The 2023 publication Biyelum by Nahna James is a spooky novelette. The story takes place in the fictional village of Idemmili and chronicles the struggles of a woman by the name of Binyelum who endured twelve years of being barren while also facing hostility and accusations from both her inlaws and the people of the village. The legend also has an unhappy and happy ending, with her barrenness being cured by the aquatic goddess Idemmili and Binyelum evil in-laws dying horribly as a result of the hardships they had cursed her.

The prestigious annual story anthology includes prize-winning stories by Jamil Jan Kochai, David Ryan, Kirstin Valdez Quade, Lisa Taddeo, Ling Ma, Catherine Lacey, and Cristina Rivera Garza. “[A] standout collection . . . . Dazzling performances from some of today’s most exciting writers. . . . This is one of the best fiction anthologies in years.” —Publishers Weekly starred review Continuing a century-long tradition of cutting-edge literary excellence, this year's edition contains twenty prizewinning stories chosen from the thousands published in magazines over the previous year. Guest editor Lauren Groff has brought her own refreshing perspective to the prize, selecting stories by an engaging mix of celebrated names and emerging voices and including several stories in translation. The winning stories are accompanied by an introduction by Groff, observations from the winning writers on what inspired them, and an extensive resource list of magazines that publish short fiction. AN ANCHOR BOOKS ORIGINAL. THE WINNING STORIES: “Office Hours,” by Ling Ma “Man Mountain,” by Catherine Lacey “Me, Rory and Aurora,” by Jonas Eika, translated from the Danish by Sherilyn Nicolette Hellberg “The Complete,” by Gabriel Smith “The Haunting of Hajji Hotak," by Jamil Jan Kochai “Wisconsin,” by Lisa Taddeo “Ira & the Whale,” by Rachel B. Glaser “The Commander’s Teeth,” by Naomi Shuyama-Gómez “The Mad People of Paris,” Rodrigo Blanco Calderón, translated from the Spanish by Thomas Bunstead “Snake & Submarine,” by Shelby Kinney-Lang “The Mother,” by Jacob M’hango “The Hollow,” by ’Pemi Aguda “Dream Man,” by Cristina Rivera Garza, translated from the Spanish by Francisca González-Arias “The Locksmith,” by Grey Wolfe LaJoie “After Hours at the Acacia Park Pool,” by Kirstin Valdez Quade “Happy Is a Doing Word,” by Arinze Ifeakandu “Elision,” by David Ryan “Xífù,” by K-Ming Chang “Temporary Housing,” by Kathleen Alcott “The Blackhills,” by Eamon McGuinness

This volume is the Poetry In Expression Series thus far with the exclusion of Growth In Expression: Modern Christian Poems. This poetry celebrates love, life, people, cinema, heritage, and concepts generally, in both rhyme and free verse.

‘We were three: complete, as we were meant to be…’ Ego, Zina and Eriife were always destined to be best friends, ever since their grandmothers sat next to each other on a dusty bus to Lagos in the late 1940s, forging a bond that would last generations. But over half a century later, Nigeria is a new and modern country. As the three young women navigate the incessant strikes and political turmoil that surrounds them, their connection is shattered by a terrible assault. In the aftermath, nothing will remain the same as life takes them down separate paths. For Ego, now a high-powered London lawyer, success can’t mask her loneliness and feelings of being an outsider. Desperate to feel connected to Nigeria, she escapes into a secret life online. Zina’s ambition is to be anyone but herself; acting proves the ultimate catharsis, but it comes at the cost of her family. And Eriife surprises everyone by morphing from a practising doctor to a ruthless politician’s perfect wife. When Ego returns home, the three women’s lives become entwined once more, as Nigeria’s political landscape fractures. Their shared past will always connect them, but can they – and their country – overcome it?