A history of the global nature of the radical union, The Industrial Workers of the World

"This is micro-historical writing at its best."--Walden Bello, author of Dilemmas of Domination "Brilliant."--Ken Loach The stories in this book come to life through the voices of remarkable individuals: child laborers in Dickensian England, visionary women on Parisian barricades, gun-toting railway strikers in America's Wild West, and beer-swilling German metalworkers who tried to stop World War I. It is a story of urban slums, self-help cooperatives, choirs and brass bands, free love, and self-education by candlelight. And, as the author shows, in the developing industrial economies of the world, it is still with us. Live Working or Die Fighting celebrates a common history of defiance, idealism, and self-sacrifice, one as alive and active today as it was two hundred years ago. It is a unique and inspirational book. Paul Mason is an award-winning journalist who reports regularly on labor rights and social justice stories as economics editor for BBC World News America and BBC Newsnight. In addition to Live Working or Die Fighting, which was shortlisted as a 2007 Guardian First Book Award, Mason is the author of Meltdown: The End of the Age of Greed (Verso Books).

This companion volume to The Roots of American Communism brings to completion what the author describes as the essence of the relationship of American Communism to Soviet Russia in the fi rst decade after the Bolsheviks seized power. The outpouring of new archive materials makes it plain that Draper's premise is direct and to the point: The communist movement "was transformed from a new expression of American radicalism to the American appendage of a Russian revolutionary power." Each generation must fi nd this out for itself, and no better guide exists than the work of master historian Theodore Draper. American Communism and Soviet Russia is acknowledged to be the classic, authoritative history of the critical formative period of the American Communist Party. Based on confi dential minutes of the top party committees, interviews with party leaders, and public records, this book carefully documents the infl uence of the Soviet Union on the fundamental nature of American Communism. Draper's refl ections on that period in this edition are a fi tting capstone to this pioneering effort. Daniel Bell, in Saturday Review, remarked about this work that "there are surprisingly few scholarly histories of individual Communist parties and even fewer which treat of this crucial decade in intimate detail. Draper's account is therefore of great importance." Arthur M. Schlesinger, in The New York Times Book Review, says that "in reading Draper's closely packed pages, one hardly knows whether to marvel more at the detachment with which he examines the Communist movement, the patience with which he unravels the dreary and intricate struggles for power among the top leaders, or the intelligence with which he analyzes the interplay of factors determining the development of American Communism." And Michael Harrington, in Commonweal, asserted that Draper's book "will long be a defi nitive source volume and analysis of the Stalinization of American Communism."

Hailed as "toweringly important" (Baltimore Sun), "a work of scrupulous and significant reportage" (E. L. Doctorow), and "an unforgettable historical drama" (Chicago Sun-Times), Big Trouble brings to life the astonishing case that ultimately engaged President Theodore Roosevelt, Supreme Court justice Oliver Wendell Holmes, and the politics and passions of an entire nation at century's turn. After Idaho's former governor is blown up by a bomb at his garden gate at Christmastime 1905, America's most celebrated detective, Pinkerton James McParland, takes over the investigation. His daringly executed plan to kidnap the radical union leader "Big Bill" Haywood from Colorado to stand trial in Idaho sets the stage for a memorable courtroom confrontation between the flamboyant prosecutor, progressive senator William Borah, and the young defender of the dispossessed, Clarence Darrow. Big Trouble captures the tumultuous first decade of the twentieth century, when capital and labor, particularly in the raw, acquisitive West, were pitted against each other in something close to class war. Lukas paints a vivid portrait of a time and place in which actress Ethel Barrymore, baseball phenom Walter Johnson, and editor William Allen White jostled with railroad magnate E. H. Harriman, socialist Eugene V. Debs, gunslinger Charlie Siringo, and Operative 21, the intrepid Pinkerton agent who infiltrated Darrow's defense team. This is a grand narrative of the United States as it charged, full of hope and trepidation, into the twentieth century.