Biff America is a wonderfully funny mix of Andy Rooney and Garrison Keillor. From low-flow toilets to prostate pride, knee surgery to avalanche fatalities, gay marriage to schoolyard bullies, Biff America poignantly writes what the American people need to know. Through it all, Biff America has a gift for revealing the uplifting realities of modern life and, sometimes, his humor will make you blow beer through your nose. With an introduction by John Nichols, author of THE MILAGRO BEANFIELD WAR, and copious illustrations of Biff in action. REVIEWS: "Whether it is on stage, in print or on top of a fourteen-thousand-foot summit, Biff America can make you laugh, cry and feel nauseous-all at the same time." -Rachel Dratch, cast member, SATURDAY NIGHT LIVE "Don't let any of that touchy feely crap fool you; Biff America can be a mean drunk, a weasel when confronted and is an unstable individual. He still owes me $67." -Brad Pitt, Baraboo, WI "Biff America's writing is provocative, edgy, insightful and, most important, absorbing. He has a unique gift for mixing comedy with pathos; his observations on life, politics, his family, himself or anything else that strike his fancy are uncannily on point, often with a devilish wit." -NBC "Beneath his blue-collar sensibilities, rough-hewn mountain-town ethos and snort-your-morning-coffee dorm-room humor, Biff America is a surprisingly refined and nuanced writer who finds amazing insights in everyday life. Unrestrained, ribald and slightly off-kilter, he stands as a mad prophet of our times. George W. Bush should read this book." -DENVER POST "The columns in this rich collection form one of the more thoughtful and laugh-provoking journeys that I've taken in a long spell. Think of Lake Wobegon Days meets The Little World of Don Camillo. There's a biting satire aplenty throughout these pages, but it is always couched in a truly humane understanding of our species' tragic-comic fallibility... I found myself repeatedly moved, and moved deeply, by these poignant and funny stories." - John Nichols, author of THE MILAGRO BEANFIELD WAR ABOUT THE AUTHOR: Boston-born writer, comedian and skier, Jeffrey Bergeron, under the alias Biff America, was the recipient of the 2005 Colorado Press Association award for both humor and serious column writing. Recently elected to the Breckenridge City Council on the homeland security and medicinal marijuana platform, Bergeron skis more days than he works and lives in Breckenridge with his hot wife, Ellen. He can be seen on TV, heard on radio, and read regularly in various magazines and newspapers. CONTENTS: Chapter 1: Recreation Chapter 2: Family Chapter 3: People Chapter 4: Dead People Chapter 5: Politics Chapter 6: Connubial Bliss Chapter 7: God Chapter 8: Sex, Love and Body Parts Don't miss out on your Biff fix - get Biff America: Steep, Deep, and Dyslexic today!

This little book gives more than 20 examples of BIFF responses--brief, informative, friendly, and firm--for all areas of life, plus additional tips to help readers deal with high-conflict people anywhere. 158 pp.

Where is Lee Harvey Oswald’s body? The Kennedy assassination is a rat’s nest of conspiracy theories: mafia involvement, the second gunman, government cover-up... but the most important chapter of this sordid tale may just be the theory that the body buried at Oswald’s Rose Hill gravesite is not actually Lee Harvey himself. Meet the ragtag group of “useful idiots” who are unwittingly brought together to clean up the crime of the century – a wannabe cowboy from Wisconsin, a Buddy Holly-idolizing (former) car thief, a world-weary Civil Rights activist ready for revolution, and a failed G-Man who still acts the part – and specifically, regarding the matter of Oswald’s body.

Did America really learn to "stop worrying and love the bomb," as the title of Stanley Kubrick's 1964 film, Dr. Strangelove, would have us believe? Does that darkly satirical comedy have anything in common with Martin Luther King Jr.'s impassioned "I Have a Dream" speech or with Elvis Presley's throbbing "I'm All Shook Up"? In Margot Henriksen's vivid depiction of the decades after World War II, all three are expressions of a cultural revolution directly related to the atomic bomb. Although many scientists and other Americans protested the pursuit of nuclear superiority after World War II ended, they were drowned out by Cold War rhetoric that encouraged a "culture of consensus." Nonetheless, Henriksen says, a "culture of dissent" arose, and she traces this rebellion through all forms of popular culture. At first, artists expressed their anger, anxiety, and despair in familiar terms that addressed nuclear reality only indirectly. But Henriksen focuses primarily on new modes of expression that emerged, discussing the disturbing themes of film noir (with extended attention to Alfred Hitchcock) and science fiction films, Beat poetry, rock 'n' roll, and Pop Art. Black humor became a primary weapon in the cultural revolution while literature, movies, and music gave free rein to every possible expression of the generation gap. Cultural upheavals from "flower power" to the civil rights movement accentuated the failure of old values. Filled with fascinating examples of cultural responses to the Atomic Age, Henriksen's book is a must-read for anyone interested in the United States at mid-twentieth century.

Everyone knows about the immaculate conception and the crucifixion. But what happened to Jesus between the manger and the Sermon on the Mount? In this hilarious and bold novel, the acclaimed Christopher Moore shares the greatest story never told: the life of Christ as seen by his boyhood pal, Biff. Just what was Jesus doing during the many years that have gone unrecorded in the Bible? Biff was there at his side, and now after two thousand years, he shares those good, bad, ugly, and miraculous times. Screamingly funny, audaciously fresh, Lamb rivals the best of Tom Robbins and Carl Hiaasen, and is sure to please this gifted writer’s fans and win him legions more.

The bestselling inspirational book in which the author reunites with a childhood football hero, now a minister and coach, and witnesses a revelatory demonstration of the true meaning of manhood—Season of Life is a book that “should be required reading for every high school student in America and every parent as well” (Carl Lewis, Olympic champion). Joe Ehrmann, a former NFL football star and volunteer coach for the Gilman high school football team, teaches his players the keys to successful defense: penetrate, pursue, punish, love. Love? A former captain of the Baltimore Colts and now an ordained minister, Ehrmann is serious about the game of football but even more serious about the purpose of life. Season of Life is his inspirational story as told by Pulitzer Prize–winning journalist Jeffrey Marx, who was a ballboy for the Colts when he first met Ehrmann. Ehrmann now devotes his life to teaching young men a whole new meaning of masculinity. He teaches the boys at Gilman the precepts of his Building Men for Others program: Being a man means emphasizing relationships and having a cause bigger than yourself. It means accepting responsibility and leading courageously. It means that empathy, integrity, and living a life of service to others are more important than points on a scoreboard. Decades after he first met Ehrmann, Jeffrey Marx renewed their friendship and watched his childhood hero putting his principles into action. While chronicling a season with the Gilman Greyhounds, Marx witnessed the most extraordinary sports program he’d ever seen, where players say “I love you” to each other and coaches profess their love for their players. Off the field Marx sat with Ehrmann and absorbed life lessons that led him to reexamine his own unresolved relationship with his father. Season of Life is a book about what it means to be a man of substance and impact. It is a moving story that will resonate with athletes, coaches, parents—anyone struggling to make the right choices in life.

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time