00 This bibliography, with annotations, consists of almost 1380 citations derived from libraries in Berkeley, California, notably at the University of California. Most of the articles and books listed are in Armenian, but items in English, French, German, and Russian are also included. This book covers an area of study not heretofore presented in substantial length and will be of interest to folklorists throughout the world. This bibliography, with annotations, consists of almost 1380 citations derived from libraries in Berkeley, California, notably at the University of California. Most of the articles and books listed are in Armenian, but items in English, French, German, and Russian are also included. This book covers an area of study not heretofore presented in substantial length and will be of interest to folklorists throughout the world.

The story of music told in this book begins in pre-Islamic times with musical forms that bear strong imprints of the Bedouin's tribal way of life. Pre-Islamic music can be viewed as the forerunner of the art music that acquired a foothold after the advent of Islam. The history of Arab music then became inextricably entwined with the musical traditions of the conquered lands. The merging of diverse forms into a unique common style marked the advent of the Great Musical Tradition that gained favor throughout an extensive geographical area. By the end of Islam's third century, distinct autonomous styles began to appear involving Persians and Turks in particular.