Meaning, feeling and expression – the experience of inwardness – matter most in human existence. The perspective of biopoetics shows that this experience is shared by all organisms. Being alive means to exist through relations that have existential concern, and to express these dimensions through the body and its gestures. All life takes place within one poetic space which is shared between all beings and which is accessible through subjective sensual experience. We take part in this through our empirical subjectivity, which arises from the experiences and needs of living beings, and which makes them open to access and sharing in a poetic objectivity. Biopoetics breaks free from the causal-mechanic paradigm which made biology unable to account for mind and meaning. Biology becomes a science of expression, connection and subjectivity which can understand all organisms including humans as feeling agents in a shared ecology of meaningful relations, embedded in a symbolical and material metabolism of the biosphere.

New England's Puritans were devoted to self-scrutiny. Consumed by the pursuit of pure hearts, they latched on to sincerity as both an ideal and a social process. It fueled examinations of inner lives, governed behavior, and provided a standard against which both could be judged. In a remote, politically volatile frontier, settlers gambled that sincerity would reinforce social cohesion and shore up communal happiness. Sincere feelings and the discursive practices that manifested them promised a safe haven in a world of grinding uncertainty. But as Ana Schwartz demonstrates, if sincerity promised much, it often delivered more: it bred shame and resentment among the English settlers and, all too often, extraordinary violence toward their Algonquian neighbors and the captured Africans who lived among them. Populating her "city on a hill" with the stock characters of Puritan studies as well as obscure actors, Schwartz breathes new life into our understanding of colonial New England.

A new way of understanding our place in the web of life from a scholar praised for his “graceful prose” (Publishers Weekly). The disconnection between humans and nature is perhaps one of the most fundamental problems faced by our species today. This schism is arguably the root cause of most of the environmental catastrophes unraveling around us. Until we come to terms with the depths of our alienation, we will continue to fail to understand that what happens to nature also happens to us. In The Biology of Wonder Andreas Weber proposes a new approach to the biological sciences that puts the human back in nature. He argues that feelings and emotions, far from being superfluous to the study of organisms, are the very foundation of life. From this basic premise flows the development of a "poetic ecology" which intimately connects our species to everything that surrounds us—showing that subjectivity and imagination are prerequisites of biological existence. Written by a leader in the emerging fields of biopoetics and biosemiotics, The Biology of Wonder demonstrates that there is no separation between us and the world we inhabit, and in so doing it validates the essence of our deep experience. By reconciling science with meaning, expression, and emotion, this landmark work brings us to a crucial understanding of our place in the rich and diverse framework of life—a revolution for biology as groundbreaking as the theory of relativity for physics. “Grounded in science, yet eloquently narrated, this is a groundbreaking book. Weber’s visionary work provides new insight into human/nature interconnectedness and the dire consequences we face by remaining disconnected.” —Richard Louv, author of Last Child in the Woods

A noteworthy investigation of the Darwinian element in American fiction from the realist through the Freudian eras. theories of sexual selection and of the emotions are essential elements in American fiction from the late 1800s through the 1950s, particularly during the Freudian era and the years surrounding the Scopes trial. the Sex Problem, and what resulted was a great diversity of American narratives aligned with either Darwinian or a number of anti-Darwinian theories of evolution. Included are intriguing discussions of works by Frank Norris, Jack London, Stephen Crane, Theodore Dreiser, Gertrude Stein, Willa Cather, Sherwood Anderson, F. Scott Fitzgerald, five writers of the Harlem Renaissance, John Steinbeck, and Ernest Hemingway. Among the ideas explored are Darwin's theory of common descent; the question of man's place in nature; the possibility of evolutionary progress; the issues of heredity and eugenics; the Darwinian basis of Freud's theory of sexual repression; the quandary of male violence and the role of female choice in sexual selection; the power of and the problems o rracial and sexual selection; the power of and the problems of racial and sexual difference; and the ecological problems that arose directly from Darwin's theory of evolution. America's major narratives of human life and love and will be appreciated by literary scholars and readers interested in Darwinism and culture.

This book offers innovative investigations of the concept of life in art and in theory. It features essays that explore biopoetics and look at how insights from the natural sciences shape research within the humanities. Since literature, works of art, and other cultural products decisively shape our ideas of what it means to be human, the contributors to this volume examine the question of what literature, literary and cultural criticism, and philosophy contribute to the distinctions (or non-distinctions) between human, animal, and vegetal existence. Coverage combines different methodological aspects and addresses a wide field of comparative literary studies. The essays consider the question of language (as a distinctive feature of human existence) in a number of different contexts, which range from Aristotle’s works, through several historical layers of the philosophical discourse on the origins of speech, to modern anthropology, and 20th century continental philosophy. In addition, the volume includes concrete case studies to the current post-humanism debate and provides literary, art historian, and philosophical perspectives on animal studies. The historical multiplicity of the various cultural representations of biological existence (be that human, animal, vegetal, or mixed) might serve as a productive foundation for discussing the nature and forms of literature’s critical contributions to our understanding of these fundamental categories. This volume opens up this subject to students and scholars of literature, art, philosophy, ethics, and cultural studies, and to anyone with a theoretical interest in the questions of life.