The ticket was washed out, as if it had been left out in the sun for months. Below the $12.50 admission price were the words in bold capitals over a faded red, white, and blue design: WORLD SERIES 1975, GAME 6, FENWAY PARK, BOSTON. With my ticket clenched in one hand, I gripped one of the turnstile’s arms and pushed ... Lifelong Red Sox fan Landon Burgess thought he’d seen it all – from Jon Lester’s no-hitter against the Royals to Big Papi’s treasure chest of late-game heroics. Baseball was his passion, and he’d witnessed over six hundred games at the fabled Fenway Park. Enough to know the ins and outs of the “Shrine at the heart of Boston” like he knew his own apartment. Until one late-September evening, when he chances upon a mysterious ticket scalper before the game. He has no way of knowing he’s about to see a side of Fenway that can only be experienced through The Turnstile.

This handbook of values will help museums of every kind and size articulate their value to their community at a time when economic woes cause even supporters to question their importance.

One minute I was in New York . . . walking down Sixth Avenue, a private eye on a two-bit job . . . Next minute I was in New York . . . a crazy town I almost recognised - but Goebbels was speaking in Union square, Hitler invited me to a cocktail party, and aliens from outer space were running the whole show. Fun City it wasn't . . . Plucked from his own "time", a pawn in a Galactic power play, Ron Archer fights his way through a deadly maze of intrigue and conspiracy to an incredible destiny at the end of the star lanes!

Celebrating the diversity of institutions in the United States, Latin America, and Canada, Remix aims to change the discourse about museums from the inside out, proposing a new, “panarchic”—nonhierarchical and adaptive—vision for museum practice. Selma Holo and Mari-Tere Álvarez offer an unconventional approach, one premised on breaching conventional systems of communication and challenging the dialogues that drive the field. Featuring more than forty authors in and around the museum world, Remix frames a series of vital case studies demonstrating how specific museums, large and small, have profoundly advanced or creatively redefined their goals to meet their ever-changing worlds. Contributors: Piedade Grinberg (Brazil), Nichole Anderson (Canada), Dr. James D. Fleck O.C. (Canada), Vanda Vitali (Canada), Lydia Bendersky (Chile), Andres Navia (Colombia), Manuel Araya-Incera (Costa Rica), Oscar Arias (Costa Rica), Alejandro de Avila Blomberg (Mexico), Marco Barerra Bassols (Mexico), Cuauhtémoc Camarena Ocampo (Mexico), Miguel Fernández Félix (Mexico), Demian Flores (Mexico), Teresa Morales (Mexico), Nelly Robles (Mexico), Hector Feliciano (Puerto Rico), Mario Vargas Llosa (Peru), Santiago Palomero Plaza (Spain), Maxwell L. Anderson (United States), Susana Bautista (United States), Graham W. J. Beal (United States), Jane Burrell (United States), Thomas P. Campbell (United States), Erica Clark (United States), Chip Colwell-Chanthaphonh (United States), Kristina van Dyke (United States), William Fox (United States), Ben Garcia (United States), Ivan Gaskell (United States), Tomas W Hanchett (United States), Richard Koshalek (United States), Clare Kunny (United States), Stephen E. Nash (United States), Joanne Northrup (United States), Jane G. Pisano (United States), Edward Rothstein (United States), Karen Satzman (United States), Lori Starr (United States), Carlos Tortolero (United States), David Wilson (United States), Fred Wilson (United States), Guillermo Barrios (Venezuela), Patricia Phelps de Cisneros (Venezuela)

Winner of the Barbara DiBernard Prize in Fiction Amy Black, a queer single mother and an aspiring artist in love with calligraphy, dreams of a coveted artist’s residency at the world’s largest social media company, Q. One ink-black October night, when the power is out in the hills of Oakland, California, a stranger asks Amy to transcribe a love letter for him. When the stranger suddenly disappears, Amy’s search for the letter’s recipient leads her straight to Q and the most beautiful illuminated manuscript she has ever seen, the Codex Argentus, hidden away in Q’s Library of Books That Don’t Exist—and to a group of data privacy vigilantes who want her to burn Q to the ground. Amy’s curiosity becomes her salvation, as she’s drawn closer and closer to the secret societies and crackpot philosophers that haunt the city’s abandoned warehouses and defunct train depots. All of it leads to an opportunity of a lifetime: an artist’s residency deep in the holographic halls of Q headquarters. It’s a dream come true—so long as she follows Q’s rules.

Following an adolescence filled with poor choices and a difficult family life, Marty Roberts leaves his hometown of Weymouth, Massachusetts, in search of a better future. He has a brief stint in the U.S. Navy, works as a photographer, and then eventually settles into a job with a California computer company. But Marty's deeply buried need to reconcile with his past surfaces and propels him to make the cross-country trip back to the Boston suburb. Marty plans a quick visit-a walk around East Weymouth and along the eighteen-mile Greenbush railroad line. He thinks he's severed all his connections to Weymouth, but while he's on the South Shore, the past suddenly hits him with all of its drama, pain, and angst. He has to face the demons that have chased him from one place in the country to the next. Marty reconnects with Harold Asher, a crotchety old man who was one of the solid, steady influences in his early life. A former railroad employee, Harold joins Marty and the two walk the Greenbush line together. It's a journey that takes Marty through both the external and internal geography of his life and ultimately leads him to a stunning revelation.