The classic comedy of a 50s youth trapped inside a Walter Mitty fantasy-world, published as a Penguin Essential for the first time. Keith Waterhouse's Billy Liar was published in 1959, and captures brilliantly the claustrophobic atmosphere of a small town. It tells the story of Billy Fisher, a Yorkshire teenager unable to stop lying - especially to his three girlfriends. Trapped by his boring job and working-class parents, Billy finds that his only happiness lies in grand plans for his future and fantastical day-dreams of the fictional country Ambrosia.

Billy, a young man with a dreary life, spends most of his time daydreaming about a land where he is a hero. A number of minor indiscretions causes Billy to lie in order to avoid the penalties. As these events start catching up with him, he finds himself telling bigger lies to cover his tracks. Finally, when his life is a total mess, and nobody believes a word he says, an opportunity to just run away and leave it all behind presents itself. Billy has a difficult decision to make...

Michael Lewis’s instant classic may be “the most influential book on sports ever written” (People), but “you need know absolutely nothing about baseball to appreciate the wit, snap, economy and incisiveness of [Lewis’s] thoughts about it” (Janet Maslin, New York Times). One of GQ's 50 Best Books of Literary Journalism of the 21st Century Just before the 2002 season opens, the Oakland Athletics must relinquish its three most prominent (and expensive) players and is written off by just about everyone—but then comes roaring back to challenge the American League record for consecutive wins. How did one of the poorest teams in baseball win so many games? In a quest to discover the answer, Michael Lewis delivers not only “the single most influential baseball book ever” (Rob Neyer, Slate) but also what “may be the best book ever written on business” (Weekly Standard). Lewis first looks to all the logical places—the front offices of major league teams, the coaches, the minds of brilliant players—but discovers the real jackpot is a cache of numbers?numbers!?collected over the years by a strange brotherhood of amateur baseball enthusiasts: software engineers, statisticians, Wall Street analysts, lawyers, and physics professors. What these numbers prove is that the traditional yardsticks of success for players and teams are fatally flawed. Even the box score misleads us by ignoring the crucial importance of the humble base-on-balls. This information had been around for years, and nobody inside Major League Baseball paid it any mind. And then came Billy Beane, general manager of the Oakland Athletics. He paid attention to those numbers?with the second-lowest payroll in baseball at his disposal he had to?to conduct an astonishing experiment in finding and fielding a team that nobody else wanted. In a narrative full of fabulous characters and brilliant excursions into the unexpected, Michael Lewis shows us how and why the new baseball knowledge works. He also sets up a sly and hilarious morality tale: Big Money, like Goliath, is always supposed to win . . . how can we not cheer for David?

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. So runs one of the most famous opening lines in English literature. Setting the scene in Pride and Prejudice, it deftly introduces the novel's core themes of marriage, money, and social convention, themes that continue to resonate with readers over 200 years later. Jane Austen wrote six of the best-loved novels in the English language, as well as a smaller corpus of unpublished works. Her books pioneered new techniques for representing voices, minds, and hearts in narrative prose, and, despite some accusations of a blinkered domestic and romantic focus, they represent the world of their characters with unsparing clarity. Here, Tom Keymer explores the major themes throughout Austen's novels, setting them in the literary, social, and political backgrounds from which they emerge, and showing how they engage with social tensions in an era dominated by the French Revolution and the Napoleonic Wars. The Jane Austen who emerges is a writer shaped by the literary experiments and socio-political debates of her time, increasingly drawn to a fundamentally conservative vision of social harmony, yet forever complicating this vision through her disruptive ironies and satirical energy.

It's a war story that is told every time the career of Billy Bishop is discussed: On June 2, 1917, the young pilot single-handedly took out a German airfield in an early morning raid at the height of the Great War. For this, he was awarded the Victoria Cross, and a place in Canadian history. And yet, the attack never happened. In this explosive new biography, Brereton Greehous exposes the myth of Billy Bishop. While his bravery never comes into question (Bishop was as courageous as any of the men who risked their lives in those early warplanes) his credibility as a storyteller does. From exaggerations and half-truths to flat-out lies, stories of Bishop's legendary exploits contain as much fiction as they do fact. Greenhous reveals many startling truths: he presents evidence that some of the medals Bishop wore late in his career were unearned, uncovers a number of examples of Bishop embellishing or inventing combat stories, and, most significantly, shows that the only account of the ace's raid on the German airfield came from Bishop himself. Even official German records of casualties fail to corroborate the Canadian's claims. The Making of Billy Bishop is a book certain to stir up controversy. Twenty years ago, a documentary film questioning Bishop's credentials as a hero was considered so blasphemous that a senate investigation was launched in an attempt to restore the pilot's name. Now, Greenhous's research vindicates the claims of the filmmakers, and re-ignites an argument once thought settled.