Italy's Master of the Macabre Lucio Fulci is celebrated in this lavishly illustrated in-depth study of his extraordinary films. From horror masterpieces like The Beyond and Zombie Flesh-Eaters to erotic thrillers like One On Top of the Other and A Lizard in a Woman's Skin; from his earliest days as director of manic Italian comedies to his notoriety as purveyor of extreme violence in the terrifying slasher epic The New York Ripper, his whole career is explored. Supernatural themes and weird logic collide with flesh-ripping gore to breathtaking effect. Bleak horrors are transformed into bloody poetry - Fulci's loving camera technique, and the decayed splendour of his art design, make the films more than just a gross endurance test. Lucio Fulci built up a fanatical following, who at last will have another chance to own this epic book - five years in the making - which is the ultimate testament to 'The Godfather of Gore'. Since its first publication in 1999, Beyond Terror has sold out three print runs, and continues to be one of the most frequently requested FAB Press reprints. Without doubt, by far and away the largest collection of Fulci posters, stills, press-books and lobby cards ever seen together in print. We have scoured the Earth to find the most stunning, rare and eye-catching Fulci images. Out of print for ten years, it's back again in 2018, bigger and better than ever! Featuring a foreword by Fulci's devoted daughter Antonella, and produced with her blessing and full co-operation, this book is quite simply the last word on Fulci. His whole cinematic career is studied in obsessive depth. Huge supplementary appendices make this volume essential for all serious students of the Italian horror movie scene.

This book argues that neoliberalism is not simply an economic theory but also a set of values, ideologies, and practices that works more like a cultural field that is not only refiguring political and economic power, but eliminating the very categories of the social and political as essential elements of democratic life. Neoliberalism has become the most dangerous ideology of our time. Collapsing the link between corporate power and the state, neoliberalism is putting into place the conditions for a new kind of authoritarianism in which large sections of the population are increasingly denied the symbolic and economic capital necessary for engaged citizenship. Moreover, as corporate power gains a stranglehold on the media, the educational conditions necessary for a democracy are undermined as politics is reduced to a spectacle, essentially both depoliticizing politics and privatizing culture. This series addresses the relationship among culture, power, politics, and democratic struggles. Focusing on how culture offers opportunities that may expand and deepen the prospects for an inclusive democracy, it draws from struggles over the media, youth, political economy, workers, race, feminism, and more, highlighting how each offers a site of both resistance and transformation.

Since 2001, two dominant worldviews have clashed in the global arena: a neoconservative nightmare of an insidious Islamic terrorist threat to civilized life, and a jihadist myth of martyrdom through the slaughter of infidels. Across the airwaves and on the ground, an ill-defined and uncontrollable war has raged between these two opposing scenarios. Deadly images and threats—from the televised beheading of Western hostages to graphic pictures of torture at Abu Ghraib, from the destruction wrought by suicide bombers in London and Madrid to civilian deaths at the hands of American occupation forces in Iraq—have polarized populations on both sides of this divide. Yet, as the noted Middle East scholar and commentator Gilles Kepel demonstrates, President Bush’s War on Terror masks a complex political agenda in the Middle East—enforcing democracy, accessing Iraqi oil, securing Israel, and seeking regime change in Iran. Osama bin Laden’s call for martyrs to rise up against the apostate and hasten the dawn of a universal Islamic state papers over a fractured, fragmented Islamic world that is waging war against itself. Beyond Terror and Martyrdom sounds the alarm to the West and to Islam that both of these exhausted narratives are bankrupt—neither productive of democratic change in the Middle East nor of unity in Islam. Kepel urges us to escape the ideological quagmire of terrorism and martyrdom and explore the terms of a new and constructive dialogue between Islam and the West, one for which Europe, with its expanding and restless Muslim populations, may be the proving ground.

