Is it real Tex-Mex if it's served with a side of black beans? Can one have too many Texas-themed tattoos?"--Amazon.com.

This is the most complete wild-flower book for Arkansas and also has great interest for surrounding states. Six-hundred species are described, accompanied by hundreds of color photographs. Text for each species appears next to its photograph for easy identification. The eight plant families represented are described as well as the structure of flowers and plants and the physiographic regions of Arkansas. The book also includes a glossary of scientific terms and an index for all species.

“The Grail Bird is an enjoyable read . . . A powerful call for conservation, and an exciting bird adventure” (The Boston Globe). What is it about the ivory-billed woodpecker? Why does this ghost of the southern swamps arouse such an obsessive level of passion in its devotees, who range from respected researchers to the flakiest Loch Ness monster fanatics and Elvis chasers? Since the early twentieth century, scientists have been trying their best to prove that the ivory-bill is extinct. But every time they think they’ve finally closed the door, the bird makes an unexpected appearance. To unravel the mystery, author Tim Gallagher heads south, deep into the eerie swamps and bayous of the vast Mississippi Delta, searching for people who claim to have seen this rarest of birds and following up—sometimes more than thirty years after the fact—on their sightings. What follows is his own Eureka moment with his buddy Bobby Harrison, a true son of the South from Alabama. A huge woodpecker flies in front of their canoe, and they both cry out, “Ivory-bill!” This sighting—the first time since 1944 that two qualified observers positively identify an ivory-billed woodpecker in the United States—quickly leads to the largest search ever launched to find a rare bird, as researchers fan out across the bayou, hoping to document the existence of this most iconic of birds. “The Grail Bird is less an ecological study than a portrait of human obsession.” —The New York Times