For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Shaped by infamous director Sam Peckinpah, and starring such visionary actors as William Holden, Ernest Borgnine, Edmond O'Brien, and Robert Ryan, the movie was also the product of an industry and a nation in transition. By 1968, when the movie was filmed, the studio system that had perpetuated the myth of the valiant cowboy in movies like The Searchers had collapsed, and America was riled by Vietnam, race riots, and assassinations. The Wild Bunch spoke to America in its moment, when war and senseless violence seemed to define both domestic and international life. The Wild Bunch is an authoritative history of the making of a movie and the era behind it.

Three unlikely friends—brainiac Hector, bullish Jack, and sarcastic Paul—find themselves braving the wilderness in search of the mythical Beast of Bear Falls in this hilarious MAX novel. As far as Paul Adams is concerned, the idea of a weekend camping in the nearby state park with his dad’s two college friends and their sons, Hector and Jack, sounds like a nightmare. But even he finds the myth of the Beast of Bear Falls—a legendary Bigfoot creature—intriguing. The trip gets off to a rough start, and calamity and disaster follow catastrophe. Against all odds, arguing most of the way, the crew face all sorts of obstacles natural and man-made. Can the three boys make it to Bear Falls and uncover the truth about the Sasquatch living there?

In the late nineteenth century Tom Ketchum and his brother Sam formed the Ketchum Gang with other outlaws and became successful train robbers. In their day, these men were the most daring of their kind, and the most feared. Eventually Tom Ketchum was caught and sentenced to death for attempting to hold up a railway train. He became the first individual--and the last--ever to be executed for a crime of this sort. Jeffrey Burton has been researching the story of the Ketchum Gang for more than forty years. He sorts fact from fiction to provide the definitive truth about Ketchum and numerous other outlaws, including Will Carver and Butch Cassidy. The Deadliest Outlaws initially was published in a limited run of one hundred paperback copies in England. This second edition in hardcover contains additional material and photographs not found in the earlier printing.

Robbers Roost was a hideout for outlaws and hunted men long before Butch Cassidy found it in 1884. The impenetrable wastes and wilds of this high desert country in southeastern Utah, cut through by canyons along the Green and Colorado rivers and bounded on the west by the Dirty Devil, discouraged lawmen from pursuit. Growing up on a ranch that included Robbers Roost, Pearl Baker heard many of the legends about?and talked to many who remembered?the notorious Wild Bunch. In the 1890s they spread over Utah, Wyoming, Montana, Colorado, and Arizona rustling cattle, stealing horses, robbing banks and trains, and often taking cover at Robbers Roost. Butch Cassidy and the Sundance Kid, Flat Nose George and the Curry boys, Elzy Lay, Gunplay Maxwell, the McCarty boys, Peep O'Day, Silver Tip, Blue John, and Indian Ed Newcomb?they all come to rip-roaring life while courting death in The Wild Bunch at Robbers Roost. In his introduction to the Bison Books edition, Floyd A. O'Neil, director of the American West Center at the University of Utah, discusses landscape, the law and the Wild Bunch, and Pearl Baker's lifelong preparation for this lively book.

Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.

“A probing biography of the enfant terrible of 1960s and 1970s film-making . . . exhaustive and endlessly intriguing.” —Booklist Written by the film critic and historian David Weddle, this fascinating account does critical justice to an important body of cinema as it spins the tale of David Samuel Peckinpah’s dramatic, overcharged life and the turbulent times through which he moved. Sam Peckinpah was born into a clan of lumberjacks, cattle ranchers, and frontier lawyers. After a hitch with the Marines, he made his way to Hollywood, where he worked on a string of low-budget features. In 1955 he began writing scripts for Gunsmoke; in less than a year he was one of the hottest writers in television, with two classic series, The Rifleman and The Westerner, to his credit. From there he went on to direct a phenomenal series of features, including Ride the High Country, Straw Dogs, The Getaway, Pat Garrett and Billy the Kid, and The Wild Bunch. Peckinpah was both a hopeless romantic and a grim nihilist, a filmmaker who defined his era as much as he was shaped by it. Rising to prominence in the social and political upheaval of the late sixties and early seventies, Peckinpah and his generation of directors—Stanley Kubrick, Arthur Penn, Robert Altman—broke with convention and turned the traditional genres of Western, science fiction, war, and detective movies inside out. No other era in Hollywood has matched it for sheer energy, audacity, and originality; no one cut a wider path through that time than Sam Peckinpah. “Groundbreaking.” —Michael Sragow, The Atlantic

For Zoe, soccer is life! She won't wear anything but soccer gear, and she wants to be the first female to ever play on the U.S. Men's National Soccer Team. When her father moves them to Chicago, he signs her up with a boy's team - the Wild Soccer Bunch. And they are not thrilled - a girl on their team?! Never! Can Zoe win them over? Are the Wild Soccer Bunch ready for the challenge?