Aniversario 27 de la investigación bioenergemal ['espiritual']. Patriarcas, profetas, Buda, Jesús, María, José y socios, lamas y Mahoma se disculpan con sus seguidores por el milenario engaño que han promovido. Todas las figuras religiosas se promueven parasitando sueños, provocando en el soñante escenas e imágenes favorables o desfavorables según a ellas les convenga. Sin este recurso, ellas no hubieran podido publicitarse. Dudas como éstas del Concilio Vaticano II quizá propiciaron el biocolapso ['fallecimiento'] de Juan XXIII. No obstante, este libro no es sobre las religiones, sino acerca de quiénes las figuras religiosas, y muchas personas más, fueron y son. ¡Información excepcional!

Aniversario 27 de la investigación bioenergemal ['espiritual']. Patriarcas, profetas, Buda, Jesús, María, José y socios, lamas y Mahoma se disculpan con sus seguidores por el milenario engaño que han promovido. Todas las figuras religiosas se promueven parasitando sueños, provocando en el soñante escenas e imágenes favorables o desfavorables según a ellas les convenga. Sin este recurso, ellas no hubieran podido publicitarse. Dudas como éstas del Concilio Vaticano II quizá propiciaron el biocolapso ['fallecimiento'] de Juan XXIII. No obstante, este libro no es sobre las religiones, sino acerca de quiénes las figuras religiosas, y muchas personas más, fueron y son. ¡Información excepcional!

Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints, and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his brilliantly painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This groundbreaking book is the first to examine the representations of women within Goya's multifaceted art, and in so doing, it sheds new light on the evolution of his artistic creativity as well as on the roles assumed by women in late eighteenth- and early nineteenth-century Spain. Many of Goya's most famous works are featured and explicated in this beautifully designed and produced book. The artist's famous tapestry cartoons are included, along with the tapestries woven after them for the royal palaces of the Prado and the Escorial. Goya's infamous Naked Maja and Clothed Maja are also highlighted, with a discussion on whether these works were painted at the same time and how they might have originally hung in relation to one another. Focus is also placed on Goya's more experimental prints and drawings, in which the artist depicted women alternatively as targets of satire, of sympathy, or of admiration. Essays by eminent authorities provide a historical and cultural context for Goya's work, including a discussion on the significance of fashion and dress during the period. The resultant volume is surely to be treasured by all who admire Goya's art and by those who are interested in women's issues of his time.

The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida’s long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists’ sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.

A satirical masterpiece, "The Visions of Quevedo" offers a glimpse into Spanish literature through the lens of Francisco de Quevedo. With sharp wit and keen observations, Quevedo critiques society, human nature, and the world around him, making this work a significant contribution to classic literature. His perspective offers a fresh take on traditional themes.

"John 1-10: I Am the Bread of Life "is an excellent way to introduce young adults to the book of John and the life-changing message of Jesus in this Gospel. As John sees it, we human beings need God. We need God's light in our lives, his power to energize us. But for the most part we are not very aware of this need because we spend our lives running around looking for one thing after another, preoccupied with meeting our material and social needs. We tend to see God as the provider of earthly blessings rather than the source of something much more important. And of course, we also tend to ignore God and instead work to satisfy our own desires. John tells us how God tries to break through the barrier of our earthly thinking by entering into our world personally. Designed as a guided discovery, Six Weeks with the Bible for Catholic Teens introduces high school students to different books of the Bible by integrating the biblical text with insightful questions to help youth discern what Scripture means for their lives today. The series provides students with a clear explanation of Biblical text, opportunities for prayer, and a means to enter into conversation with God.