Ken Cage has starred on the television show Airplane Repo. He is known for repossessing high end assets like airplanes, boats and racehorses. This autobiography tells how he got in the business, on the tv show and some of his stories.

“Gleeful, shrewd, speculative, cynical, closely observed . . . The Zenith Angle offers wisdom and solace, thrills and laughter.”—The Washington Post “Compelling and important . . . A darkly comic fable of info-war, the black budget, über-geek idealism, and the politics of Homeland Insecurity.”—William Gibson, author of Pattern Recognition Pioneering computer wizard Derek “Van” Vandeveer has been living extra-large as a VP for a booming Internet company. But the September 11 attacks on America change everything. Recruited as the key member of an elite federal computer-security team, Van enters the labyrinthine trenches of the Washington intelligence community. His special genius is needed to debug the software glitch in America’s most crucial KH-13 satellite, capable of detecting terrorist hotbeds worldwide. But the problem is much deeper. Now Van must make the unlikely leap from scientist to spy, team up with a ruthlessly resourceful ex-Special Forces commando, and root out an unknown enemy—one with access to a weapon of untold destructive power. “Great fun . . . A cyberthriller of 21st-century technologies [that] peeps wittily behind the national security scenes of a modern superpower.”—New Scientist “A comedic thriller for the homeland security era.”—Entertainment Weekly

Filmmaker Alex Cox's thoughtful autobiography examines his craft and influences, as well as providing his insights into many of his favorite films. Sometimes called a radical, Cox is a quintessential auteur, as well as an internationally focused, insightful critic and writer whose passion for film has gripped him since childhood. In addition to being a captivating look into Cox's process, this book also encourages and instructs would-be independent filmmakers, guiding the next generation of film pioneers through the arduous journey of creation. Cox weaves his own "confessions" with his notes to the new guard, including thoughts on new forms of digital distribution and his radical views on intellectual property — the result is a readable, startling treatise on both the film innovations of today and the thrilling potential of future filmmaking.

The antagonists—oiled, shaved, pierced, and tattooed; the glaring lights; the pounding music; the shouting crowd: professional wrestling is at once spectacle, sport, and business. Steel Chair to the Head provides a multifaceted look at the popular phenomenon of pro wrestling. The contributors combine critical rigor with a deep appreciation of wrestling as a unique cultural form, the latest in a long line of popular performance genres. They examine wrestling as it happens in the ring, is experienced in the stands, is portrayed on television, and is discussed in online chat rooms. In the process, they reveal wrestling as an expression of the contradictions and struggles that shape American culture. The essayists include scholars in anthropology, psychology, film studies, communication studies, and sociology, one of whom used to wrestle professionally. Classic studies of wrestling by Roland Barthes, Carlos Monsiváis, Sharon Mazer, and Henry Jenkins appear alongside original essays. Whether exploring how pro wrestling inflects race, masculinity, and ideas of reality and authenticity; how female fans express their enthusiasm for male wrestlers; or how lucha libre provides insights into Mexican social and political life, Steel Chair to the Head gives due respect to pro wrestling by treating it with the same thorough attention usually reserved for more conventional forms of cultural expression. Contributors. Roland Barthes, Douglas L. Battema, Susan Clerc, Laurence de Garis, Henry Jenkins III, Henry Jenkins IV, Heather Levi, Sharon Mazer, Carlos Monsiváis, Lucia Rahilly, Catherine Salmon, Nicholas Sammond, Phillip Serrat, Philip Sewell

Examines racial and gender identities created by media representation of sports and sports figures. The essays in this collection challenge media wisdom about the apolitical nature of sports, by examining how they contribute to the contested process of defining social identities.

Whether highlighting the sentimentality at the heart of the Lassie franchise, examining the emotional experiences created by horror filmmakers such as Wes Craven, or discussing the emerging aesthetics of video games, these essays get to the heart of what gives popular culture its emotional impact.

History of Wrestling presents a bumper pack featuring all of the reviews from Volume 1 & 2 of their highly successful Complete WWF Video Guide series. This no-frills super guide breaks down the books into the tapes and the scores, nothing more. No bios, artwork or awards, just raw ranting and raving about the best and worst of the WWF from 1985-1993, in no less than HALF A MILLION words. Read about the all-time classic matches and revel in the despair the writers go through covering some of the very worst. All of the major stars from the WWF's boom period are featured, and all three writers (James Dixon, Arnold Furious and Lee Maughan) have plenty to say about all of them. For a fun mixture of facts, opinions, previously unknown information and a host of interesting points and debates, look no further. If you loved wrestling in the 80s and 90s, you have come to the right place.