Bhaminivilasa is a collection of miscellaneous verses which the talented Sanskrit poet Pandittaraja Jagannatha, a junior contemporary of Emperor Akbar, composed on different occasions. It includes four Vilasas, viz., Prastavikavilasa, Srngaravilasa, Karunavilasa and Samtavilasa, the present publications comprising only two of them, namely the first and the last. Many of the verses are infused with personal touches serving as the poet`s memoirs. The collection is named after the poet`s first wife Bhamini whom he had lost at a very young age before he launched into his scholarly career.

Intended Chiefly For Students Of Poetry As It Deals With The Best Work Of Pandit Jagannath. Divided Into 4 Vilasas-Prastavika Vilas-Srangara Vilasa, Karuna Vilasa And Santa Vilasa. Has 4 Chapters On Each Relating To The Above Vilasas. 2 Appendices. The Last Chapter`S Tone Is One Of Dedication And Surender To Lord Krishna.

Excerpt from The Bhaminivilasa of Panditraja Jagannatha: With a Sanskrit Gloss Bhushana of Mahadeo Suri Dikshita Panditaja; With English Translation, Notes on Difficult Words, Various Readings and the Poet's Life Another thing is that as the students for whom this trans; lation is intended beihg rather advanced in Sanskrit know ledge, are likely to understand the context of the Verses so some words not very important have been omitted; as for ih stance artist in Verse 41 of the 1st vilas, In short the trans lation is neither free nor literal but it partakes of both. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A sweeping, interdisciplinary history of the world's third-largest river, a potent symbol across South Asia and the Hindu diaspora Originating in the Himalayas and flowing into the Bay of Bengal, the Ganges is India's most important and sacred river. In this unprecedented work, historian Sudipta Sen tells the story of the Ganges, from the communities that arose on its banks to the merchants that navigated its waters, and the way it came to occupy center stage in the history and culture of the subcontinent. Sen begins his chronicle in prehistoric India, tracing the river's first settlers, its myths of origin in the Hindu tradition, and its significance during the ascendancy of popular Buddhism. In the following centuries, Indian empires, Central Asian regimes, European merchants, the British Empire, and the Indian nation-state all shaped the identity and ecology of the river. Weaving together geography, environmental politics, and religious history, Sen offers in this lavishly illustrated volume a remarkable portrait of one of the world's largest and most densely populated river basins.

Thye Mudrarakshasa, unlike the majority of sanskrit plays, is purely a political drama. It has for its theme, besides elevation of Chandragupta to the throne of Magadha, wining over of Rakashsa, the hostile minister of the Nanda dynasty to the side of Chandragupta and adoption of measures to strenghen the rule by Chankaya, the renowned politician of his times. In the words of H.H.Wilson; It is a historical or political drama, and represents a curious staste of public morals, in wich fraud and assassination are the simple means by which inconvenient obligations are open enemies removed. It is not howere , that such acts are not held in themselves as crimies, orthat their perpetrators, if instigated by vugar vice or ferocity, are not condemned as culprits; it is only when the commission of the crime proposes a poliotical end that it is represented as venial, and is compatible with an amiable. it includes the commentary of Dhundiaja, English translation, critical and explanatory notes, Introduction and verious readings .