The Lincoln County Wars are over. Billy Bonney—“The Scourge of the Midwest”—and his band of Regulators have lost, and are on the run. When a job offer to “hunt a big cat” menacing a mining operation in the small bordertown of Tascosa, Texas, comes their way, it seems like the perfect chance to flee the law and earn a big stake. Maybe a big enough stake for everyone to make a clean break and go straight for good. It’s not a big cat killing the miners in Tascosa, however. It’s something ancient and evil, with an unquenchable thirst for human flesh. Even worse, Billy and his pals find themselves in the midst of one man’s obsessive search for the Lazarus Stone, a mythical gem purported to possess uncanny healing powers. According to legend, the last knight of the Templars hid the stone in Cottonwood Mountain, just outside Tascosa. The mining operation was nothing but a sham to find the stone; because Wagner Rutherford III—a wealthy plantation owner and amateur archeologist—believes the stone can resurrect his dead son. Even more—the monsters are drawn to the stone’s power like moths to a flame, and stand between them and the stone. Since the end of the Lincoln County Wars, Billy the Kid has been without purpose. A gun pointed nowhere. Now, with the help of a former priest-turned occult scholar, a small town sheriff, and itinerant and adventuring frontier doctor, Billy the Kid will find his new purpose—and destiny—or he’ll finally feel the taste of death on his tongue.

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

From Detroit Red to El-Hajj Malik El-Shabazz, the man best known as Malcolm X restlessly redefined himself throughout a controversial life. His transformations have appeared repeatedly in books, photographs, paintings, and films, while his murder set in motion a series of tugs-of-war among journalists, biographers, artists, and his ideological champions over the interpretation of his cultural meaning. This book marks the first systematic examination of the images generated by this iconic cultural figure—images readily found on everything from T-shirts and hip-hop album covers to coffee mugs. Graeme Abernethy captures both the multiplicity and global import of a person who has been framed as both villain and hero, cast by mainstream media during his lifetime as “the most feared man in American history,” and elevated at his death as a heroic emblem of African American identity. As Abernethy shows, the resulting iconography of Malcolm X has shifted as profoundly as the American racial landscape itself. Abernethy explores Malcolm’s visual prominence in the eras of civil rights, Black Power, and hip-hop. He analyzes this enigmatic figure’s representation across a variety of media from 1960s magazines to urban murals, tracking the evolution of Malcolm’s iconography from his autobiography and its radical milieu through the appearance of Spike Lee’s 1992 biopic and beyond. Its remarkable gallery of illustrations includes reproductions of iconic photographs by Richard Avedon, Eve Arnold, Gordon Parks, Henri Cartier-Bresson, and John Launois. Abernethy reveals that Malcolm X himself was keenly aware of the power of imagery to redefine identity and worked tirelessly to shape how he was represented to the public. His theoretical grasp of what he termed “the science of imagery” enabled him both to analyze the role of representation in ideological control as well as to exploit his own image in the interests of black empowerment. This provocative work marks a startling shift from the biographical focus that has dominated Malcolm X studies, providing an up-to-date—and comprehensively illustrated—account of Malcolm’s cultural afterlife, and addressing his iconography in relation to images of other major African American figures, including Martin Luther King, Jr., Angela Davis, Kanye West, and Barack Obama. Analyzing the competing interpretations behind so many images, Abernethy reveals what our lasting obsession with Malcolm X says about American culture over the last five decades.

In The West of Billy the Kid, renowned authority Frederick Nolan has assembled a comprehensive photo gallery of the life and times of Billy the Kid. In text and in more than 250 images-many of them published here for the first time-Nolan recreates the life Billy lived and the places and people he knew. This unique assemblage is complemented by maps and a full biography that incorporates Nolan’s original research, adding fresh depth and detail to the Kid’s story and to the lives and backgrounds of those who witnessed the events of his life and death. Here are the faces of Billy’s family, friends, and enemies: John Tunstall and John Chisum, Sheriff Pat Garrett and Governor Lew Wallace, Jimmy Dolan and Bob Olinger, Alexander McSween and Paulita Maxwell, and many others. Here are Santa Fe and Silver City as Billy the Kid saw them, Lincoln, Las Vegas, and Tascosa. Recent photographs show the Kid’s haunts as they appear today.

Movingly describes how the blacklist cut short his screenwriting career in Hollywood and forced him to work in France and Spain. A success story that includes the films El Cid, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucer, Horror Express, and many others.