A small blue truck finds his way out of a jam, with a little help from his friends.

Photographs and captions describe 13 trucks, including a tow truck, dump truck, semi, cement mixer, logging truck, and a crane.

Carissa Halton and her young family move into a neighbourhood with a tough reputation. As they make their home in one of the oldest parts of the city, she reflects on the revitalization that is slowly changing the view from her little yellow house. While others worry about the area’s bad reputation, she heads out to meet her neighbours, and through them discovers the innate beauty of her community. Halton introduces us to a cast of diverse characters in her Alberta Avenue neighbourhood—including cat rescuers, tragic teens, art evangelists, and crime fighters—and invites us to consider the social and economic forces that shape and reshape our cities.

Describes in simple rhymes the work of different kinds of trucks, such as fire trucks, snowplows, and garbage trucks.

In an effort to inspire children to be curious about the world and to be globally aware, Little Yellow Jeepney helps children explore Manila, Philippines, without ever having to buy a plane ticket.

The devastating outcome of four years ago has left its stains on a community, especially for Jack Tanner, along with estranged father and son, Tom and Jon Malone. Each trying to navigate their sorrows in their own ways. Jacks Place once again thrust Vietnam veterans Jack Tanner, Tom Malone and Bill Kirkland into devastating circumstances. Tom struggles with his former friend Jack Tanner regarding the death of Toms sister Barbra. He along with his partner Bill Kirkland investigate the slaughter of five people. While young Jon is forced with the decision to trust Jack, and new employer, as he reconnects with the lovely Jennifer. At the same time people are dying, an old threat seems to draw closer as our heroes are forced to put their differences aside to help those that mean the most........

When two persistent interviewers asked Caldwell if he would define Fiddler, his answer was "Nope." It was his averment that meaning is a function of the story. That's one of the two responses an author can make to requests for meaning. The other is to say what he was trying to do; that, too, is about the story, not of it. It is only the story itself that can give the reader its measure of meaning. This story fails, finally, to be adequate.