This book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging. It combines the clarity and ease of earlier editions with significant updates about the advancement in color theory and technology. Provides guidance for how to use color measurement instrumentation, make a visual assessment, set a visual tolerance, and select a formulation Supplements material with numerical examples, graphs, and illustrations that clarify and explain complex subjects Expands coverage of topics including spatial vision, solid-state lighting, cameras and spectrophotometers, and translucent materials

This book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging. It combines the clarity and ease of earlier editions with significant updates about the advancement in color theory and technology. Provides guidance for how to use color measurement instrumentation, make a visual assessment, set a visual tolerance, and select a formulation Supplements material with numerical examples, graphs, and illustrations that clarify and explain complex subjects Expands coverage of topics including spatial vision, solid-state lighting, cameras and spectrophotometers, and translucent materials

“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.

Fully updated-the classic comprehensive introduction to color technology The Third Edition of Billmeyer and Saltzman's Principles of Color Technology combines the clarity and ease of use of earlier editions with two decades of advancement in the theory and technology of color. Defining color as "a certain kind of light, its effect on the human eye, or (most important of all) the result of this effect in the mind of the viewer," the book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging. While retaining important material on the color technology of paints, plastics, textiles, and other materials, the Third Edition features in-depth coverage of computer-generated color, digital image capture, desktop color printing, and color management-achieving color fidelity among scanners, digital cameras, and other color imaging devices. The new edition of Principles of Color Technology offers expanded coverage that includes: * Measuring color quality-a new chapter describes the principles and applications of setting instrumental color tolerances * Mathematics of color technology-a new appendix presents principles of color technology using mathematics * Color modeling-additional material covers CRT displays and color printing Supplemented with copious numerical examples, graphs, and illustrations that clarify and explain complex material, as well as side bars that present technical details in a well-organized, accessible manner, this excellent and exciting introduction for newcomers to the field is also a valuable reference for experienced color technologists, color specialists, chemical and industrial engineers, computer scientists, research scientists, and mathematicians interested in color.

THE PERCEPTION, UNDERSTANDING, AND USES OF COLOR—EXPANDED AND REFRESHED Understanding Color is an essential resource for those needing to become proficient in color for business applications. The peerless treatment of this critical subject is beautifully illustrated with real-world examples. Designers have turned to this guide for nearly a generation for its authoritative and accessible instruction. The knowledge contained in this book sets you apart from other designers by enabling you to: Contribute more effectively to discussions on color harmony, complete with a vocabulary that enables in-depth understanding of hue, value, and saturation Apply the most-up-to-date information on digital color to your projects Address issues involved when colors must be translated from one medium to another Troubleshoot and overcome today's most common challenges of working with color Full-color images showcase real design examples and a companion website features a digital workbook for reinforcing color concepts. From theory and practical implementation to the business and marketing aspects, Understanding Color helps you gain a deep and discriminating awareness of color.