Andean village life is vibrantly depicted through folk tales, stories, and art in this compendium of South American culture with a special focus on the famous Andean practice of weaving and other textile arts. The stories and paintings exhibited within take a rare, in-depth look into South American native people, their customs, everyday lives, incidents of change, and profound appreciation and celebration of the natural world, bringing forth Incan rituals and beliefs about the living earth (Pacha Mama), the majestic mountains worshipped as Apus, the sky and its "black constellations," the meanings attached to sacred water, the events of nature and ever-changing climate, and the stages of life and growth. Stories include The Gift of Quinoa, The Bear Prince, and The First Haircutting, all interspersed with distinguished, imaginative, and expansive paintings that vividly illustrate scenes of little-known but time-honored traditions, like the annual Pilgrimage to the Ice Mountain, the ceremony of Qoyllu Riti, Star of the Snow, and other events that mark the life of Inca people in the past and today.

First published in the 1950s, this is a classic account of the discovery in 1911 of the lost city of Machu Picchu. In 1911 Hiram Bingham, a pre-historian with a love of exotic destinations, set out to Peru in search of the legendary city of Vilcabamba, capital city of the last Inca ruler, Manco Inca. With a combination of doggedness and good fortune he stumbled on the perfectly preserved ruins of Machu Picchu perched on a cloud-capped ledge 2000 feet above the torrent of the Urubamba River. The buildings were of white granite, exquisitely carved blocks each higher than a man. Bingham had not, as it turned out, found Vilcabamba, but he had nevertheless made an astonishing and memorable discovery, which he describes in his bestselling book LOST CITY OF THE INCAS.

Machu Picchu, recently voted one of the New Wonders of the World, is one of the world's most famous archaeological sites, yet it remains a mystery. Even the most basic questions are still unanswered: What was its meaning and why was it built in such a difficult location? Renowned explorer Johan Reinhard attempts to answer such elusive questions from the perspectives of sacred landscape and archaeoastronomy. Using information gathered from historical, archaeological, and ethnographical sources, Reinhard demonstrates how the site is situated in the center of sacred mountains and associated with a sacred river, which is in turn symbolically linked with the sun's passage. Taken together, these features meant that Machu Picchu formed a cosmological, hydrological, and sacred geological center for a vast region.

"The best all around guide for those who've been or who are going to Machu Picchu . . . . Absolutely indispensable!"--Don Montague, president, South American Explorers. This revised edition includes newly discovered sites and full-color illustrations of real-life scenes from "National Geographic."

What's left of Machu Picchu stands as the most significant link to the marvelous Inca civilization of Peru. Now readers can explore these ruins in this compelling Where Is? title. Built in the fifteenth century and tucked away in the mountains of Peru, Machu Picchu was abandoned after the Spaniards conquered the Incan empire in the sixteenth century. It remained hidden until 1911 when Hiram Bingham uncovered the marvelous complex and shared his discovery with the world. Today, hundreds of thousands of people visit the site to climb the 3,000 stone steps, explore the towering monuments, and see the numerous species that call these famous ruins home.

Details the status of contemporary research on Incan civilization, and addresses mysteries of the founding and abandonment of Machu Picchu, charting its archaeological history from 1911 to the present.

A major contribution to both art history and Latin American studies, A Culture of Stone offers sophisticated new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and played a vital role in the unfolding of Inka history. Examining the multiple uses of stone, she argues that the Inka understood building in stone as a way of ordering the chaos of unordered nature, converting untamed spaces into domesticated places, and laying claim to new territories. Dean contends that understanding what the rocks signified requires seeing them as the Inka saw them: as potentially animate, sentient, and sacred. Through careful analysis of Inka stonework, colonial-period accounts of the Inka, and contemporary ethnographic and folkloric studies of indigenous Andean culture, Dean reconstructs the relationships between stonework and other aspects of Inka life, including imperial expansion, worship, and agriculture. She also scrutinizes meanings imposed on Inka stone by the colonial Spanish and, later, by tourism and the tourist industry. A Culture of Stone is a compelling multidisciplinary argument for rethinking how we see and comprehend the Inka past.