An investigative roleplaying game of horrors both ancient and modern, inspired by the works of Arthur Machen and powered by the GUMSHOE system. Britain at the dawn of the 20th century. In the depths of the countryside, cults celebrate ancient rites in hidden clearings and caverns, beasts of legend emerge from their lairs to prey upon the unwary, and powerful beings of folklore and myth stir once more. In the urban sprawl of London and other cities, secret societies struggle for power and dominance, rogue alchemists pursue occult ambitions, and scientists fuse modern technology with ancient mysticism to create new horrors. This is the world of The Terror Beneath, an investigative roleplaying game inspired by the works of the master of horror, Arthur Machen. It is into this world that players will step as unwitting investigators, plucked from amongst an oblivious populace by fate, malice, or blind fortune and set against the machinations of hidden cults, the creations of mad scientists, or the unknowable motives of ancient terrors. The Terror Beneath is powered by the GUMSHOE roleplaying system, designed specifically to tell stories of mystery and investigation. With less emphasis on finding clues and more on interpreting them correctly, an investigation never stalls due to a critical clue being missed, but gives the heroes all the information they need to keep moving inexorably towards the horrors at the heart of the plot...

She would be severely beaten and likely killed if she stayed, but certainly killed if she tried to leave. Was it self-defense, or was it murder? To defend his client, one lawyer from Michigans Upper Peninsula must fmd the truth in forensic evidence and through a sensational trial, portray to the jury a drama of the life of Jean and John Davis. Raoul Revords Beyond Terror tells readers this gripping story of a battered wife who suddenly is left no choice but to end years of domestic violence by killing her abusive husband. Attorney David Chartier was spending quality time with his family in their cabin near the Upper Twin Lake when a phone call from a highly distressed woman broke the peace and serenity of that evening. It was Jean Davis, Davids longtime client, calling from the Michigan State Police Post where she is being held for her husbands murder. After years of physical and emotional abuse, Jean abruptly realized that her only chance of staying alive was to kill her husband. So begins Davids investigation, examination, gathering and analysis of forensic evidence that will provide a defense for his client. Beyond Terror follows the proceedings of the trial, beginning with Davids investigation at the scene until the final verdict from the jury and appellate decision of the Court of Appeals. A shocking and unexpected end to the novel awaits readers. A trial lawyer for forty-eight years himself, Revord delivers this fictional storybased largely on real eventswith much precision, capturing the technicalities and the drama involved in criminal proceedings. For more information on Beyond Terror, log on to www.beyondterror-novel.com.

"It is widely recognized that the Hebrew Bible is filled with rape and sexual violence. However, feminist approaches to the topic remain dominated by Phyllis Trible's 1984 Texts of Terror, which describes feminist criticism as a practice of "telling sad stories." Pushing beyond Trible, Texts after Terror offers a new framework for reading biblical sexual violence, one that draws on recent work in feminist, queer, and affect theory and activism against sexual violence and rape culture. In the Hebrew Bible as in the contemporary world, sexual violence is frequently fuzzy, messy, and icky. Fuzzy names the ambiguity and confusion that often surround experiences of sexual violence. Messy identifies the consequences of rape, while also describing messy sex and bodies. Icky points out the ways that sexual violence fails to fit into neat patterns of evil perpetrators and innocent victims. Building on these concepts, Texts after Terror offers a number of new feminist strategies and approaches to sexual violence: critiquing the framework of consent, offering new models of sexual harm, emphasizing the importance of relationships between women (even in the context of stories of heterosexual rape), reading biblical rape texts with and through contemporary texts written by survivors, advocating for "unhappy reading" that makes unhappiness and open-endedness into key feminist sites of possibility. Texts after Terror also discusses a wide range of biblical rape stories, including Dinah (Gen. 43), Tamar (2 Sam. 13), Lot's daughters (Gen. 19), Bathsheba (2 Sam. 11), Hagar (Gen. 16 and 21), Daughter Zion (Lam. 1 and 2), and the Levite's concubine (Judg. 19)"--

In Beyond the Trauma Vortex, Gina Ross proposes a collaboration between the media, trauma researchers, and helping officials in order to break the vicious cycle of trauma and violence. The media, Ross suggests, can use their tremendous influence to promote peace rather than violence and to heal wounded psyches, communities, and nations. Delving first into the destructive nature of the "trauma vortex" through a variety of individual and historical examples, Ross then offers her insight into an alternate, restorative "healing vortex." By focusing on the interrelatedness of personal and collective healing, the author makes a compelling case for why--and how--media professionals can play an influential role in effecting widespread healing for their viewers and for themselves.