A New York Times Editors' Choice • Best Book of the Year: Time, NPR, Bookpage, L.A. Times What does it mean to be American? In this starkly illuminating and impassioned book, Pulitzer Prize­­–finalist Laila Lalami recounts her unlikely journey from Moroccan immigrant to U.S. citizen, using it as a starting point for her exploration of American rights, liberties, and protections. "Sharp, bracingly clear essays."—Entertainment Weekly Tapping into history, politics, and literature, she elucidates how accidents of birth—such as national origin, race, and gender—that once determined the boundaries of Americanness still cast their shadows today. Lalami poignantly illustrates how white supremacy survives through adaptation and legislation, with the result that a caste system is maintained that keeps the modern equivalent of white male landowners at the top of the social hierarchy. Conditional citizens, she argues, are all the people with whom America embraces with one arm and pushes away with the other. Brilliantly argued and deeply personal, Conditional Citizens weaves together Lalami’s own experiences with explorations of the place of nonwhites in the broader American culture.

Documents a volatile and productive moment in the development of film studies. In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century. Drawing on interviews with faculty, students, and visiting artists, MacDonald weaves together an engaging conversation that explores the academic excitement surrounding the emergence of cinema as a viable subject of study in colleges and universities. The voices of the various participants—Steve Anker, Alan Berliner, Danny Fingeroth, Hollis Frampton, Ernie Gehr, J. Hoberman, Ralph Hocking, Ken Jacobs, Bill T. Jones, Peter Kubelka, Saul Levine, Camille Paglia, Phil Solomon, Maureen Turim, and many others—tell the story of this remarkable period. MacDonald concludes with an analysis of the pedagogical dimensions of the films that were produced in Binghamton, including Larry Gottheim’s Horizons; Jacobs’s Tom, Tom, the Piper’s Son; Gehr’s Serene Velocity; Frampton’s Critical Mass; and Nicholas Ray’s final film, We Can’t Go Home Again. “This is an important episode in film history and in particular the history of the cinematic avant-garde, and it is exciting to have so many voices from the time assembled in one volume. A terrific book!” — Dana Polan, Cinema Studies, New York University “Binghamton Babylon is an enormously important contribution to film, video, and media historiography.” — David Sterritt, author of The Cinema of Clint Eastwood: Chronicles of America

Binghamton, once known as Chenango Point, has since been affectionately called by several names: the Parlor City, one of the Square Deal Towns, Bingo-all appellations for a jewel of the southern tier of New York State. It is a city that grew at the juncture of the Susquehanna and Chenango Rivers, a land of sweeping hillsides embracing a valley containing a rich mosaic of cultures. As the seat of Broome County, the city has been the center of economic and cultural development, fulfilling a destiny dreamed of by early settlers. This is the story of Binghamton, presented as a symphony of memories preserved in images captured by hundreds of unknown photographers. Binghamton uncovers the roots of a distinctive community, one that may be unfamiliar to many. It showcases photographs and stories from everyday life in other eras. At the heart of this volume are the faces of early residents, rare views of small enterprises, and vintage scenes of familiar landmarks. The accompanying text is often expressed in words from the past gleaned from letters, diaries, and newspapers-stories of real people from the beginning days of Binghamton through the 1950s.

Not Applicable. A wraparound cover is being provided by the author.

From Monique Truong, winner of the John Dos Passos Prize for Literature, comes “a sublime, many-voiced novel of voyage and reinvention” (Anthony Marra) "[Truong] imagines the extraordinary lives of three women who loved an extraordinary man [and] creates distinct, engaging voices for these women" (Kirkus Reviews) A Greek woman tells of how she willed herself out of her father's cloistered house, married an Irish officer in the British Army, and came to Ireland with her two-year-old son in 1852, only to be forced to leave without him soon after. An African American woman, born into slavery on a Kentucky plantation, makes her way to Cincinnati after the Civil War to work as a boarding house cook, where in 1872 she meets and marries an up-and-coming newspaper reporter. In Matsue, Japan, in 1891, a former samurai's daughter is introduced to a newly arrived English teacher, and becomes the mother of his four children and his unsung literary collaborator. The lives of writers can often best be understood through the eyes of those who nurtured them and made their work possible. In The Sweetest Fruits, these three women tell the story of their time with Lafcadio Hearn, a globetrotting writer best known for his books about Meiji-era Japan. In their own unorthodox ways, these women are also intrepid travelers and explorers. Their accounts witness Hearn's remarkable life but also seek to witness their own existence and luminous will to live unbounded by gender, race, and the mores of their time. Each is a gifted storyteller with her own precise reason for sharing her story, and together their voices offer a revealing, often contradictory portrait of Hearn. With brilliant sensitivity and an unstinting eye, Truong illuminates the women's tenacity and their struggles in a novel that circumnavigates the globe in the search for love, family, home, and belonging.

The Greater Binghamton area's undulating history mirrors that of its terrain. The area has evolved from a transportation center to a hub of manufacturing and technology and, with the expansion of Binghamton University and SUNY Broome Community College, a growing center of erudition. First, canal boats and trains dominated the landscape, then, cigars were produced in abundance, followed by shoes, simulators, and computers. Now, with Binghamton University expanding into downtown, student housing, breweries, and eateries fill Binghamton's streets. The area has earned the monikers "Parlor City," "Carousel Capital of the World," "Sports Mecca," and the "City of Festivals." Binghamton's cultural legacy is rich; besides being the home of professional baseball, bicycling, golf, hockey, running, and tennis, Binghamton's annual celebrations have included Mural Fest, July Fest, Spiedie Fest, and Luma Fest.