Birdland was a legendary nightclub in New York City and, from 1949-65, was the scene for the greatest jazz music and musicians in the world. This illustrated book offers a history of this legendary jazz club, and presents the greats who played its stage in capsule biographies, vintage photos, and rare memorabilia. Named after legendary jazz saxophonist Charlie "Yardbird" Parker, the club showcased memorable double and triple bills lasting until dawn. Many classic live recordings were made at "The Jazz Corner of the World," such as the "A Night at Birdland" by the Art Blakey Quintet, "Basie at Birdland," and "Coltrane, Live at Birdland." Birdland established itself as the one place that every jazz musician had to play. Greats such as Charlie Parker, Dizzy Gillespie, Bud Powell, Miles Davis, Thelonious Monk, Count Basie, John Coltrane, Art Tatum, Art Blakey, Horace Silver, Clifford Brown, Ella Fitzgerald, Stan Getz, Lester Young, Billie Holiday, Oscar Peterson, and Sonny Rollins, to name only a few, graced its stage.

In Birdland, Australian fine-art photographer Leila Jeffreys presents us with a bird-watching experience like no other, drawing birds out from their leafy shadows and airy territories and presenting them to us with the skill and intricate detail of a portrait painter. The result is a stunning encounter with some of the world's most beautiful birds. On display are fine feathers of all types-eagles in burnished battle armor, cotton candy-pink cockatoos, owls in spangled evening wear, and the finches and parrots who couldn't settle for just one or two colours, so chose the whole palette instead. Captured in a moment of stillness, Jeffreys's feathered sitters reveal qualities and features that invite human projection. Meet the sociable gang-gang cockatoos Commander and Mrs. Skyring, always up for a soir e; the dignified and kingly black kite Fenrick; and the adorably gamine Pepper, a southern boobook owl with impossibly huge eyes and irresistibly cute skinny legs. Sydney-based Jeffreys works with animal rescue and conservation groups to create her portraits. Her love and compassion for her subjects is evident throughout, and every bird has a story, which Jeffreys shares in a profile of nearly every species in the back of the book. There are working birds, like Soren, the wedge-tailed eagle, who patrols areas to prevent cockatoos from damaging buildings and lorikeets from overindulging on sugar on hotel balconies; Blue, the orange-bellied parrot who is part of a breeding program to increase the population of this critically endangered species; and Sirocco, New Zealand's kakapo conversation superstar. Birdland invites us to rediscover birds, to gaze unhindered, and to marvel at their many-splendored glory.

Fourteen-year-old, tongue-tied Jed spends Christmas break working on a school project filming a documentary about his East Village, New York City, neighborhood, where he is continually reminded of his older brother, Zeke, a promising poet who died the year before. An ALA Best Book for Young Adults. Reprint.

Gilbert Hernandez' sensationally semen-drenched fantasia is still the hottest Eros comic of them all. With a delightfully deviant cast featuring driping exploits of two spunky strippers, an oversexed psychiatrist and her philandering husband.

In the 1950s, New York City's Birdland was the center of the world of modern jazz--and a revelation to Bill Crow, a wet-behind-the-ears twenty-two-year-old from Washington State. Located on Broadway between 52nd and 53rd streets, the club named for the incomparable Charlie "Bird" Parker boasted lifesize photo murals of modern jazzmen like Dizzy Gillespie, Lennie Tristano, and, of course, Bird himself, looming large against jet black walls. Exotic live birds perched in cages behind the bar. The midget master of ceremonies, 3'9" Pee Wee Marquette, dressed in a zoot suit and loud tie, smoked huge cigars and screeched mispronounced introductions into the microphone. And the jazz-struck young Crow would park in the bleachers till 4 am, blissfully enveloped by the heady music of Bird, Bud Powell, Max Roach, and a host of other jazz giants. From Birdland to Broadway is an enthralling insider's account of four decades of a life in jazz. Bill Crow, journeyman bass player, superb storyteller, and author of the successful Jazz Anecdotes, here narrates many moving and delightful tales of the pioneers of modern jazz he played with and was befriended by. We find Dizzy Gillespie, with whom Crow, because of prior commitments, regretfully declined steady work, dancing at the Royal Roost, Stan Getz sadly teetering on the brink of losing himself to drugs, and Harry Belafonte (known then as "the Cinderella Gentleman") running a lunch counter in New York's Sheridan Square between music dates. And we also witness many of the highlights of Crow's career, such as in 1955 when the Marian McPartland Trio (with Crow on bass) was named "Small Group of the Year" by Metronome; Crow playing with the Gerry Mulligan Quartet at venues like Storyville in Boston and Harlem's Apollo Theater (where they appeared with Dinah Washington); and the tour of the Soviet Union with Benny Goodman, a journey that might have been a high point of Crow's travels abroad but was marred by Goodman's legendary mistreatment of his band. Moving beyond jazz clubs to the Broadway concert pit and a variety of studio gigs in the '60s, Crow encounters actors such as Yul Brynner and pop-rock acts like Simon and Garfunkel. From the great to the near-great, from Billie Holiday to Judy Holliday, Bill Crow's wealth of personal anecdotes takes the reader from Birdland, to the Half Note, to the Playboy Club, to the footlights of Broadway. This revealing book is a marvelous portrait of the jazz world, told by someone who's been there.

Pianist George Shearing is that rare thing, a European jazz musician who became a household name in the US, as a result of the "Shearing sound"—the recordings of his historic late 1940s quintet. Together with his unique "locked hands" approach to playing the piano, Shearing's quintet with guitar and vibraphone in close harmony to his own playing revolutionized small group jazz, and ensured that after seven years as Melody Maker's top British pianist, he achieved even greater success in America. His compositions have been recorded by everyone from Sarah Vaughan to Miles Davis, and his best known pieces include "Lullaby of Birdland", "She" and "Conception". His story is all the more remarkable because Shearing was born blind. His candid reminiscences include a behind the scenes experience of New York's 52nd Street in its heyday, as well as memories of a vast roll-call of professional colleagues that includes all the great names in jazz.