THE SUNDAY TIMES BESTSELLER 'Quietly brilliant ... among the best fiction of our time.' Daily Telegraph 'The finest novel Dunmore has written.' Observer 'Superb and poignant.' Guardian It is 1792 and Europe is seized by political turmoil and violence. Lizzie Fawkes has grown up in Radical circles where each step of the French Revolution is followed with eager idealism. But she has recently married John Diner Tredevant, a property developer who is heavily invested in Bristol's housing boom, and he has everything to lose from social upheaval and the prospect of war. Diner believes that Lizzie's independent, questioning spirit must be coerced and subdued. She belongs to him: law and custom confirm it, and she must live as he wants. But as Diner's passion for Lizzie darkens, she soon finds herself dangerously alone. ______________ Nominated for the 2018 Independent Booksellers Week Award Longlisted for the 2018 Walter Scott Prize for Historical Fiction

Revolutionary turmoil in France threatens to cross the English border—and tear apart an increasingly tense marriage—in this “brilliant” gothic thriller (Publishers Weekly, starred review). It is 1792, and Europe is seized by political unrest. In England, Lizzie Fawkes has grown up among Radicals who’ve followed the French Revolution with eager optimism. But Lizzie has recently married John Diner Tredevant, a developer who is heavily invested in Bristol’s housing boom, and he has everything to lose from social upheaval and the prospect of war. As the strain of financial setbacks and the secrets of his past converge upon him, his grip on what he considers his rightful property—including Lizzie—only grows tighter...From an Orange Prize winner and Whitbread Award finalist, this is a novel with a “charged radiance” (The New York Times) that explores romanticism and disillusionment, terror and love, and the dangerous lines between them. “Dunmore knows how to let a narrative move like an arrow in flight...A man rows from Bristol to a glade where he has left his dead wife overnight. He must bury her fast, where no one will find her. From the start, Birdcage Walk has the command of a thriller as we keep company with John Diner Tredevant, an 18th-century property developer building a magnificent terrace in Clifton, high above the Avon Gorge. Lizzie, his second wife, does not know the details of what happened to his first. Nor do we know as much as we might suppose...The novel’s cast is marvelous and vivid.”—The Guardian “Explores the impact of the French Revolution on 1790s England within the context of a gothic romance set in Bristol...[a] magnificently complex villain.”—Kirkus Reviews

The new novel by NBA All-Star Kareem Abdul-Jabbar, starring brothers Mycroft and Sherlock Holmes. It is 1872, and a series of gruesome murders is the talk of London. Mycroft Holmes--now twenty-six and a force to be reckoned with at the War Office--has no interest in the killings; however, his brother Sherlock has developed a distasteful fascination for the macabre to the detriment of his studies, much to Mycroft's frustration. When a ship carrying cargo belonging to Mycroft's best friend Cyrus Douglas runs aground, Mycroft persuades Sherlock to serve as a tutor at the orphanage that Douglas runs as a charity, so that Douglas might travel to see what can be salvaged. Sherlock finds himself at home among the street urchins, and when a boy dies of a suspected drug overdose, he decides to investigate, following a trail of strange subterranean symbols to the squalid opium dens of the London docks. Meanwhile a meeting with a beautiful Chinese woman leads Mycroft to the very same mystery, one that forces him to examine the underbelly of the opium trade that is enriching his beloved Britain's coffers. As the stakes rise, the brothers find that they need one another's assistance and counsel. But a lifetime of keeping secrets from each other may have catastrophic consequences...

The new novel by NBA All-Star Kareem Abdul-Jabbar, starring brothers Mycroft and Sherlock Holmes. It is 1873, and as the economies of Europe threaten to crumble, Mycroft Holmes finds himself in service to the Crown once again. A distant relative of Queen Victoria has been slain by the Fire Four Eleven killer, a serial murderer who leaves no mark upon his victims, only a mysterious calling card. Meanwhile, Sherlock has already taken it upon himself to solve the case, as his interest in the criminal mind grows into an obsession. Mycroft begrudgingly allows Sherlock to investigate, as Ai Lin--the woman he is still in love with--needs his aid. Her fiancé has been kidnapped, and the only man who might know his fate is a ruthless arms dealer with a reputation for killing those who cross him. Mycroft persuades his friend Cyrus Douglas to help find the young man, but Douglas himself is put in harm's way. As Sherlock travels the country on the hunt for the Fire Four Eleven murderer, both he and Mycroft will discover that the greed of others is at the root of the evil they are trying to unearth...

From the Booker-shortlisted author comes a sensuous, evocative novel exploring the lives of women in Victorian London, for fans of Sarah Waters, Emma Donoghue and Kate Atkinson 2011: When Madeleine loses her job as a lecturer, she decides to leave her riverside flat in cobbled Stew Lane, where history never feels far away, and move to Apricot Place. Yet here too, in this quiet Walworth cul-de-sac, she senses the past encroaching: a shifting in the atmosphere, a current of unseen life. 1851: and Joseph Benson has been employed by Henry Mayhew to help research his articles on the working classes. A family man with mouths to feed, Joseph is tasked with coaxing testimony from prostitutes. Roaming the Southwark streets, he is tempted by brothels' promises of pleasure – and as he struggles with his assignment, he seeks answers in Apricot Place, where the enigmatic Mrs Dulcimer runs a boarding house. As these entwined stories unfold, alive with the sensations of London past and present, the two eras brush against each other – a breath at Madeleine's neck, a voice in her head – the murmurs of ghosts echoing through time. Rendered in immediate, intoxicating prose, The Walworth Beauty is a haunting tale of desire and exploitation, isolation and loss, and the faltering search for human connection; this is Michèle Roberts at her masterful best.

Julia Martin is in Paris and at the end of her rope. Once beautiful, she was taken care of by men. Now after being dropped by her latest lover, she visits London to see her ailing mother and meets up with her distrustful sister, Norah. This is a haunting picture of two desperate women in a desperate predicament.

With an ironic swish of the skirt, Elaina M. Ellis has delivered a sweetly strange first collection of poems. Reinventing femininity with each teasing line-break, Ellis pulls sexuality from form, and vulnerability from meter. By turns playful, blunt, and prayerful, Write About an Empty Birdcage documents the painful end of a romantic relationship; revels in the budding of new desire; and ultimately allows hope to climb quietly in through the back window. The poems which explicitly explore identity -- femaleness, Jewishness, queerness -- do so with a critique of power that blends humor, bloodied confession, and a reverence for tension. Ellis is a new poet to watch out for, neither belonging to the full-open swing of spoken word, nor to the inaccessibility of academia: the sonnet is a torch song, the prose poem is a fist. Here you find all the fleshy reveal of the truth, without the ease of nakedness. Write About an Empty Birdcage is a book of poetry that is worth the work of undressing. Elaina M. Ellis has a voice that cuts through wool. Rich in sound and sense, meaning and madness, she signals and signifies. Her imagery comes from a place of truth and her people sweat and breathe. Hers is a talent that can set the world on fire. -Jenny Factor, Antioch University Los Angeles