With his concept of "O," Wilfred Bion provided a new psychoanalytic space in which to explore the mind. Dr Annie Reiner's new book, Bion and Being: Passion and the Creative Mind, examines the similarities between this psychoanalytic space and the artist's creative sensibility, as well as mystical and religious states. This most mysterious and revolutionary of Bion's analytic ideas reflects what is essentially a state of being, an experience of mental integrity and union between emotional and rational functions of the mind which is the basis of thinking and creativity. In an effort to provide emotional understanding to Bion's theoretical ideas, Dr Reiner uses examples of artists, poets, writers, theologians, and philosophers, including Rilke, Cummings, Shakespeare, Beckett, and Nietzsche, to illustrate these psychoanalytic concepts. She also presents detailed clinical examples of patient's dreams to explore the obstacles to these states of being, as well as how to work clinically to develop access to these creative states.

Wilfred Bion’s theories of dreaming, of the analytic situation, of reality and everyday life, and even of the contact between the body and the mind offer very different, and highly fruitful, perspectives on lived experience. Yet very little of his work has entered the field of visual culture, especially film and media studies. Kelli Fuery offers an engaging overview of Bion’s most significant contribution to psychoanalysis- his theory of thinking- and demonstrates its relevance for why we watch moving images. Bion’s theory of thinking is presented as an alternative model for the examination of how we experience moving images and how they work as tools which we use to help us ‘think’ emotional experience. ‘Being Embedded’ is a term used to identify and acknowledge the link between thinking and emotional experience within the lived reception of cinema. It is a concept that everyone can speak to as already knowing, already having felt it - being embedded is at the core of lived and thinking experience. This book offers a return to psychoanalytic theory within moving image studies, contributing to the recent works that have explored object relations psychoanalysis within visual culture (specifically the writings of Klein and Winnicott), but differs in its reference and examination of previously overlooked, but highly pivotal, thinkers such as Bion, Bollas and Ogden. A theorization of thinking as an affective structure within moving image experience provides a fresh avenue for psychoanalytic theory within visual culture. Wilfred Bion, Thinking, and Emotional Experience with Moving Images will appeal to psychoanalysts and psychoanalytic psychotherapists, as well as scholars and students of film and media studies, cultural studies and cultural sociology and anthropology, visual culture, media theory, philosophy, and psychosocial studies.

"With his concept of "O," Wilfred Bion provided a new psychoanalytic space in which to explore the mind. Dr Annie Reiner's new book, Bion and Being: Passion and the Creative Mind, examines the similarities between this psychoanalytic space and the artist's creative sensibility, as well as mystical and religious states. This most mysterious and revolutionary of Bion's analytic ideas reflects what is essentially a state of being, an experience of mental integrity and union between emotional and rational functions of the mind which is the basis of thinking and creativity. In an effort to provide emotional understanding to Bion's theoretical ideas, Dr Reiner uses examples of artists, poets, writers, theologians, and philosophers, including Rilke, Cummings, Shakespeare, Beckett, and Nietzsche, to illustrate these psychoanalytic concepts. She also presents detailed clinical examples of patient's dreams to explore the obstacles to these states of being, as well as how to work clinically to develop access to these creative states."--Provided by publisher.

The author surveys Bion's publications and elaborates on his key contributions in depth while also critiquing them. The scope of this work is to synopsize, synthesize, and extend Bion's works in a reader-friendly manner. The book presents his legacy - his most important ideas for psychoanalysis. These ideas need to be known by the mental health profession at large. This work highlights and defines the broader and deeper implications of his works.It presents his ideas faithfully and also uses his ideas as "launching pads" for the author's conjectures about where his ideas point.

This book focuses on Samuel Beckett's psychoanalytic psychotherapy with W. R. Bion as a central aspect both of Beckett's and Bion's radical transformations of literature and psychoanalysis. The recent publication of Beckett's correspondence during the period of his psychotherapy with Bion provides a starting place for an imaginative reconstruction of this psychotherapy, culminating with Bion's famous invitation to his patient to dinner and a lecture by C.G. Jung. Following from the course of this psychotherapy, Miller and Souter trace the development of Beckett's radical use of clinical psychoanalytic method in his writing, suggesting the development within his characters of a literary-analytic working through of transference to an idealized auditor known by various names, apparently based on Bion. Miller and Souter link this pursuit to Beckett's breakthrough from prose to drama, as the psychology of projective identification is transformed to physical enactment.

Wilfred Bion was one of the most original and influential thinkers in recent psychoanalysis. His ideas, which can be traced in direct line in the development of psychoanalytic theory from Freud to Melanie Klein, are difficult to grasp because his writing style was often enigmatic and ambiguous. This is the first full biography and the first comprehensive explication of his significant contribution to psychoanalytic theory and practice. Dr. Bleandonu takes us through Bion's personal and intellectual explorations and gives clear accounts of his key concepts, including work groups and basic assumption groups, psychotic processes, catastrophic change, abandonment of memory and desire, the mystic, and ultimate truth. In addition, the grid is carefully laid out and explicated; the emergence of the idea of links, and attacks on them, as a core theme for the rest of Bion's working life is given proper attention; and Bion's attempt to creat an extensive psychoanalytic epistemology is discusses. Finally Bleandonu guides the reader through the fantasy writings in Memoir of the Future, the masterpiece that is Bion's autobiography, and his final writings, including the posthumous Cogitations. Significant reading for anyone with an interest in psychoanalysis, psychotherapy, and the development of psychoanalytic thought, this volume will be valued by professionals and students alike.

Winner of the 2013 Sigourney Award! Psychoanalysis seen through Bion's eyes is a radical departure from all conceptualizations which preceded him. In this major contribution to the series Makers of Modern Psychotherapy, Joan and Neville Symington concentrate on understanding Bion's concepts in relation to clinical practice, but their book is also accessible to the educated reader who wishes to understand the main contours of Bion's thinking. Rather than following the chronological development of Bion's ideas, each chapter looks in depth at an important theme in his thinking and describes how this contributes to his revolutionary model of the mind.