Reflecting a global trend, scores of countries have affirmed that their citizens are entitled to healthy air, water, and land and that their constitution should guarantee certain environmental rights. This book examines the increasing recognition that the environment is a proper subject for protection in constitutional texts and for vindication by constitutional courts. This phenomenon, which the authors call environmental constitutionalism, represents the confluence of constitutional law, international law, human rights, and environmental law. National apex and constitutional courts are exhibiting a growing interest in environmental rights, and as courts become more aware of what their peers are doing, this momentum is likely to increase. This book explains why such provisions came into being, how they are expressed, and the extent to which they have been, and might be, enforced judicially. It is a singular resource for evaluating the content of and hope for constitutional environmental rights.

For the past two decades, British author Mark Samuels has written some of the most vibrant and challenging weird fiction of any contemporary writer. But his work--collected in such volumes as The White Hands and Other Weird Tales (2003), The Man Who Collected Machen (2010), and Written in Darkness (2014)--has by and large appeared in limited editions not widely distributed in the United States. This volume features seventeen of Samuels's best weird stories. Several display his fascination with technology, advertising, and urban horror, as in "Apartment 205" and the title story. Other tales speak of the writing of weird fiction itself as a potentially hazardous and supernatural enterprise, as in "The White Hands" and "Vrolyck." In several of his lengthier narratives--notably "The Gentleman from Mexico" and "The Crimson Fog"--Samuels draws upon H. P. Lovecraft's pseudomythology to venture into realms of cosmic horror. "The Black Mould" and "My World Has No Memories" are distinctively existential tales of undeniable potency. Mark Samuels is one of the pioneering weird writers of today, and this selection makes plain why he has few rivals in the portrayal of the horrors that are unique to our troubled age.

When WILHELM RUHLAND developed his plan for an Encyclopedia of Plant Physiol ogy more than three decades ago, biology could still be conveniently subdivided into classical areas. Even within plant physiology, subdivisions were not too difficult to make, and general principles could be covered sufficiently in the two introductory volumes of the Encyclopedia on the physical and chemical basis of cell biology. But the situation changed rapidly even during the 12-year publication period of the Encyclopedia (1955-1967). The new molecular direction of genetics and structural research on biopolymers had an integrating effect on all other biological fields, including plant physiology, and it became increasingly difficult to keep previously distinct areas separated. RUHLAND'S overall plan included 18 volumes and about 22,000 pages. It covered the entire field of plant physiology, in most cases from the very beginning. But, as each volume appeared, it was clear that its content would soon be outdated.