Acclaimed geologist Robert Thorson has been fascinated by kettle lakes ever since his youth in the upper Midwest. As with historic stone walls, each kettle lake has a story to tell, and each is emblematic of the interplay between geology and history. Beyond Walden covers the natural history of kettle lakes, a band of small lakes that extends from the prairie potholes of Montana to the cranberry bogs of Cape Cod. Kettle lakes were formed by glaciers and are recognizable by their round shape and deep waters. Kettles are the most common and widely distributed "species" of natural lake in the United States. They have no inlet or outlet streams so they are essentially natural wells tapping the groundwater. Isolated from one another, each lake has its own personality, and is vulnerable to pollution and climate warming. The most famous kettle lake is Walden Pond in Concord, Massachusetts; but northern Wisconsin, Michigan, and Minnesota are most closely associated with them. These lakes have had a tremendous impact on the livelihood and lifestyles of peoples of the area--Native Americans, early explorers and settlers, and the locals and tourists who now use the lakes for recreation. Thorson explores lake science: how kettle lakes are different from other lakes, what it takes to keep all lakes healthy, how global warming and other factors affect lakes. Beyond Walden has a strong environmental message, and will do for the kettle lakes of America's Heartland--and beyond--what Stone by Stone did for the historic stone walls of New England.

Chronicles the history of kettle lakes in the United States, including how they form, the different ways that Americans have used them throughout history, and threats that affect their future.

A reprint of the 1976 Macmillan edition. This fictional outline of a modern utopia has been a center of controversy ever since its publication in 1948. Set in the United States, it pictures a society in which human problems are solved by a scientific technology of human conduct.

In this profound and profoundly controversial work, a landmark of 20th-century thought originally published in 1971, B. F. Skinner makes his definitive statement about humankind and society. Insisting that the problems of the world today can be solved only by dealing much more effectively with human behavior, Skinner argues that our traditional concepts of freedom and dignity must be sharply revised. They have played an important historical role in our struggle against many kinds of tyranny, he acknowledges, but they are now responsible for the futile defense of a presumed free and autonomous individual; they are perpetuating our use of punishment and blocking the development of more effective cultural practices. Basing his arguments on the massive results of the experimental analysis of behavior he pioneered, Skinner rejects traditional explanations of behavior in terms of states of mind, feelings, and other mental attributes in favor of explanations to be sought in the interaction between genetic endowment and personal history. He argues that instead of promoting freedom and dignity as personal attributes, we should direct our attention to the physical and social environments in which people live. It is the environment rather than humankind itself that must be changed if the traditional goals of the struggle for freedom and dignity are to be reached. Beyond Freedom and Dignity urges us to reexamine the ideals we have taken for granted and to consider the possibility of a radically behaviorist approach to human problems--one that has appeared to some incompatible with those ideals, but which envisions the building of a world in which humankind can attain its greatest possible achievements.

In this intriguing literary experiment, Ian Marshall presents a collection of nearly three hundred haiku that he extracted from Henry David Thoreau’s Walden and documents the underlying similarities between Thoreau's prose and the art of haiku. Although Thoreau would never have encountered the Japanese haiku tradition, the way in which the most important ideas in Walden find expression in the most haikulike language suggests that Thoreau at Walden Pond and the haiku master Basho at his "old pond" might have drunk at the same well. Walden and the tradition of haiku share an aesthetic that embodies ideas in natural images, dissolves boundaries between self and world, emphasizes simplicity, and honors both solitude and humble, familiar objects. Marshall examines each of these aesthetic principles and offers a relevant collection of "found" haiku. In the second part of the book, he explains his process of finding the haiku in the text, breaking down each chapter of Walden to highlight the imagery and poetic language embedded in the most powerful passages. Marshall's exploration not only provides a fresh perspective on haiku, but also sheds new light on Thoreau's much-studied text and lays the foundation for a clearer understanding of the aesthetics of American nature writing.

Perhaps no other natural setting has as much literary, spiritual, and environmental significance for Americans as Walden Pond. Some 700,000 people visit the pond annually, and countless others journey to Walden in their mind, to contemplate the man who lived there and what the place means to us today. Here is the first history of the Massachusetts pond Thoreau made famous 150 years ago. W. Barksdale Maynard offers a lively and comprehensive account of Walden Pond from the early nineteenth century to the present. From Thoreau's first visit at age 4 in 1821--"That woodland vision for a long time made the drapery of my dreams"--to today's efforts both to conserve the pond and allow public access, Maynard captures Walden Pond's history and the role it has played in social, cultural, literary, and environmental movements in America. Along the way Maynard details the geography of the pond; Thoreau's and Emerson's experiences of Walden over their lifetimes; the development of the cult of Thoreau and the growth of the pond as a site of literary and spiritual pilgrimages; rock star Don Henley's Walden Woods Project and the much publicized battle to protect the pond from developers in the 1980s; and the vitally important ecological symbol Walden Pond has become today. Exhaustively researched, vividly written, and illustrated with historical photographs and the most detailed maps of Thoreau country yet created, Walden Pond: A History reveals how an ordinary pond has come to be such an extraordinarily inspiring symbol.

The Bioshock series looms large in the industry and culture of video games for its ambitious incorporation of high-minded philosophical questions and retro-futuristic aesthetics into the ultraviolent first-person shooter genre. Beyond the Sea marks ten years since the release of the original game with an interdisciplinary collection of essays on Bioshock, Bioshock 2, and Bioshock Infinite. Simultaneously lauded as landmarks in the artistic growth of the medium and criticized for their compromised vision and politics, the Bioshock games have been the subject of significant scholarly and critical discussion. Moving past well-trodden debates, Beyond the Sea broadens the conversation by putting video games in dialogue with a diverse range of other disciplines and cultural forms, from parenting psychology to post-humanism, from Thomas Pynchon to German expressionist cinema. Offering bold new perspectives on a canonical series, Beyond the Sea is a timely contribution to our understanding of the aesthetics, the industry, and the culture of video games. Contributors include Daniel Ante-Contreras (Miracosta), Luke Arnott (Western Ontario), Betsy Brey (Waterloo), Patrick Brown (Iowa), Michael Fuchs (Graz), Jamie Henthorn (Catawba), Brendan Keogh (Queensland), Cameron Kunzelman (Georgia), Cody Mejeur (Michigan State), Matthew Thomas Payne (Notre Dame), Gareth Schott (Waikato), Karen Schrier (Marist), Sarah Stang (York/Ryerson), Sarah Thorne (Carleton), John Vanderhoef (California State, Dominguez Hills), Matthew Wysocki (Flagler), Jordan R. Youngblood (Eastern Connecticut State), and Sarah Zaidan (Emerson).