For many in Israel and elsewhere, Benjamin Netanyahu is anathema, an embarrassment; yet he continues to dominate Israeli public life. How can we explain his rise, his hold on Israeli politics, and his outsized role on the world's stage?In Bibi, Anshel Pfeffer reveals the formative influence of Netanyahu's father and grandfather, who bequeathed to him a once-marginal brand of Zionism combining Jewish nationalism with religious traditionalism. In the Zionist enterprise, Netanyahu embodies the triumph of the underdogs over the secular liberals who founded the nation.Netanyahu's Israel is a hybrid of ancient phobia and high-tech hope; of tribalism and globalism -- just like the man himself. We cannot understand Israel today without first understanding the man who leads it.

Story based on conservation of forest and wildlife; for children.

In the first of a charming series, we meet Jana Bibi, who has inherited her grandfather’s house in a quaint hill station in India. Casting aside the conventions of her upper-crust upbringing, Janet (Jana) Laird moves with her chatty parrot, Mr. Ganguly, and her loyal housekeeper, Mary, to Hamara Nagar, a town where the local merchants are philosophers, the chief of police is a bully, and a bagpipe-playing Gurkha keeps wild monkeys at bay. Settling in, Jana meets the town’s colorful local characters who gather at the Why Not? tea shop—the contemplative darzi who struggles with his business and family; a kindly shopkeeper whose shop is bursting at the seams with objects of unknown provenance; a newspaper editor who burns the midnight oil at his printing press; a tyrannical head of police who rules with an iron hand; and a young man with a golden voice, who wants to be a singer in the movies. When word gets out that a new government dam will flood the little hill station, forcing everyone to move and start over, Jana is enlisted to save the community. Will Hamara Nagar survive? With some luck and Mr. Ganguly the fortune-telling parrot, the townspeople may have fate on their side.

JAMES BEARD AWARD WINNER • Grandmothers from eight eastern African countries welcome you into their kitchens to share flavorful recipes and stories of family, love, and tradition in this transporting cookbook-meets-travelogue. “Their food is alive with the flavors of mangoes, cinnamon, dates, and plantains and rich with the history of the continent that had been a culinary unknown for much too long.”—Jessica B. Harris, food historian, journalist, and public speaker IACP AWARD FINALIST • LONGLISTED FOR THE ART OF EATING PRIZE • ONE OF THE BEST COOKBOOKS OF THE YEAR: The New Yorker, The New York Times Book Review, The Washington Post, Bon Appétit, NPR, San Francisco Chronicle, Food Network, Vogue, Delish, The Guardian, Smithsonian Magazine, Salon, Town & Country In this incredible volume, Somali chef Hawa Hassan and food writer Julia Turshen present 75 recipes and stories gathered from bibis (or grandmothers) from eight African nations: South Africa, Mozambique, Madagascar, Comoros, Tanzania, Kenya, Somalia, and Eritrea. Most notably, these eight countries are at the backbone of the spice trade, many of them exporters of things like pepper and vanilla. We meet women such as Ma Shara, who helps tourists “see the real Zanzibar” by teaching them how to make her famous Ajemi Bread with Carrots and Green Pepper; Ma Vicky, who now lives in suburban New York and makes Matoke (Stewed Plantains with Beans and Beef) to bring the flavor of Tanzania to her American home; and Ma Gehennet from Eritrea who shares her recipes for Kicha (Eritrean Flatbread) and Shiro (Ground Chickpea Stew). Through Hawa’s writing—and her own personal story—the women, and the stories behind the recipes, come to life. With evocative photography shot on location by Khadija Farah, and food photography by Jennifer May, In Bibi's Kitchen uses food to teach us all about families, war, loss, migration, refuge, and sanctuary.

Poet John M. Bennett interprets, deinterprets, inexplains, and generally expands upon the dreams of Fluxus artist Bibiana Padilla Maltos. The poems are surreal, resonant, and full of unexpected connections, like dreams themselves, and, in fact, like poetry itself. Bibiana's original dreams are included in a special section. Some of the Dreams, as well as some of the Inexplicaciones, are in Spanish. If you want to know what your dreams "mean", this is a good place to start figuring them out! Includes some reinexplicaciones of Bennett's poems by Ivan Argüelles.

Karin Micha lis (1872-1950) was a celebrated novelist, short-story writer, and author of a widely translated 1930s series of children's books with the eponymous heroine, Bibi.

In June 2009 a Pakistani mother of five, Asia Bibi, was out picking fruit in the fields. At midday she went to the nearest well, picked up a cup, and took a drink of cool water, and then offered it to another woman. Suddenly, one of her fellow workers cried out that the water belonged to Muslim women and that Bibi—who is Christian—had contaminated it. “Blasphemy!” someone shouted, a crime punishable by death in Pakistan. In that instant, with one word, Bibi’s fate was sealed. First attacked by a mob, Bibi was then thrown into prison and sentenced to be hanged. Since that day, Asia Bibi has been held in appalling conditions, her family members have had to flee their village under threat from vengeful extremists, and the two brave public figures who came to Bibi’s defense—the Muslim governor of the Punjab and Pakistan’s Christian Minister for Minorities—have been brutally murdered. In Blasphemy, Asia Bibi, who has become a symbol for everyone concerned with ending an unjust law that allows people to settle personal scores and that kills Christians and Muslims alike indiscriminately, bravely tells her shocking and inspiring story and makes a last cry for help from her prison cell. Proceeds from the sale of this book support Asia Bibi’s family, which has been forced into hiding. Asia Bibi is currently in prison in Pakistan awaiting the result of her appeal against the death sentence she was given in 2009. She dictated her story secretly, through intermediaries, to Anne-Isabelle Tollet, an international reporter for news channel France 24 who was the permanent correspondent in Islamabad from 2008 to 2011.